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<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">(With apologies for cross-posting)<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">View this CFP online:
</span><a href="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.performancephilosophy.org%2Fjournal%2Fannouncement%2Fview%2F6&data=01%7C01%7Ctheron.schmidt%40kcl.ac.uk%7Cebe3b753ee8a4e011f1308d623b26269%7C8370cf1416f34c16b83c724071654356%7C0&sdata=7z9zAJTu5lX6n%2FRRU45ioWch7cUIAhnW62lpj8VtsIM%3D&reserved=0"><span style="font-family:"Cambria",serif">https://www.performancephilosophy.org/journal/announcement/view/6</span></a><span style="font-family:"Cambria",serif">
</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Download as PDF: </span>
<a href="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.performancephilosophy.org%2Fwordpress%2Fwp-content%2Fuploads%2F2018%2F09%2FCFP-Performance-Philosophy-Arendt.pdf&data=01%7C01%7Ctheron.schmidt%40kcl.ac.uk%7Cebe3b753ee8a4e011f1308d623b26269%7C8370cf1416f34c16b83c724071654356%7C0&sdata=KH0UNiXkRHUgl33jAdpcSJ6%2F20qSFrZVB8Jtxzoo8P8%3D&reserved=0"><span style="font-family:"Cambria",serif">https://www.performancephilosophy.org/wordpress/wp-content/uploads/2018/09/CFP-Performance-Philosophy-Arendt.pdf</span></a><span style="font-family:"Cambria",serif">
</span><o:p></o:p></p>
<p class="MsoNormal"><b><span style="font-family:"Cambria",serif"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span style="font-family:"Cambria",serif">Call for articles: “Sites of appearance, matters of thought: Hannah Arendt and Performance Philosophy”
</span></b><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Special issue of </span>
<a href="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.performancephilosophy.org%2Fjournal&data=01%7C01%7Ctheron.schmidt%40kcl.ac.uk%7Cebe3b753ee8a4e011f1308d623b26269%7C8370cf1416f34c16b83c724071654356%7C0&sdata=3%2BQ2PyzJp4o%2F6yKxVP19167I33nYln1nshPSI2%2FvQb0%3D&reserved=0"><i><span style="font-family:"Cambria",serif">Performance
Philosophy</span></i></a><i><span style="font-family:"Cambria",serif"><br>
</span></i><span style="font-family:"Cambria",serif">edited by Diana Damian Martin and Theron Schmidt
</span><o:p></o:p></p>
<p class="MsoNormal"><i><span style="font-family:"Cambria",serif">Articles due for peer-review: 1 Feb 2019<br>
Publication: June 2019</span></i><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:0cm;margin-right:42.55pt;margin-bottom:3.0pt;margin-left:42.55pt">
<span style="font-family:"Cambria",serif">In this world which we enter, appearing from a nowhere, and from which we disappear into a nowhere,
<i>Being and Appearing coincide</i>…. Nothing and nobody exists in this world whose very being does not presuppose a spectator.
</span><o:p></o:p></p>
<p class="MsoNormal" align="right" style="mso-margin-top-alt:0cm;margin-right:42.55pt;margin-bottom:12.0pt;margin-left:42.55pt;text-align:right">
<span style="font-family:"Cambria",serif">(Arendt [1971] (1978), 19) </span><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:0cm;margin-right:42.55pt;margin-bottom:3.0pt;margin-left:42.55pt">
<span style="font-family:"Cambria",serif">[T]hinking is always out of order, interrupts all ordering activities and is interrupted by them.</span><o:p></o:p></p>
<p class="MsoNormal" align="right" style="mso-margin-top-alt:0cm;margin-right:42.55pt;margin-bottom:0cm;margin-left:42.55pt;margin-bottom:.0001pt;text-align:right;text-indent:29.45pt">
<span style="font-family:"Cambria",serif">(Arendt [1971] 1978, 197)</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">We live in Arendtian times. Though it would give her no comfort to know it, Hannah Arendt’s 1951
<i>The Origins of Totalitarianism</i> is in near constant citation during these times of strong-man populism and resurgent ethnic nationalism. After the 2016 US election, Arendt’s book was reportedly out-of-stock on Amazon (Griswold 2017), and Arendt scholar
Roger Berkowitz (2017) provides a thorough analysis of its relevance to alt-right politics and the rise of Donald Trump. Meanwhile, Arendt’s diagnosis of the predicament of those fleeing persecution and abandoning their countries of birth—as she herself did
(“We Refugees”, [1943] 1994)—remains all too relevant, and her discussion of “the right to have rights” (Arendt [1951] 1973, 267–302) prefigures recent analyses by Agamben (1995, 2005), Rancière (2004), Gündogdu (2015), and others. Arendt’s work has also inspired
artistic and activist interventions: in 2015, for example, Tania Bruguera launched the
<i>Hannah Arendt International Institute for Artivism</i> in Havana with a hundred-hour reading of
<i>The Origins of Totalitarianism</i>. Arendt’s philosophy is an activist philosophy, in which thinking and doing are inseparable.
</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">A political performance philosophy might take inspiration from Arendt’s conception of politics, which might be called a performative politics, articulated in her conception of “action”. Rather than
restricting politics to the operations of coercion and brute force, or a politics oriented toward certain ends, Arendt was interested in “spaces of appearance”, which “come into being whenever [persons] are together in the manner of speech and action, and
therefore predates and precedes all formal constitution of the public realm and the various forms of government” (Arendt [1958] 1998, 199). This Arendtian performative politics is also one predicated on a gentle conflict, a “warfare between thought and common
sense” (Arendt [1971] 1978, 80)—one with contentious differentiations between the social and the political, but also one where thought and collectivity are necessarily embroiled. This conflict shaped Arendt’s presence as a woman working in political philosophy,
whose place in intersectional debates on democracy, citizenship, and the politics of exclusion remains an ongoing debate (Pitkin 1981, Young-Bruehl 1982, Dietz 2002), offering a poetics of the publicness of political life.
</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Indeed, we can see something of “an Arendtian turn” in certain aspects of recent political philosophy: in Chantal Mouffe’s distinction between politics and “the political” (Mouffe 2000, 20); in
Jacques Rancière’s idea of the “partition of the sensible” in which “Politics, before all else, is an intervention in the visible and the sayable” (Rancière 2009, 13); in Jean-Luc Nancy’s account of “co-appearance” or “compearance” (Nancy [1986] 1991) and
the plurality of being (Nancy [1996] 2000); in Giorgio Agamben’s biopolitics (Agamben [1995] 1998); in Wendy Brown’s investigation of neoliberalism’s undoing of the
<i>demos</i> (Brown 2015); and in Judith Butler’s explicit invocation of Arendt in relation to the “movement of the squares” and arguments for agency in plurality (Butler and Athanasiou 2013; Butler 2015). Whereas Arendt herself focused perhaps too much on
an idealised view of the Greek <i>polis</i> (Euben 2000), a performance philosophy might ask where and how these spaces of appearance can emerge, and in what ways performance is a modus of thinking the political in Arendtian philosophy.
</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Performance philosophy might also take inspiration from the example of Arendt herself: who and how she was in the world. “No theories. Forget all theories,” were reportedly her first words to her
students (Arendt 2009, xxii), and she advocated a philosophy that was actively engaged in the world—sometimes described as a “hermeneutic phenomenology” (Borren 2013). As a public thinker, she gained widespread attention for the way in which she bore witness
to the Eichmann trial (Arendt [1963] 2006); and she kept an intellectual diary, her
<i>Denktagebuch</i>, as an extraordinary document of her intellectual journey through her life (see Storey and Berkowitz 2017). Her work on thinking as always “out of order”, “interrupting all other activities” (Arendt [1971] 1978, 197), and her unfinished
examination of judgment, offer a resistant poiesis of critical thinking, whereby critique is an embodied operation of withdrawal, action, and appearance. To Arendt, as in her work, thinking is a kind of seizing, a searching for what is beyond its reach, and
what is already in appearance. </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">This issue of <i>Performance Philosophy</i> is dedicated to the thresholds, borders and dialogues between Hannah Arendt’s philosophy and performance. Arendt’s life-long inquiry into the nature of
political experience and rule asks questions not only about the process of thinking and the condition of plurality, but also about appearance, freedom, dissent, and authority. In her thinking from and with history, her engagement with the realms of the social
and political, and her probing of questions of authority and legislation as much as those of sensing, togetherness, and citizenship, Arendt’s work provides a point of entry to thinking through and on appearance as a political problem, and thinking as a problem
of appearance. </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">What kind of thinking does appearance make happen in performance, and what kinds of appearance does performance make in Arendt’s work? What kinds of conflicts and tensions—between public and private,
social and political—emerge across Arendt’s work, when confronted with our current political moment? How might we think action, and how might performance engage with appearance? We invite contributions to this special issue that engage directly with Arendt’s
ideas, or that use the themes of Arendt’s work as points of departure in relation to artistic and activist projects, including:</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family:"Cambria",serif"> </span><o:p></o:p></p>
<ul style="margin-top:0cm" type="disc">
<li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">The poetics and politics of appearance; making politics appear</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Plurality, collectivity, and processes of performance
</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Performance under and against totalitarianism and ethnic nationalism</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Movement and migration; the refugee crisis and “the right to have rights”; refugees as “the vanguard of their peoples” (Arendt [1943] 1994)</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Performance as thinking; withdrawal from the world of appearances (Arendt [1971] 1978, 75); the resistant possibilities of thinking as “out of order” (Arendt [1971] 1978, 197)</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">“Work”, “Labour”, and “Action” in and as performance
</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Feminism, Arendt, and the social</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Natality, making-new, and feminist/intersectional readings of Arendt
</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Judgment as made possible by “the presence of others”, or judgment as “enlarged thought” (Arendt [1982] 1992, 42)</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">The “unnatural growth of the natural” (Arendt [1958] 1993, 47); posthumanism, Arendt, and action</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">The Eichmann trial, the “banality of evil”, and the responsibility to witness</span><o:p></o:p></li><li class="MsoNormalCxSpMiddle" style="margin-bottom:6.0pt;mso-add-space:auto;text-align:justify;mso-list:l2 level1 lfo3">
<span style="font-family:"Cambria",serif">Arendt, Benjamin, and gesture as intervention
</span><o:p></o:p></li></ul>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Queries about suitability of topic or approach are welcome: email us at
</span><a href="mailto:proposals@performancephilosophy.org"><span style="font-family:"Cambria",serif">proposals@performancephilosophy.org</span></a><span style="font-family:"Cambria",serif">
</span><o:p></o:p></p>
<h2><span style="font-size:11.0pt">About Performance Philosophy</span><o:p></o:p></h2>
<p class="MsoNormal"><span lang="EN-AU" style="font-family:"Cambria",serif;mso-fareast-language:EN-AU">Performance Philosophy is an emerging interdisciplinary field of thought, creative practice and scholarship, supported by an international network of over
2000 scholars and artists. As an international, peer-reviewed, open access journal,
<i>Performance Philosophy</i> publishes articles that interrogate what this field might be, and that test the relationship between performance and philosophy in all its possible configurations, including the philosophy of performance as well as performance-as-philosophy
and philosophy-as-performance. </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-AU" style="font-family:"Cambria",serif;mso-fareast-language:EN-AU">We are interested in scholarship that draws on a broad range of philosophical traditions, concerned with any aspect of philosophy, whether from Continental
or Analytic traditions or beyond, and with any discipline or definition of performance, including but not limited to drama, theatre, dance, performance art, live art, and music.</span><o:p></o:p></p>
<h2><span style="font-size:11.0pt;background:white">Schedule:</span><o:p></o:p></h2>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Full articles due 1 February 2019. This issue is scheduled for publication in June 2019.</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-family:"Cambria",serif;background:white">For full details see<b>
</b></span><o:p></o:p></p>
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<h2><span style="font-size:11.0pt">Peer-Review Process</span><o:p></o:p></h2>
<p class="MsoNormal"><span style="font-family:"Cambria",serif">Performance Philosophy operates a system of double-blind peer review. Every article that is accepted for consideration will be evaluated by two external referees, selected by the Editors based on
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<h2><span style="font-size:11.0pt">References</span><o:p></o:p></h2>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Agamben, Giorgio. 1995. “We Refugees.”
<i>Symposium: A Quarterly Journal in Modern Literatures</i> 49 (2): 114–19.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. (1995) 1998.
<i>Homo Sacer: Sovereign Power and Bare Life</i>. Translated by Daniel Heller-Roazen. Stanford: Stanford University Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. 2005.
<i>State of Exception</i>. Translated by Kevin Attell. Chicago: University of Chicago Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Arendt, Hannah. (1943) 1994. “We Refugees.” In
<i>Altogether Elsewhere: Writers On Exile</i>, edited by Marc Robinson, 110–19. London: Faber and Faber.
</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">——— (1951) 1973.
<i>The Origins of Totalitarianism</i>. New York: Harvest/HBJ.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. (1958) 1998.
<i>The Human Condition</i>. 2nd ed. Chicago: University of Chicago Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. (1963) 2006.
<i>Eichmann in Jerusalem: A Report on the Banality of Evil</i>. New York: Penguin Classics.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. (1971) 1978.
<i>The Life of the Mind</i>. One-volume edition. New York: Harvest/HBJ.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. (1982) 1992.
<i>Lectures on Kant's Political Philosophy</i>. Edited by Ronald Beiner. Chicago: University of Chicago Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. 2009.
<i>The Promise of Politics</i>. Edited by Jerome Kohn. New York: Schocken.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Berkowitz, Roger. 2017. “Why Arendt Matters: Revisiting ‘The Origins of Totalitarianism.’”
<i>Los Angeles Review of Books</i>, March 19, 2017. </span><a href="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Flareviewofbooks.org%2Farticle%2Farendt-matters-revisiting-origins-totalitarianism%2F&data=01%7C01%7Ctheron.schmidt%40kcl.ac.uk%7Cebe3b753ee8a4e011f1308d623b26269%7C8370cf1416f34c16b83c724071654356%7C0&sdata=xvTg8wV5Qziso2scfx40v%2FbEm6PWZgRU90WSaejzQ24%3D&reserved=0"><span style="font-size:11.0pt">https://lareviewofbooks.org/article/arendt-matters-revisiting-origins-totalitarianism/</span></a><span style="font-size:11.0pt">.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Bernstein, Richard J. 2018.
<i>Why Read Hannah Arendt Now</i>. Cambridge: Polity.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:3.0pt;margin-left:36.0pt;text-indent:-36.0pt;text-autospace:none">
<span style="font-family:"Cambria",serif">Brown, Wendy. 2013. <i>Undoing the Demos: Neoliberalism’s Stealth Revolution</i>. London: Zone.
</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Borren, Marieke. 2013. “‘A Sense of the World’: Hannah Arendt’s Hermeneutic Phenomenology of Common Sense.”
<i>International Journal of Philosophical Studies</i> 21 (2): 225–55.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Butler, Judith. 2015.
<i>Notes Toward a Performative Theory of Assembly</i>. Cambridge, MA: Harvard University Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Butler, Judith, and Athena Athanasiou. 2013.
<i>Dispossession: The Performative in the Political</i>. Cambridge: Polity.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:3.0pt;margin-left:36.0pt;text-indent:-36.0pt;text-autospace:none">
<span style="font-family:"Cambria",serif">Dietz, Mary. 2002. <i>Turning Operations: Feminism, Arendt, Politics.
</i>London: Routledge.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span lang="DE-AT" style="font-size:11.0pt">Euben, J. Peter. 2000. “Arendt’s Hellenism.”
</span><span style="font-size:11.0pt">In <i>The Cambridge Companion to Hannah Arendt</i>, edited by Dana Villa, 151–64. Cambridge: Cambridge University Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Griswold, Alison. 2017. “‘The Origins of Totalitarianism,’ Hannah Arendt’s Definitive Guide to Tyranny, Has Sold out on Amazon.”
<i>Quartz</i>. January 30, 2017. </span><a href="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fqz.com%2F897517%2Fthe-origins-of-totalitarianism-hannah-arendts-defining-work-on-tyranny-is-out-of-stock-on-amazon%2F&data=01%7C01%7Ctheron.schmidt%40kcl.ac.uk%7Cebe3b753ee8a4e011f1308d623b26269%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Ldgh1exS5wv%2F9jvBF3Rd%2FD%2FCtelmlAog1XyCSstQExo%3D&reserved=0"><span style="font-size:11.0pt">https://qz.com/897517/the-origins-of-totalitarianism-hannah-arendts-defining-work-on-tyranny-is-out-of-stock-on-amazon/</span></a><span style="font-size:11.0pt">.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Gündogdu, Ayten. 2015.
<i>Rightlessness in an Age of Rights: Hannah Arendt and the Contemporary Struggles of Migrants</i>. Oxford: Oxford University Press.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:3.0pt;margin-left:36.0pt;text-indent:-36.0pt">
<span style="font-family:"Cambria",serif">Honig, Bonnie, ed. 1995. <i>Feminist Interpretations of Hannah Arendt</i>. University Park: Pennsylvania State University Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Mouffe, Chantal. 2000.
<i>The Democratic Paradox</i>. London: Verso.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">Nancy, Jean-Luc. (1986) 1991.
<i>The Inoperative Community</i>. Translated by Peter Connor. Minneapolis: University of Minnesota Press.</span><o:p></o:p></p>
<p class="MsoBibliography" style="margin-bottom:3.0pt"><span style="font-size:11.0pt">———. (1996) 2000.
<i>Being Singular Plural</i>. Translated by Robert D. Richardson. Stanford: Stanford University Press.</span><o:p></o:p></p>
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<span style="font-family:"Cambria",serif">Nelson, Deborah. 2017. <i>Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil.
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<span style="font-family:"Cambria",serif">Pitkin, Hanna Fenichel. 1981. “Justice: On Relating Private and Public.”
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<span style="font-family:"Cambria",serif">Zerilli, Linda M.G. 2005. “We Feel Our Freedom: Imagination and Judgment in the Thought of Hannah Arendt.”
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