<div dir="ltr"><div><div class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-family:Calibri"><i style=""><span style="font-family:Arial;color:black">*Apologies for Cross Posting*</span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i style="font-size:12pt"><span style="font-family:Arial;color:black"><br></span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i style="font-size:12pt"><span style="font-family:Arial;color:black">Now Available from MIT and Project Muse:</span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i style="font-size:12pt"><span style="font-family:Arial;color:black"><br></span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i style="font-size:12pt"><span style="font-family:Arial;color:black"> <b><a href="https://www.mitpressjournals.org/toc/pajj/40/3" target="_blank" style="color:blue">PAJ 120</a> </b></span></i><a href="https://www.mitpressjournals.org/toc/pajj/40/3" target="_blank" style="font-size:12pt;font-family:Arial;color:blue">(Volume 40, No. 3, Sept 2018)</a></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial;color:black"></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><br></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Articles</span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00429" target="_blank" style="color:blue">Reza Abdoh Today: Posthumous Reflections Fifty-Five Years after His Birth</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">by Joseph Cermatori [<i>open access</i>]</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00430" target="_blank" style="color:blue">Theatre Beyond Space and Time</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">by Reza Abdoh and Gautam Dasgupta</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00431" target="_blank" style="color:blue">Adrian Piper, Then and Again</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Isaiah Matthew Wooden</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><br></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00432" target="_blank" style="color:blue">Laurie Anderson: Telling Stories in Virtual Reality</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Laurie Anderson and Bonnie Marranca</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00437" target="_blank" style="color:blue">British Theatre after Brexit: One Year On</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Aleks Sierz</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00438" target="_blank" style="color:blue">Forgetting History: Report from Berlin/Theatertreffen 2018</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Paul David Young</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00439" target="_blank" style="color:blue">Theatre and Gender Performance: WWII Italian POW Camps in East Africa</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Elena Bellina</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Art & Performance Notes</span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00434" target="_blank" style="color:blue">Does What Happened in the Club, Stay in the Club?</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Meredith Mowder</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00435" target="_blank" style="color:blue">The Thunder Inside</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Mara Valderrama</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><br></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00436" target="_blank" style="color:blue">A Conquest for the Twenty-first Century</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Kelly I. Aliano</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Play</span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00440" target="_blank" style="color:blue">Introduction: War in Everyday Life in Russia</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Ania Aizman</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00441" target="_blank" style="color:blue">Are We at War Yet?</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Mikhail Durnenkov and Ania Aizman</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"> </span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Books Review Essay</span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial"><br></span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_r_00442" target="_blank" style="color:blue">Theatres of War</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-fa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