<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class="">Dear colleagues, <br class=""><br class="">Please join us on<b class=""> February 5, 5-6pm,</b> to celebrate the publication of CTR 176 on Choreographies of Assembly. This is a free event at the start of a jam-packed night of Progress festival programming, including two other fantastic events on the politics of movement: a tour of the "It's about Time: Dancing Black in Canada 1900-1970" exhibit, curated by Seika Boye; and "Poor People’s TV Room SOLO," created and performed by Okwui Okpokwasili, an installation "that considers duration and urgent complaint as critical aspects of an embodied protest practice." <br class=""><br class="">For more information on the issue, see: <a href="https://ctr.utpjournals.press/toc/ctr/176" class="">https://ctr.utpjournals.press/toc/ctr/176</a><br class=""><br class="">Hope to see you there,<br class="">Alana & Laura</div><div><div class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class=""><div class=""><pre style="font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: center; text-indent: 0px; 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font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px; color: rgb(64, 63, 66); display: block; word-wrap: break-word; line-height: 1.2; padding: 10px 20px;" class=" editor-text"><div class=""></div><div class="galileo-ap-content-editor text-container"><div class=""><div align="center" style="text-align: center;" class=""><a href="http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==" target="_blank" style="text-decoration: none; font-size: 16px; color: rgb(36, 84, 112); font-family: Calibri, Helvetica, Arial, sans-serif; font-weight: bold;" class="">Join us as we celebrate the launch of CTR 176 on “Choreographies of Assembly,” with free snacks and appearances and readings from the contributors.</a></div></div></div></td></tr></tbody></table></div></td></tr></tbody></table><table width="100%" cellpadding="0" cellspacing="0" border="0" style="border-collapse: collapse; table-layout: fixed; min-width: 100%;" class="galileo-ap-layout-editor"><tbody class=""><tr class=""><td width="100%" align="left" valign="top" class="content editor-col OneColumnMobile"><div class="gl-contains-text"><table width="100%" cellpadding="0" cellspacing="0" border="0" style="border-collapse: collapse; table-layout: fixed;" class=""><tbody class=""><tr class=""><td align="left" valign="top" style="-webkit-font-smoothing: antialiased; font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px; color: rgb(64, 63, 66); display: block; word-wrap: break-word; line-height: 1.2; padding: 10px 20px;" class="editor-text content-text"><div class=""></div><div class="galileo-ap-content-editor text-container"><div class=""><div class=""><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">On Tuesday, February 5th, from 5:00pm to 6:00pm @</span><a href="http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8LWJgpJ-nKuREA-YXiWxcDbGxA9mqM19dHPRvUHz7cAFsQCSuyIYnAAZ8W-2ncGmSnxVbwAo7Oyzb8QRN9EHtWFaqS9LYexSP&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==" target="_blank" style="text-decoration: none; font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; color: rgb(58, 84, 106);" class=""> </a><a href="http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8LWJgpJ-nKuREA-YXiWxcDbGxA9mqM19dHPRvUHz7cAFsQCSuyIYnAAZ8W-2ncGmSnxVbwAo7Oyzb8QRN9EHtWFaqS9LYexSP&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==" target="_blank" style="text-decoration: none; font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; color: rgb(36, 84, 112); font-weight: bold;" class="">The Theatre Centre Café</a><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">, </span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; font-style: italic;" class="">CTR</span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class=""> will launch issue 176 as a part of </span><a href="http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==" target="_blank" style="text-decoration: none; font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; color: rgb(36, 84, 112); font-weight: bold;" class="">Progress, </a><a href="http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==" target="_blank" style="text-decoration: none; font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; color: rgb(76, 76, 76);" class="">an international festival of performance and ideas</a> (<span class="">FREE EVENT)</span><span style="color: rgb(76, 76, 76);" class="">.</span></div><div class=""><br class=""></div><div class=""><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">In this historical moment of Women’s Marches, Black Lives Matter, Occupy, and the Idle No More “round dance revolution”; of flash mobs and pop-up culture; of relational art and postdramatic performance practices, we must think seriously about what is at stake in gathering and moving together in public spaces.</span></div><div class=""><br class=""></div><div class=""><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">T</span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">he latest issue of </span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; font-style: italic;" class="">Canadian Theatre Review</span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class=""> challenges readers to rethink how public spaces shape our interactions. In examining the various public gatherings crowding contemporary Canadian streets, the issue mobilizes the question of what constitutes the choreopolitics of assembly. Who is the “we” that assembles, and how is it that we are physically constituted through performance? How do mass gatherings in public space give form to geopolitical relations? To what extent are these gatherings manifestations of, and reactions to, contemporary neoliberal capitalism and settler colonialism? And how are they ghosted by histories of public assembly in Canada and beyond? </span></div></div></div></td></tr></tbody></table></div></td></tr></tbody></table><table width="100%" cellpadding="0" cellspacing="0" border="0" style="border-collapse: collapse; table-layout: fixed; min-width: 100%;" class="galileo-ap-layout-editor"><tbody class=""><tr class=""><td width="100%" align="left" valign="top" class="signature editor-col OneColumnMobile"><div class="gl-contains-text"><table width="100%" cellpadding="0" cellspacing="0" border="0" style="border-collapse: collapse; table-layout: fixed;" class=""><tbody class=""><tr class=""><td align="left" valign="top" style="-webkit-font-smoothing: antialiased; font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px; color: rgb(64, 63, 66); display: block; word-wrap: break-word; line-height: 1.2; padding: 10px 20px;" class="editor-text signature-text"><div class=""></div><div class="galileo-ap-content-editor text-container"><div class=""><div align="center" style="text-align: center;" class=""><span style="font-size: 20px; 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table-layout: fixed; min-width: 100%;" class="galileo-ap-layout-editor"><tbody class=""><tr class=""><td width="100%" align="" valign="top" bgcolor="E0E0E0" style="background-color: rgb(224, 224, 224);" class=" editor-col OneColumnMobile"><div class="gl-contains-text"><table width="100%" cellpadding="0" cellspacing="0" border="0" style="border-collapse: collapse; table-layout: fixed;" class=""><tbody class=""><tr class=""><td align="left" valign="top" style="-webkit-font-smoothing: antialiased; font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px; color: rgb(64, 63, 66); display: block; word-wrap: break-word; line-height: 1.2; padding: 10px 20px;" class=" editor-text"><div class=""></div><div class="galileo-ap-content-editor text-container"><div class=""><div class=""><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">The </span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; font-style: italic;" class="">Canadian Theatre Review</span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class=""> features thought-provoking plays and articles on current issues and trends in Canadian theatre. </span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif; font-style: italic;" class="">CTR </span><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.</span></div><div class=""><br class=""></div><div class=""><span style="font-size: 16px; font-family: Calibri, Helvetica, Arial, sans-serif;" class="">Available in print and online at </span><a href="http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvMOa5D-65QGXfNSnSO5N2QWWCdf2-3tub1ft8lQ9IUWv5AEBMOqTIl8tRhHedPvv0ERWtBvkVATM_6Sbt4x1r9U=&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==" target="_blank" style="text-decoration: none; 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