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<div class="">Dear colleagues,<br class="">
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<div class="">The next issue of Theatre Research International 44.1 is now available online, <a href="https://www.cambridge.org/core/journals/theatre-research-international" class="">https://www.cambridge.org/core/journals/theatre-research-international</a></div>
<div class="">This is the inaugural issue of new editorial team with Fintan Walsh (Birkbeck, University of London) as Senior Editor, Silvija Jestrovic (Warwick University) as Associate Editor and Tanya Dean (Ulster University) as Assistant Editor. </div>
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<div class="">Free access articles include:</div>
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<ul style="box-sizing: border-box; margin: 0px; padding: 0px 0px 20px; border: 0px; font-variant-ligatures: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: "noto sans", Helvetica, Roboto, Arial, sans-serif; font-size: 13px; vertical-align: baseline; list-style: none; -webkit-font-smoothing: antialiased; width: 795.734px; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);" class="details">
<li class="title" style="color: rgb(51, 51, 51); box-sizing: border-box; margin: 0px 0px 4px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-weight: 700; font-stretch: inherit; line-height: 19px; font-size: 14px; vertical-align: baseline; -webkit-font-smoothing: antialiased;">
<a href="https://www.cambridge.org/core/journals/theatre-research-international/article/remembering-the-finnish-civil-war-embodied-empathy-and-fellman-field/53FF46E8520E51446C4D400ECCD89393" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; transition: all 0.3s ease 0s; cursor: pointer; clear: both; display: inline-block; width: 795.734px; color: rgb(0, 111, 202) !important;" class="part-link">Remembering
the Finnish Civil War: Embodied Empathy and <span style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: italic; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;" class="italic">Fellman
Field</span></a></li><li class="author" style="color: rgb(89, 89, 89); box-sizing: border-box; margin: 0px 0px 8px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; vertical-align: baseline; -webkit-font-smoothing: antialiased;">
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HANNA%20KORSBERG&eventCode=SE-AU" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; text-decoration: none; transition: all 0.3s ease 0s; clear: both; cursor: pointer; color: rgb(0, 111, 202) !important;" class="more-by-this-author">HANNA
KORSBERG</a>, <a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=LAURA-ELINA%20AHO&eventCode=SE-AU" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; text-decoration: none; transition: all 0.3s ease 0s; clear: both; cursor: pointer; color: rgb(0, 111, 202) !important;" class="more-by-this-author">LAURA-ELINA
AHO</a>, <a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=IRIS%20CHASSANY&eventCode=SE-AU" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; text-decoration: none; transition: all 0.3s ease 0s; clear: both; cursor: pointer; color: rgb(0, 111, 202) !important;" class="more-by-this-author">IRIS
CHASSANY</a>, <a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SOFIA%20VALTANEN&eventCode=SE-AU" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; text-decoration: none; transition: all 0.3s ease 0s; clear: both; cursor: pointer; color: rgb(0, 111, 202) !important;" class="more-by-this-author">SOFIA
VALTANEN</a></li><li class="author" style="color: rgb(89, 89, 89); box-sizing: border-box; margin: 0px 0px 8px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; vertical-align: baseline; -webkit-font-smoothing: antialiased;">
<font class=""><span style="font-style: inherit; font-variant-caps: inherit; box-sizing: border-box; margin-bottom: 2px; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; transition-duration: 0.3s; clear: both; cursor: pointer;" class=""><a href="https://doi.org/10.1017/S0307883318000810" class="">https://doi.org/10.1017/S0307883318000810</a></span></font></li><li class="author" style="box-sizing: border-box; margin: 0px 0px 8px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; vertical-align: baseline; -webkit-font-smoothing: antialiased;">
This article is also accompanied by a blog post which can be accessed her<font class="">e: </font><a href="http://blog.journals.cambridge.org/2019/04/04/on-collaborative-research-and-writing/" class="">http://blog.journals.cambridge.org/2019/04/04/on-collaborative-research-and-writing/</a></li><li class="author" style="box-sizing: border-box; margin: 0px 0px 8px; padding: 0px; border: 0px; font-style: inherit; font-variant-ligatures: inherit; font-variant-position: inherit; font-variant-caps: inherit; font-variant-numeric: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; vertical-align: baseline; -webkit-font-smoothing: antialiased;">
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<span style="font-size: 14px; color: rgb(0, 114, 207);" class=""><b class="">Theatre Research International</b><br class="">
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</span><span style="color: rgb(0, 114, 207);" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3a5f56d60ff811f82d9f4b615c26a804dffab1687b3cd35d713ce2f6409cb93ced113ac8000fb88cd26ac6c678857a1dd3d3a3985971f1705" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Volume
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<b class="">Published Online April 2019</b><br class="">
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<span style="font-size: 14px;" class="">Editorial</span></td>
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e37676f5536db53a32ab579bc69394d6357e63a9c7757262e86fea171ea318d01ba86245008c1609b6cde5bcec3a878f35817550b55f11029f" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Editorial: On Moving and Being Moved</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">FINTAN WALSH</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e37676f5536db53a32ab579bc69394d6357e63a9c7757262e86fea171ea318d01ba86245008c1609b6cde5bcec3a878f35817550b55f11029f" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 1 - 5<br class="">
doi: 10.1017/S0307883318001037 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3427b135663a17e173b07daf3f0015f82e86574176b1437e09a4fcedb384a2d2b952d7fa531e73ff80c986d57c85bf0e72dfcda36348a59bb" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Remembering the Finnish Civil War: Embodied Empathy and<span class="Apple-converted-space"> </span><span class="italic" style="font-style: italic;">Fellman Field</span></div>
</a><br class="">
<span style="font-size: 10px !important;" class="">HANNA KORSBERG, LAURA-ELINA AHO, IRIS CHASSANY, SOFIA VALTANEN</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3427b135663a17e173b07daf3f0015f82e86574176b1437e09a4fcedb384a2d2b952d7fa531e73ff80c986d57c85bf0e72dfcda36348a59bb" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 6 - 22<br class="">
doi: 10.1017/S0307883318000810 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35679f898b544c4ba399ebd3c12744b286700917ea673c634df32f5f9eee49bb6acaabe5e84f3c4b22802dd09ab6a56b7994a9e730bb0183d" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Staging Sochi 2014: The Soft Power of Geocultural Politics in the Olympic Opening Ceremony</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">SUSAN TENNERIELLO</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35679f898b544c4ba399ebd3c12744b286700917ea673c634df32f5f9eee49bb6acaabe5e84f3c4b22802dd09ab6a56b7994a9e730bb0183d" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 23 - 39<br class="">
doi: 10.1017/S0307883318000822 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3af3483990cee312a548c0b7e0ea1012380670280f98c83d6652dce5fc0af2e53acd13ff29b6c634efc65bd4478053a2f0bbf757bec152627" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Wayang</span><span class="Apple-converted-space"> </span>in<span class="Apple-converted-space"> </span><span class="italic" style="font-style: italic;">Jaman Now</span>: Reflexive Traditionalization
and Local, National and Global Networks of Javanese Shadow Puppet Theatre</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">MATTHEW ISAAC COHEN</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3af3483990cee312a548c0b7e0ea1012380670280f98c83d6652dce5fc0af2e53acd13ff29b6c634efc65bd4478053a2f0bbf757bec152627" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 40 - 57<br class="">
doi: 10.1017/S0307883318000834 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class="">Theatre and Migration Dossier</span></td>
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35055bf9722f86b0a6b7b21c32718a805e571ceada9c7b49c820bc6ef6d73c149e42285ec094a4fa7503924bf74ca1f417b1d606a60fd3e82" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Haitian Vodou and Migrating Voices</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">SABINE KIM</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35055bf9722f86b0a6b7b21c32718a805e571ceada9c7b49c820bc6ef6d73c149e42285ec094a4fa7503924bf74ca1f417b1d606a60fd3e82" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 58 - 63<br class="">
doi: 10.1017/S0307883318000998 Published Online on 3 April 2019<br class="">
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<div class="title">Maritime Migrations: Stewards of the African Grove</div>
</a><br class="">
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</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3a2c61aa437ddc0ac39b488f95ced3b662bc674d945432711f5d66e7519c71bce2f24dac567ee4dfcf4cd43ce8bbd1f93e0a021b03151ce30" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 64 - 70<br class="">
doi: 10.1017/S0307883318000962 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e38bfce138f6d8b29b20eb9e5391e7b06eff7e3a7b87ed0af84187b35563d6dea682f56d8fc993454f0718b18da44a1b2965cb43eb40bd9367" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Trans-lating<span class="Apple-converted-space"> </span><span class="italic" style="font-style: italic;">Hijra</span><span class="Apple-converted-space"> </span>Identity: Performance Culture as Politics</div>
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</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e38bfce138f6d8b29b20eb9e5391e7b06eff7e3a7b87ed0af84187b35563d6dea682f56d8fc993454f0718b18da44a1b2965cb43eb40bd9367" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 71 - 75<br class="">
doi: 10.1017/S0307883318000925 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3d22f8d43c6e1b6c3e4100bdeb77035c310345ef9b49bc129d4d684d4a00568904c886e2d6b814e11d6b5ebcbb39bfb49f079cedaea8ca962" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Performing Public Presence: African Migrant Women Create<span class="Apple-converted-space"> </span><span class="italic" style="font-style: italic;">Uncomfortable Conversations</span><span class="Apple-converted-space"> </span>in London</div>
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<span style="font-size: 10px !important;" class="">LESLEY DELMENICO</span><span class="Apple-converted-space"> </span><br class="">
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Research International, Volume 44 / Issue 1</a>, March 2019, pp 76 - 81<br class="">
doi: 10.1017/S0307883318001025 Published Online on 3 April 2019<br class="">
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<div class="title">Responding to Per.Art's<span class="Apple-converted-space"> </span><span class="italic" style="font-style: italic;">Dis_Sylphide</span>: Six Voices from IFTR's Performance and Disability Working Group</div>
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<span style="font-size: 10px !important;" class="">MARGARET AMES, DAVE CALVERT, VIBEKE GLØRSTAD, KATE MAGUIRE-ROSIER, TONY MCCAFFREY, YVONNE SCHMIDT</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e332feb9f24451a437d0d952ffb4020bfe71a05708b5b1145ce2146689a8492782b84e53b639f2f89b3814ce48134fba6080fa3fdcb79d56c4" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 82 - 101<br class="">
doi: 10.1017/S0307883318000846 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class="">Book review</span></td>
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f21b6aa3caf2e937a9d2c4c447a79f34a4d3bc1d33728e385144b129b7223e9d20f63d83f5dd0d01088702a0e882ac6a8d8877c0a2a90961" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815</span>. Edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff. Oxford: Oxford University Studies in
the Enlightenment, 2018. Pp. xii + 392 + 10 illus. £75/€90/$110 Pb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Katherine Astbury</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f21b6aa3caf2e937a9d2c4c447a79f34a4d3bc1d33728e385144b129b7223e9d20f63d83f5dd0d01088702a0e882ac6a8d8877c0a2a90961" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 102 - 103<br class="">
doi: 10.1017/S0307883318000731 Published Online on 3 April 2019<br class="">
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<td align="left" style="font-family: Helvetica, Arial, sans-serif; font-size: 12px; line-height: 1.5;" class="">
<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3863dba84886b873940422e46c94080f06034f67393beec6faf08c1bb4fb2f66bc6cd6d09e518bf32a22d16e3110dcee0efcb3c73158c1bd1" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Rape on the Contemporary Stage</span>. By Lisa Fitzpatrick. Basingstoke: Palgrave Macmillan, 2018. Pp. vii + 281. £79.00/$99.99 Hb; £62.99/$79.99 Ebook.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Laura Baglereau</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3863dba84886b873940422e46c94080f06034f67393beec6faf08c1bb4fb2f66bc6cd6d09e518bf32a22d16e3110dcee0efcb3c73158c1bd1" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 103 - 104<br class="">
doi: 10.1017/S0307883318000743 Published Online on 3 April 2019<br class="">
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<td align="left" style="font-family: Helvetica, Arial, sans-serif; font-size: 12px; line-height: 1.5;" class="">
<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e31e09d8411ab1804512f65449384243b2f14e80a2b67f218c60c8deea737eaf5552751a86267976aead0b3b04480be778af13cb3103fbca0e" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Poverty and Charity in Early Modern Theater and Performance</span>. By Robert Henke. Iowa City: University of Iowa Press, 2015. Pp. xiii + 202. $55 Hb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Dylan Ferrara</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e31e09d8411ab1804512f65449384243b2f14e80a2b67f218c60c8deea737eaf5552751a86267976aead0b3b04480be778af13cb3103fbca0e" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 104 - 105<br class="">
doi: 10.1017/S0307883318000755 Published Online on 3 April 2019<br class="">
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<td align="left" style="font-family: Helvetica, Arial, sans-serif; font-size: 12px; line-height: 1.5;" class="">
<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3ebb5aedcee198a84c015a0f24858aa222496bd575ce47a8b974197a5a8097bdfbe0802b41246fbce6a0589eb87fca7c48ad743b2387d4083" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Performing Statelessness in Europe</span>. By Stephen E. Wilmer. London and New York: Palgrave Macmillan, 2018. Pp. ix + 245 + illus. £79 Hb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Philip Hager</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3ebb5aedcee198a84c015a0f24858aa222496bd575ce47a8b974197a5a8097bdfbe0802b41246fbce6a0589eb87fca7c48ad743b2387d4083" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 106 - 107<br class="">
doi: 10.1017/S0307883318000767 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e313176f4d10202e21a4ecbf6f1b86cacba319b8d6760ec34bf613911c18a07058f3798e9891d497831fa5c8bc3306a6e617dd211c0627093f" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">ANU Productions: The Monto Cycle</span>. By Brian Singleton. Basingstoke: Palgrave Macmillan, 2016. Pp. xi + 109. £59.99 Hb; £59.99 Pb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">J. Paul Halferty</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e313176f4d10202e21a4ecbf6f1b86cacba319b8d6760ec34bf613911c18a07058f3798e9891d497831fa5c8bc3306a6e617dd211c0627093f" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 107 - 108<br class="">
doi: 10.1017/S0307883318000779 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f3ae2a379c57a79882955693bb515e22d9ef834bc77ad82fd82a77c481f71c21611dfe6c2e8584b253685d4c89b105740ee68807eec0c08b" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Dust of the Zulu: Ngoma Aesthetics after Apartheid</span>. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus.
$94.95 Hb; $26.95 Pb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Osita Okagbue</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f3ae2a379c57a79882955693bb515e22d9ef834bc77ad82fd82a77c481f71c21611dfe6c2e8584b253685d4c89b105740ee68807eec0c08b" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 108 - 109<br class="">
doi: 10.1017/S0307883318000780 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f849d8bcb13c9c87fa94c50cbe911fabe176ecbd2d234af053f8c87f210574205d2a763d92fe29356e48ef3a7a20fdcf6d1f83f495ba247a" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">Performing Wales: People, Memory and Place</span>. By Lisa Lewis. Cardiff: University of Wales Press, 2018. Pp. xvi + 288 + 16 illus. £24.99/$40.00 Pb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Roger Owen</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f849d8bcb13c9c87fa94c50cbe911fabe176ecbd2d234af053f8c87f210574205d2a763d92fe29356e48ef3a7a20fdcf6d1f83f495ba247a" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 109 - 110<br class="">
doi: 10.1017/S0307883318000792 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3bf6f0fd182d9f5952f4b746dd0e3b037758425131fb4c97443250faee92ce6f2c6213d50bf462b46c5287bf6df2049c20e632089feb79d02" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title"><span class="italic" style="font-style: italic;">International Performance Research Pedagogies: Towards an Unconditional Discipline?</span><span class="Apple-converted-space"> </span>Edited by Sruti Bala, Milija Gluhovic, Hanna Korsberg and
Kati Röttger. London: Palgrave MacMillan, 2017. Pp. xix + 235. £63.99/$80 Hb.</div>
</a><br class="">
<span style="font-size: 10px !important;" class="">Kim Solga</span><span class="Apple-converted-space"> </span><br class="">
</span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3bf6f0fd182d9f5952f4b746dd0e3b037758425131fb4c97443250faee92ce6f2c6213d50bf462b46c5287bf6df2049c20e632089feb79d02" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 111 - 112<br class="">
doi: 10.1017/S0307883318000809 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class="">Books received</span></td>
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e39adb93f9613c794faf323bb4679cfd58d10686f5a06e22816d7d13ee6ca75c186c96e499d30855d305bf354b42c6abc9a6b0b6f23ad2f287" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">Books Received</div>
</a><br class="">
<span style="font-size: 10px !important;" class=""></span></span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e39adb93f9613c794faf323bb4679cfd58d10686f5a06e22816d7d13ee6ca75c186c96e499d30855d305bf354b42c6abc9a6b0b6f23ad2f287" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp 113 - 113<br class="">
doi: 10.1017/S0307883318000858 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class="">Front Cover (OFC, IFC) and matter</span></td>
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e350fd9ae53b60488b84c280c5314ab0a7c1bf7fc6a8c874f6545c4639409ab714feb1d9886bccfc76ac2133192fc43ad111d3426051cdc4a8" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">TRI volume 44 issue 1 Cover and Front matter</div>
</a><br class="">
<span style="font-size: 10px !important;" class=""></span></span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e350fd9ae53b60488b84c280c5314ab0a7c1bf7fc6a8c874f6545c4639409ab714feb1d9886bccfc76ac2133192fc43ad111d3426051cdc4a8" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp f1 - f4<br class="">
doi: 10.1017/S0307883318001050 Published Online on 3 April 2019<br class="">
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<span style="font-size: 14px;" class="">Back Cover (IBC, OBC) and matter</span></td>
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<span style="font-size: 14px;" class=""><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3582d1567e327a9fc98d936aa510ace65709df4404acb96973f6901e86ca5d34a7b14ed11ab987d4f2c3fa435c13fd20946d3c609e1fad858" style="color: rgb(0, 114, 207); text-decoration: none;" class="">
<div class="title">TRI volume 44 issue 1 Cover and Back matter</div>
</a><br class="">
<span style="font-size: 10px !important;" class=""></span></span><a href="https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3582d1567e327a9fc98d936aa510ace65709df4404acb96973f6901e86ca5d34a7b14ed11ab987d4f2c3fa435c13fd20946d3c609e1fad858" style="color: rgb(0, 114, 207); text-decoration: none;" class="">Theatre
Research International, Volume 44 / Issue 1</a>, March 2019, pp b1 - b3<br class="">
doi: 10.1017/S0307883318001062 Published Online on 3 April 2019<br class="">
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<div class="">Marcus TAN (Dr) | Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University Singapore<br class="">
NIE 3-03-61, 1 Nanyang Walk, Singapore 637616 <br class="">
Tel: (65) 6790-3552 GMT+8h | Fax: (65) 6896-9279 | <a href="mailto:marcus.tan@nie.edu.sg" class="">
Email: marcus.tan@nie.edu.sg</a> | Web: <a href="http://www.nie.edu.sg/profile/tan-cheng-chye-marcus" class="">http://www.nie.edu.sg/profile/tan-cheng-chye-marcus</a><br class="">
<br class="">
Associate Editor, Journal of Interdisciplinary Voice Studies <br class="">
Convenor, Music Theatre Working Group, International Federation for Theatre Research<br class="">
Online Content Manager, Theatre Research International </div>
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<p>National Institute of Education (Singapore) http://www.nie.edu.sg</p>
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