<html>
  <head>

    <meta http-equiv="content-type" content="text/html; charset=UTF-8">
  </head>
  <body text="#000000" bgcolor="#FFFFFF">
    <font size="+1"><b><span
          style="font-family:Roboto;mso-ansi-language:EN-GB">1st
          International Academic Conference</span></b><b
        style="mso-bidi-font-weight: normal"><span
          style="font-family:Roboto;mso-ansi-language:EN-GB"></span></b></font>
    <div class="moz-forward-container"> <font size="+1"> </font>
      <p class="MsoNormal"><font size="+1"><b><span
              style="font-family:Roboto;mso-ansi-language:EN-GB">Theatricality
              – Antitheatricality:</span></b><span
            style="font-family:Roboto;mso-ansi-language:
            EN-GB;mso-bidi-font-weight:bold"> <b>Transdisciplinary and
              Scenological Studies on Contemporary Theatre</b> ​</span></font><b
          style="mso-bidi-font-weight:normal"><span
            style="font-family:Roboto;mso-ansi-language:EN-GB"></span></b></p>
      <p class="MsoNormal"><font size="-1"><b><span
              style="font-size:14.0pt;font-family:Noah;
              mso-ansi-language:EN-GB">20th - 22nd November 2019, 
              University of Bielsko-Biała, Poland.</span></b></font><b
          style="mso-bidi-font-weight:normal"><span
            style="font-size:14.0pt;font-family:
            Noah;mso-ansi-language:EN-GB"></span></b></p>
      <span style="font-family:Noah; mso-ansi-language:EN-GB">The topic
        of the conference<b style="mso-bidi-font-weight: normal"> <span
            style="mso-bidi-font-weight:bold">Theatricality–
            Antitheatricality:</span></b><span
          style="mso-bidi-font-weight:bold"> <b>Transdisciplinary and
            Scenological Studies on Contemporary Theatre</b><span
            style="color:black"> leads us directly to a fundamental
            question: What is theatre? Finding an answer to this
            question is obviously not an easy task. However, the very
            act of posing a question does not require an immediate
            answer, let alone an explicit one. As a natural consequence
            of exploring this subject, there appear undoubtedly other
            queries and possible responses. That is why, instead of
            asking questions concerning the essence of theatre, we will
            try to enter the ground</span></span> which in itself is
        more and more <span style="color:black">fluid and changeable.
          Possibly, as a result of our investigation, the foundations of
          what we call theatre will be undermined. Even in the eyes of
          those who incline towards its contemporary definitions. It is
          not also about reaching a final decision whether theatre
          should be pioneering or not. Theatre does not strive for
          stability which would let it avoid the blurring of its
          boundaries. The one and only thing that seems to be evident
          here is that this metaphysics, which aims at defining theatre,
          does not pass any more because of an objective to consecrate
          its own activity. In other words, theatre is no longer obliged
          to call itself theatre and makes with its structures whatever
          it wants. These displacements, sometimes temporary and
          sometimes permanent, lead us to another issue underlying the
          proper definition of theatre, namely theatricality.
          Furthermore, there would not be theatricality if it did not
          have its counterpoint, which is antitheatricality. Our
          conference is intended to investigate and discuss this
          “ubiquity” <span style="mso-bidi-font-weight:bold">considering
            that theatre is all around us (even though not everything
            that we perceive in our surroundings is theatre). In that
            sphere, notions evolve regardless of their antecedents. </span></span>Originally,
        theatre formed a monolithic unit of expression. <span
          style="color:black">Currently, the boundaries, theatricality,
          as well as this very field which were previously announced the
          “everlasting theatre</span>” - monolithic like Greek theatre
        or the theatre by <span style="color:black">Shakespeare,
          Beckett, Strindberg, Chekhov, among others, or in its own
          scenic field: Stanisławski, Grotowski, Brecht, Brook or
          Strehler, reveal a very dynamic space for creation and
          research on the basis of which new stage representations are
          produced. In modernity, the space of theatre and research
          constituted theatricality, but it was even earlier when this
          space allowed for finding other areas of stage creations
          extending to antitheatricality. </span>For this reason, we
        would like to foster an international cross-disciplinary
        exchange of pertinent ideas and observations which accompany us
        today. <span style="color:black">We would like to invite all
          scholars, critics, actors, directors, theoreticians and
          playwrights to contribute and share their reflections on the
          topic which include, but are not limited to, the following
          perspectives: dramatics, acting, direction, stage space,
          theatre criticism, theatre culture, classical theatre, theatre
          studies (e.g. Latin American, Asian, European, African), etc.
          The only binding guidelines are the two notions which should
          form the core of reflections: Theatricality and
          Antitheatricality. </span></span>
      <p class="MsoNormal"><span
          style="font-family:Noah;color:black;mso-ansi-language: EN-GB">Seminars,
          Discussion panels, Open debates, Presentation of authors’
          monographs and journals (we invite theatre publishers and
          individual authors to present their publications)</span><span
          style="font-family:Noah;mso-ansi-language:EN-GB"></span><span
          style="font-family:Noah;mso-ansi-language:EN-GB">.</span> </p>
      <p class="MsoNormal"><u><span
            style="font-family:Noah;mso-ansi-language:EN-GB;
            mso-bidi-font-weight:bold">Plenary speakers</span></u><u><span
            style="font-family:Noah;mso-ansi-language:EN-GB"></span></u></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:EN-GB;
          mso-bidi-font-weight:bold">Prof. Paul Fryer (Director,
          Stanislavsky Research Centre, University of Leeds, U.K) </span><span
          style="font-family: Noah;mso-ansi-language:EN-US" lang="EN-US"></span></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:EN-GB;
          mso-bidi-font-weight:bold">Dr Lucas Margarit (University of
          Buenos Aires, Argentina) </span><span
          style="font-family:Noah;mso-ansi-language:EN-GB"></span></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:
          PL;mso-bidi-font-weight:bold" lang="PL">Witold Mazurkiewicz
          (Dyrektor Teatr Polski – Bielsko-Biała, Poland) / For
          confirmation</span></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:
          EN-US;mso-bidi-font-weight:bold" lang="EN-US">Janusz Opryński
          (Regisseur / Teatru Provisorium) / For confirmation</span></p>
      <p class="MsoNormal"><u><span
            style="font-family:Noah;mso-ansi-language:EN-GB;
            mso-bidi-font-weight:bold">Special events</span></u></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:EN-GB;
          mso-bidi-font-weight:bold">Pau Freixa (University of
          Barcelona) and Dorota Masłowska <span style="color:black">- a
            meeting between a translator and an author</span></span><span
          style="font-family:Noah;mso-ansi-language:EN-GB"> </span> </p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:EN-GB;
          mso-bidi-font-weight:bold">Conference working languages:
          English, Spanish, Polish.</span><span
          style="font-family:Noah;mso-ansi-language:EN-GB"></span></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:EN-GB;
          mso-bidi-font-weight:bold">Conference fee: <b><span
              style="color:black">140 EURO / </span>600 PLN</b>. The
          fee includes a banquet, coffee breaks, and conference
          materials. A selection of papers will be published by a
          prestigious publishing house.</span><span
          style="font-family:Noah;mso-ansi-language:EN-GB"></span></p>
      <p class="MsoNormal"><span
          style="font-family:Noah;mso-ansi-language:EN-GB">For questions
          about this event please contact </span><span
          style="font-size:11.0pt;mso-ansi-language: EN-US" lang="EN-US">:
          <a href="mailto:iconf.theatre.antitheatre@gmail.com"
            moz-do-not-send="true">iconf.theatre.antitheatre@gmail.com</a></span>
      </p>
      <pre class="moz-signature" cols="72">-- 
Prof. Paul Fryer PhD, FRSA, FHEA.
Visiting Professor, School of Performance and Creative Industies, University of Leeds.
Visiting Professor, School of Arts and Creative Industries, London South Bank University.
Hon. Visiting Professor, School of Arts and Digital Industries, University of East London.
Director, The Stanislavsky Research Centre.
Editor-in-Chief, Stanislavski Studies (Taylor & Francis).
</pre>
    </div>
    <pre class="moz-signature" cols="72">
</pre>
  </body>
</html>