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<div class="WordSection1">
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;mso-line-height-alt:12.0pt;page-break-after:avoid"><b><span
style="font-size:14.0pt;color:black;mso-fareast-language:ZH-CN">Call for
papers:
<i>Studies in Costume and Performance<o:p></o:p></i></span></b></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;mso-line-height-alt:12.0pt;page-break-after:avoid"><b><span
style="font-size:14.0pt;color:black;mso-fareast-language:ZH-CN">Issue
5.1 - ‘Costume Ethics’<o:p></o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<b><i><span style="mso-fareast-language:ZH-CN">Studies in
Costume and Performance</span></i></b><i><span
style="mso-fareast-language:ZH-CN">
</span></i><span style="mso-fareast-language:ZH-CN">invites
submissions for issue 5.1 (due May 2020) on the theme of
<b>‘Costume Ethics’</b>.<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">From conception to
reception, costume has the potential to complicate
political, moral, and aesthetic systems that flatten
costumes into bodies and bodies into costumes.
<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">This issue addresses
the risky act of costuming, magnified when considering how
costume performs notions of gender, race, national and
cultural identity as well as how costume authorship is
attributed. Whether acts of cultural appropriation or the
apparent invisibility of costume designers and makers within
the analysis of bodily art practices, the intersection
between ethical relativism and the potential for costume to
claim bodies – to (dis)empower, enact politics, or be risky
– exposes the critical territory and social paradoxes that
acts of costuming negotiate.<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">Following Critical
Costume 2018 international conference and exhibition, this
issue asks what are the principal opportunities and
challenges that the provocation(s) of
<b>‘costume ethics’</b> poses to designers, artists, and
scholars. It aims to approach the peculiarity of costume as
a liminal method of appearance that is consciously designed
and performed. Yet, this same transitional state can
partition costume as unstable (when compared to normative
orders of bodily representation) that highlights an innate
‘risk’ inherent within the design, construction and wearing
of costume.
<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">We invite
contributions that debate the permissibility, authorship, or
risk of costume and costuming.<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">Articles may address
topics including but not limited to:<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"
style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:6.0pt;margin-left:36.0pt;mso-add-space:auto;text-align:justify;text-indent:-18.0pt;line-height:12.0pt;mso-list:l0
level1 lfo1">
<!--[if !supportLists]--><span
style="mso-fareast-language:ZH-CN"><span
style="mso-list:Ignore">-<span style="font:7.0pt
"Times New Roman"">
</span></span></span><!--[endif]--><b><span
style="mso-fareast-language:ZH-CN">Costume censorship:
</span></b><span style="mso-fareast-language:ZH-CN">ownership
and the collaborative processes of costume design; makers of
costume and systems of recognition; anti-theatricality and
costume, interdisciplinarity and the (in)visibility of
costume.
<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"
style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:6.0pt;margin-left:36.0pt;mso-add-space:auto;text-align:justify;text-indent:-18.0pt;line-height:12.0pt;mso-list:l0
level1 lfo1">
<!--[if !supportLists]--><span
style="mso-fareast-language:ZH-CN"><span
style="mso-list:Ignore">-<span style="font:7.0pt
"Times New Roman"">
</span></span></span><!--[endif]--><b><span
style="mso-fareast-language:ZH-CN">Risky costumes</span></b><span
style="mso-fareast-language:ZH-CN">: protesting through
costume; danger and costuming; social norms and
costumed-participation; violence and costume; live art and
costuming; the agency of costume in performance on stage,
screen and street.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"
style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:6.0pt;margin-left:36.0pt;mso-add-space:auto;text-align:justify;text-indent:-18.0pt;line-height:12.0pt;mso-list:l0
level1 lfo1">
<!--[if !supportLists]--><span
style="mso-fareast-language:ZH-CN"><span
style="mso-list:Ignore">-<span style="font:7.0pt
"Times New Roman"">
</span></span></span><!--[endif]--><b><span
style="mso-fareast-language:ZH-CN">Costuming as an
(un)ethical act</span></b><span
style="mso-fareast-language:ZH-CN">: Ethical models of
costume construction and design; sustainability and costume;
cultural appropriation and costuming; representation and
costumed-bodies; morality and costume.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"
style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:6.0pt;margin-left:36.0pt;mso-add-space:auto;text-align:justify;text-indent:-18.0pt;line-height:12.0pt;mso-list:l0
level1 lfo1">
<!--[if !supportLists]--><span
style="mso-fareast-language:ZH-CN"><span
style="mso-list:Ignore">-<span style="font:7.0pt
"Times New Roman"">
</span></span></span><!--[endif]--><b><span
style="mso-fareast-language:ZH-CN">Queering costume</span></b><span
style="mso-fareast-language:ZH-CN">: Queering as a critical
methodology for costume theory; Queer theory and acts of
costuming; queering bodies, costuming and gender(ed)
performances; representations of queer bodies in performance
and media; Queer practices/cultures of costume.<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><b><span
style="font-size:12.0pt;mso-fareast-language:ZH-CN">Please
submit your article by 1<sup>st</sup> July 2019
</span></b><span
style="font-size:12.0pt;mso-fareast-language:ZH-CN">through
the following<b> link:</b>
</span><span style="mso-fareast-language:ZH-CN"><a
href="https://www.intellectbooks.com/submit/studies-in-costume-performance"
moz-do-not-send="true"><span
style="font-size:12.0pt;color:#0563C1">https://www.intellectbooks.com/submit/studies-in-costume-performance</span></a></span><span
style="font-size:12.0pt;mso-fareast-language:ZH-CN"><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">The journal is
double-blind peer-reviewed in order to maintain the highest
standards of scholastic integrity. Articles must not exceed
4000–6000 words including notes and references.
<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;text-align:justify;line-height:12.0pt">
<span style="mso-fareast-language:ZH-CN">In addition to
articles, <i>Studies in Costume and Performance</i>
welcomes
<b>other formats of submission</b>: visual essays, research
reports or analyses of research documents, and reviews.<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><span
style="mso-fareast-language:ZH-CN"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><span
style="mso-fareast-language:ZH-CN">For further information,
please email the editors:<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><span
style="mso-fareast-language:ZH-CN" lang="IT">Donatella
Barbieri,
</span><span style="mso-fareast-language:ZH-CN"><a
href="mailto:d.barbieri@fashion.arts.ac.uk"
moz-do-not-send="true"><span style="color:#0563C1"
lang="IT">d.barbieri@fashion.arts.ac.uk</span></a></span><span
style="mso-fareast-language:ZH-CN" lang="IT">
<br>
Sofia Pantouvaki, </span><span
style="mso-fareast-language:ZH-CN"><a
href="mailto:sofia.pantouvaki@aalto.fi"
moz-do-not-send="true"><span style="color:#0563C1"
lang="IT">sofia.pantouvaki@aalto.fi</span></a></span><span
style="mso-fareast-language:ZH-CN" lang="IT">
<br>
Suzanne Osmond, </span><span
style="mso-fareast-language:ZH-CN"><a
href="mailto:suzanne.osmond@nida.edu.au"
moz-do-not-send="true"><span style="color:#0563C1"
lang="IT">suzanne.osmond@nida.edu.au</span></a></span><span
style="mso-fareast-language:ZH-CN">
<span lang="IT"><o:p></o:p></span></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><span
style="mso-fareast-language:ZH-CN" lang="IT"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><i><span
style="mso-fareast-language:ZH-CN">Studies in Costume and
Performance</span></i><span
style="mso-fareast-language:ZH-CN"> brings together scholars
and critically engaged practitioners and designers working
in the fields of scenography, costume, performance,
curation, and fashion to facilitate critical discourse on
costume and its relationship with performance.<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><span
style="mso-fareast-language:ZH-CN">For more details on the
journal’s scope and aims, as well as past and current
editions, please visit:
<o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:6.0pt;line-height:12.0pt"><span
style="mso-fareast-language:ZH-CN"><a
href="https://www.intellectbooks.com/studies-in-costume-performance"
moz-do-not-send="true"><span style="color:#0563C1">https://www.intellectbooks.com/studies-in-costume-performance</span></a>
<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Dr. Sofia
Pantouvaki<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Professor
of Costume Design for Theatre and Film<o:p></o:p></span></p>
<p class="MsoNormal"><i><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Costume
in Focus</span></i><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"> Research
Group Leader<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Editor,
</span><i><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"
lang="FI"><a href="http://bit.ly/1nkWkbL"
moz-do-not-send="true"><span lang="EN-GB">Studies in
Costume and Performance</span></a></span></i><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Principal
Investigator,
<i>Costume Methodologies</i> research project (2014-2018)<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Recent
publications<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Pantouvaki,
S. (2018).
</span><b><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"
lang="FI"><a
href="https://www.tandfonline.com/doi/full/10.1080/23322551.2018.1541123"
moz-do-not-send="true"><span lang="EN-GB">‘“Like Seeing
Normal Life”: Children’s opera Brundibár in
Theresienstadt (1943-1944) and the power of
scenographic metaphors’</span></a></span></b><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="FI">Pantouvaki,
S. & S. Lotker (eds.)
</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">(2017). </span><b><i><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"
lang="FI"><a
href="https://prospero.divadlo.cz/en/pq/97433680/"
moz-do-not-send="true"><span lang="EN-GB">The Tribes –
A Walking Exhibition</span></a></span></i></b><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Aalto
University
</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"
lang="EN-US">|</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"> School
of Arts, Design & Architecture
</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"
lang="EN-US">|</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">
Department of Film, Television and Scenography<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="IT">E:
</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="FI"><a
href="mailto:sofia.pantouvaki@aalto.fi"
moz-do-not-send="true"><span lang="IT">sofia.pantouvaki@aalto.fi</span></a></span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="FI">
</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="IT"><o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="IT">M:
</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB" lang="IT">+358
50 5992288<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Postal
address: P.O.Box 13300, FI-00076 AALTO, Helsinki, Finland</span><span
style="font-size:9.0pt;mso-fareast-language:EN-GB"
lang="EN-US"><o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:9.0pt;mso-fareast-language:EN-GB">Street
address: Otaniementie 14, 02150 Espoo, Finland<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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