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<p class="MsoNormal"><b>C<i>ritical Stages</i>/<i>Scènes critiques</i><o:p></o:p></b></p>
<p class="MsoNormal"><b>Call for Essays</b><b><o:p></o:p></b></p>
<p class="MsoNormal"><b>Issue 22 (December 2020)<o:p></o:p></b></p>
<p class="MsoNormal"><br>
<a href="https://mailchi.mp/3a357a7f987c/critical-stagesscnes-newsletter-call-for-papers-1318661">https://mailchi.mp/3a357a7f987c/critical-stagesscnes-newsletter-call-for-papers-1318661</a><br>
Section Editor<br>
Yana Meerzon (Canada)<o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal">The “ESSAY SECTION” of <b>C<i>ritical Stages</i>/<i>Scènes critiques, </i></b><i>the Journal of the International Association of Theatre Critics (IATC), </i>is dedicated to urgent issues related to theatre and performance making, ways of
thinking and writing about theatre and performing arts, ways of viewing and reflecting practices, pedagogies of performance and text analysis, practices of dramaturgy, interdisciplinarity, transcultural approaches and digitalization of communication practices
in theatre and cultural performance, among other issues.<o:p></o:p></p>
<p class="MsoNormal">The aim of the ESSAY SECTION is to offer a broader practical, aesthetic, historical and theoretical outlet to those interested in recent developments in theatre and performance across national and disciplinary boundaries.<o:p></o:p></p>
<p class="MsoNormal">Inquiries, abstracts and submissions are to be sent to the editor of this section, <b>Yana Meerzon at <u><a href="mailto:ymeerzon@uottawa.ca" target="_blank"><span style="font-weight:normal">ymeerzon@uottawa.ca</span></a></u></b><o:p></o:p></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal"><b>Production Calendar for December 2020 (#22) publication</b><o:p></o:p></p>
<p class="MsoNormal">Abstracts (250 words) and Bio (100 words) – April 15, 2020<o:p></o:p></p>
<p class="MsoNormal">Complete Articles (up to 5000 words) – June 1, 2020<o:p></o:p></p>
<p class="MsoNormal">Peer-Review Process - June / August 2020<o:p></o:p></p>
<p class="MsoNormal">Second Draft based on Reviewers’ Comments – October 1, 2020<o:p></o:p></p>
<p class="MsoNormal">Technical Editing – October/November 2020<o:p></o:p></p>
<p class="MsoNormal">Publication Date – December 2020<o:p></o:p></p>
<p class="MsoNormal"><b>Articles are welcome in English and/or French</b><br>
<o:p></o:p></p>
<p class="MsoNormal">Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.<br>
<o:p></o:p></p>
<p class="MsoNormal">Submission Guidelines: <a href="http://www.critical-stages.org/submission-guidelines/" target="_blank">click here</a><br>
Style Sheet for <i>Critical Stages</i>: <a href="http://www.critical-stages.org/style-sheet-for-critical-stages/" target="_blank">click here</a><br>
<o:p></o:p></p>
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<p class="MsoNormal"><span lang="FR-CA"><br>
<b>Appel pour essais</b><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA">Numéro 22 (décembre 2020)<br>
</span><a href="https://mailchi.mp/3a357a7f987c/critical-stagesscnes-newsletter-call-for-papers-1318661"><span lang="FR-CA">https://mailchi.mp/3a357a7f987c/critical-stagesscnes-newsletter-call-for-papers-1318661</span></a><span lang="FR-CA"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA">Chef de section : <b>Yana Meerzon </b>(Canada)<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA">La section des essais est consacrée notamment à des questions d’actualité liées au théâtre et à la production de spectacles, à la réflexion et à l’écriture sur le théâtre et les arts de la représentation, à des points
de vue sur diverses pratiques, sur les pédagogies de la représentation et de l’analyse de textes, aux pratiques dramaturgiques, à l’interdisciplinarité, aux approches transculturelles, à la numérisation des pratiques de communication au théâtre et dans les
autres arts du spectacle vivant.<br>
<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA">L’objectif de cette section consiste à offrir un outil pratique d’envergure sur les plans pratique, esthétique, historique et théorique aux personnes intéressées aux récents développements dans la recherche sur le théâtre
et les arts du spectacle vivant, sans égard aux frontières nationales ou disciplinaires.<br>
<br>
<i>Critical Stages</i>/<i>Scènes critiques</i> est une revue en ligne révisée par des pairs, totalement engagée dans l’Initiative d’accès ouvert.<br>
<br>
Pour toute demande, soumission d’article ou de résumé, s’adresser à la cheffe de section, <b>Yana Meerzon : </b></span><b><u><a href="mailto:ymeerzon@uottawa.ca" target="_blank"><span lang="FR-CA" style="font-weight:normal">ymeerzon@uottawa.ca</span></a></u></b><span lang="FR-CA"><br>
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="FR-CA">Calendrier de production pour une parution en décembre 2020</span></b><span lang="FR-CA"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"><br>
Résumés (250 mots ou 2000 carac., esp. incl.) et bio (100 mots ou 700 carac.) – 15 avril 2020<br>
Articles complets (jusqu’à 5000 mots ou 40 000 carac.) – 1<sup>er</sup> juin 2020<br>
Processus de révision par les pairs – juin/août 2020<br>
Deuxième version basée sur les commentaires des réviseurs – 1<sup>er</sup> octobre 2020<br>
Révision technique – octobre/novembre 2020<br>
Publication – décembre 2020<br>
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="FR-CA">Les articles peuvent nous parvenir en français ou en anglais</span></b><span lang="FR-CA"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA">Les collaborateurs et collaboratrices dont le français ou l’anglais est une langue seconde sont priés de faire réviser leur texte par des professionnels avant de nous l’envoyer.<br>
<br>
Soumission d’articles: </span><a href="http://www.critical-stages.org/submission-guidelines/" target="_blank"><span lang="FR-CA">cliquez ici</span></a><span lang="FR-CA"> <br>
Protocole abrégé de <i>Scènes critiques</i> : </span><a href="http://www.critical-stages.org/style-sheet-for-critical-stages/" target="_blank"><span lang="FR-CA">cliquez ici</span></a><span lang="FR-CA"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Yana Meerzon, Ph.D.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Professor <o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Director: Studies in Migration Research Group
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA"><a href="http://artsites.uottawa.ca/studies-migration/en">http://artsites.uottawa.ca/studies-migration/en</a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Department of Theatre, University of Ottawa<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">135 Séraphin-Marion, Room 304B
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Ottawa ON Canada, K1N 6N5<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Telephone: 613 562-5800, ext. 2243
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">E-mail: ymeerzon@uOttawa.ca<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA" style="mso-fareast-language:EN-CA">Webpage:
</span><span style="mso-fareast-language:EN-CA"><a href="http://www.theatre.uottawa.ca/eng/faculty/meerzon.html"><span lang="FR-CA">www.theatre.uottawa.ca/eng/faculty/meerzon.html</span></a></span><span lang="FR-CA" style="mso-fareast-language:EN-CA"><o:p></o:p></span></p>
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