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<span style="font-size:14px">International Association of Theatre Critics</span></h4>
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<span style="font-size:14px">Association internationale des critiques de théâtre<br>
27, rue Beaunier, 75014 Paris,France</span></h4>
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<span style="color:#FF8C00"><strong><span style="font-size:26px">The Essay Section</span></strong></span></h4>
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<br>
Section Editor: <span style="color:#71BC72">Yana Meerzon </span>(Canada)</h4>
<div style="text-align:left">
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
<em>C</em><em>ritical Stages</em>/<em>Scènes critiques</em> is a peer-reviewed on-line journal fully committed to the Open Access Initiative. It offers a platform for debate and exploration of a wide range of theatre and performance art manifestations from
all over the world.</p>
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
The “ESSAY SECTION” of the journal is dedicated to urgent issues related to theater and performance making, ways of thinking and writing about theatre and performing arts, ways of viewing and reflecting practices, pedagogies of performance and text analysis,
practices of dramaturgy, interdisciplinarity, transcultural approaches and digitalization of communication practices in theatre and cultural performance, among other issues.</p>
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
The aim of the ESSAY SECTION is to offer a broader practical, aesthetic, historical and theoretical outlet to those interested in recent developments in theatre and performance across national and disciplinary boundaries. To this end, we welcome a wide range
of submissions in English and/or French.</p>
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
Submissions (complete articles) and inquiries are to be sent to the editor of this section, Yana Meerzon at
<a href="mailto:yana.meerzon@gmail.com" style="color:#3F8893; font-weight:normal; text-decoration:underline" id="LPlnk664912" class="OWAAutoLink" previewremoved="true">
yana.meerzon@gmail.com</a>.</p>
</div>
<div style="text-align:left"><strong>Length</strong>: <span style="color:#71BC72">
Maximum 3,000 - 3500 words</span><br>
<strong>Language</strong>: <span style="color:#71BC72">English or French</span><br>
<strong>Deadline</strong>: <span style="color:#71BC72">August 1, 2019</span> (for the articles to be considered for publication in December 2019 or later)<br>
<strong>Publication Date</strong>: <span style="color:#71BC72">Dec. 2019</span><br>
<strong>Submission Address</strong>: <a href="mailto:yana.meerzon@gmail.com" style="color:#3F8893; font-weight:normal; text-decoration:underline" id="LPlnk910493" class="OWAAutoLink" previewremoved="true">
yana.meerzon@gmail.com</a><br>
<br>
<strong>NOTE:</strong> Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.</div>
<div style="text-align:center"><br>
<span style="font-size:20px"><strong>Submission guidelines</strong></span></div>
<div style="text-align:left"> <br>
<strong>Submission</strong>: Please submit your article as an e-mail attachment, double-spaced in MS Word. We assume that an article submitted for consideration has not been published and is not being considered for publication elsewhere, either in the submitted
or in a modified form.<br>
<br>
<strong>Permissions</strong>: Critical Stages publishes writings that have not been previously published in English or French. Permission to reprint articles is granted with the requirement to include “First published in Critical Stages,” along with other citation
information and the web address of the journal.<br>
<br>
<strong>Photos</strong>: Photos (JPEG) and other types of illustrations are encouraged. The position of the photo should be designated in the article. All necessary permissions for images should be provided. These can be in the form of an e-mail from the company,
or documentation that you have procured the images from an official website. Note: If the performance the author attended is other than the opening night, please include mention of the actual date in the text itself. General information regarding the production,
however, should match the date recorded in national and international databases.<br>
<br>
<strong>Photo Captions</strong>: Each photo of a performance needs a caption including title of the performance; names of playwright, director, company, venue, the date of the première, and photo credits. Names of actors (clockwise from top left) can also
be added.<br>
<br>
<strong>Author Information</strong>: Author’s name, photo, e-mail address, and professional affiliation, and short profile should be given with your submission, separately from the article file. Only the article title should appear at the head of the article
file.<br>
<br>
<strong>Quick Style Sheet for <em>Critical Stages/Scènes critiques</em> for English and French language texts is available
<a href="https://critical-stages.us14.list-manage.com/track/click?u=7c4597357892847ea7cecc7d6&id=fa7386cf4d&e=b031adb67f" target="_blank" style="color:#3F8893; font-weight:normal; text-decoration:underline" id="LPlnk337500" class="OWAAutoLink" previewremoved="true">
here</a>.</strong></div>
<div style="text-align:center"> <br>
*******************************************<br>
<br>
<span style="color:#FF8C00"><span style="font-size:26px"><strong>La section des essais</strong></span></span><br>
<br>
Responsable de section : <span style="color:#71BC72">Yana Meerzon </span>(Canada)</div>
<div style="text-align:left">
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
<em>C</em><em>ritical Stages</em>/<em>Scènes critiques</em> est une revue Web révisée par des pairs, entièrement engagée dans l’initiative de l’accès libre. Nous offrons un lieu de débat et d’exploration sur un grand nombre de manifestations de théâtre et d’arts
du spectacle, du monde entier.</p>
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
La section « Essais » de la revue se consacre notamment à des enjeux urgents liés au théâtre et à la création, aux moyens de penser et d’écrire sur le théâtre et les arts du spectacle, aux manières de voir et de refléter les pratiques, les pédagogies du spectacle
et l’analyse de textes, les pratiques de la dramaturgie, l’interdisciplinarité, les approches transculturelles et la numérisation des pratiques de communication en théâtre et en spectacles culturels.</p>
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
L’objectif de la section des essais consiste à offrir un lieu d’expression large sur les plans pratique, esthétique, historique et théorique à ceux qui s’intéressent aux récents développements en matière de théâtre et d’arts du spectacle à travers les frontières
nationales et disciplinaires. À cette fin, nous accueillons une grande gamme de propositions d’articles, en anglais et/ou en français.</p>
<p style="margin:10px 0; padding:0; color:#AAAAAA; font-family:Georgia; font-size:14px; line-height:150%; text-align:left">
Pour proposer un article complet ou s’informer, il faut s’adresser à la responsable de cette section, Yana Meerzon à
<a href="mailto:yana.meerzon@gmail.com" style="color:#3F8893; font-weight:normal; text-decoration:underline" id="LPlnk204271" class="OWAAutoLink" previewremoved="true">
yana.meerzon@gmail.com</a>.</p>
<strong>Longueur maximum</strong> : <span style="color:#71BC72">3000 - 3500 mots</span><br>
<strong>Langue</strong> : <span style="color:#71BC72">Français ou anglais</span><br>
<strong>Tombée</strong> : <span style="color:#71BC72">Le 1<sup>er</sup> août 2019</span> (pour publication en décembre 2019 ou plus tard)<br>
<strong>Date de publication</strong> : <span style="color:#71BC72">Décembre 2019</span><br>
<strong>Adresse pour soumission des articles </strong>: <a href="mailto:yana.meerzon@gmail.com" style="color:#3F8893; font-weight:normal; text-decoration:underline" id="LPlnk27811" class="OWAAutoLink" previewremoved="true">
yana.meerzon@gmail.com</a><br>
<br>
<strong>NOTE </strong>: Il est recommandé aux collaborateurs dont l’anglais ou le français est une langue seconde de solliciter l’aide de réviseurs professionnels avant d’envoyer leurs propositions d’articles.<br>
</div>
<div style="text-align:center"><span style="font-size:20px"><strong>Guide de soumission</strong></span></div>
<div style="text-align:left"><br>
<strong>Soumission</strong> : Prière de soumettre votre article en document joint à un courriel, en double espacement et en MS Word. Nous présumons qu’un article qui nous est soumis n’a pas déjà paru ni n’a été adressé à une autre publication, que ce soit dans
la même forme ou avec des modifications.<br>
<br>
<strong>Autorisations</strong> : Critical Stages publie des écrits originaux, qui n’ont pas déjà paru en français ou en anglais. L’autorisation de reproduire des articles est cependant accordée dans la mesure où l’on spécifie « D’abord paru dans Critical Stages/Scènes
critiques », avec la référence de la revue.<br>
<br>
<strong>Photos</strong> : Nous incitons les collaborateurs à nous joindre des photos (en JPEG) et d’autres types d’illustrations. Il faut en ce cas indiquer la position des photos dans l’article. Il faut aussi inclure une photo personnelle et un bref CV de
l’auteur et s’assurer d’avoir toutes les autorisations pour les photos. Elles peuvent être sous la forme d’un courriel de la compagnie, ou de documentation dont vous avez extrait les images à partir d’un site Web officiel. Note : Si la représentation à laquelle
l’auteur de l’article a assisté est différente de celle de la première, prière d’en inclure la date dans l’article. Les informations sur la production, cependant, doivent s’accorder avec les dates contenues dans les bases de données nationales et internationales.<br>
<br>
<strong>Bas de vignettes</strong> : Chaque photo de spectacle doit être accompagnée d’une légende mentionnant le titre du spectacle, les noms de l’auteur, du metteur en scène, de la compagnie, du lieu, la date de la premieÌre, ainsi que le nom du ou de la photographe.
On peut aussi ajouter le nom des interprètes (dans le sens horaire, de haut en bas).<br>
<br>
<strong>Information sur l’auteur</strong> : La personne ayant soumis l’article devrait y joindre séparément son nom, sa photo, son adresse de courriel et son affiliation professionnelle, ainsi qu’un bref CV. Seul le titre de l’article devrait figurer sur le
fichier.</div>
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