<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<!--[if !mso]><style>v\:* {behavior:url(#default#VML);}
o\:* {behavior:url(#default#VML);}
w\:* {behavior:url(#default#VML);}
.shape {behavior:url(#default#VML);}
</style><![endif]--><style><!--
/* Font Definitions */
@font-face
{font-family:Helvetica;
panose-1:2 11 6 4 2 2 2 2 2 4;}
@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:inherit;
panose-1:0 0 0 0 0 0 0 0 0 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
margin-bottom:.0001pt;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
h4
{mso-style-priority:9;
mso-style-link:"Heading 4 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Times New Roman",serif;}
h5
{mso-style-priority:9;
mso-style-link:"Heading 5 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:10.0pt;
font-family:"Times New Roman",serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:#954F72;
text-decoration:underline;}
span.EmailStyle17
{mso-style-type:personal-compose;
font-family:"Calibri",sans-serif;
color:windowtext;}
span.Heading4Char
{mso-style-name:"Heading 4 Char";
mso-style-priority:9;
mso-style-link:"Heading 4";
font-family:"Times New Roman",serif;
font-weight:bold;}
span.Heading5Char
{mso-style-name:"Heading 5 Char";
mso-style-priority:9;
mso-style-link:"Heading 5";
font-family:"Times New Roman",serif;
font-weight:bold;}
span.gmail-italic
{mso-style-name:gmail-italic;}
.MsoChpDefault
{mso-style-type:export-only;
font-family:"Calibri",sans-serif;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
/* List Definitions */
@list l0
{mso-list-id:936017029;
mso-list-template-ids:-1529324246;}
@list l0:level1
{mso-level-number-format:bullet;
mso-level-text:\F0B7;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l0:level3
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level4
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level5
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level6
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level7
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level8
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level9
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1
{mso-list-id:1689059879;
mso-list-template-ids:-2006025130;}
@list l1:level1
{mso-level-number-format:bullet;
mso-level-text:\F0B7;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l1:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l1:level3
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level4
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level5
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level6
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level7
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level8
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level9
{mso-level-number-format:bullet;
mso-level-text:\F0A7;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
ol
{margin-bottom:0in;}
ul
{margin-bottom:0in;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang="EN-US" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
<p class="MsoNormal">Dear Colleagues,<br>
<br>
The new issue of <b>Theatre Research International</b> 45.1 is now available. <br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a> <br>
<br>
Here's a preview of the content.<br>
<br>
<br>
<o:p></o:p></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level1 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-wound-work/8BA3393CA69786A39383FF859BEC9D52"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Editorial:
Wound Work</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level1 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">FINTAN
WALSH</span></a><br>
<br>
<o:p></o:p></span></p>
<h4 style="vertical-align:baseline"><i><span style="font-family:"Helvetica",sans-serif;color:#595959;font-weight:normal">Articles<o:p></o:p></span></i></h4>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level2 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:"Courier New";color:#333333;font-weight:normal"><span style="mso-list:Ignore">o<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/stumbling-over-history-stolpersteine-and-the-performance-of-memory-in-spains-streets/C6C05B47CB09C55A9C5950D9F5965F0A"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Stumbling
over History: <span class="gmail-italic"><i>Stolpersteine</i></span> and the Performance of Memory in Spain's Streets</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level2 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:"Courier New";color:#595959"><span style="mso-list:Ignore">o<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=AL%C3%8DCIA%20HERN%C3%80NDEZ-GRANDE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ALÍCIA
HERNÀNDEZ-GRANDE</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level2 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:"Courier New";color:#595959"><span style="mso-list:Ignore">o<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level3 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/walks-of-experience-sitespecific-performance-walks-active-listening-and-uncomfortable-witnessing/ABD9F7FCDFDB88D20C332AA8277F1E4D"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Walks
of Experience: Site-Specific Performance Walks, Active Listening and Uncomfortable Witnessing</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level3 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=EMILIE%20PINE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">EMILIE
PINE</span></a>, <a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MAEVE%20CASSERLY&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">MAEVE CASSERLY</span></a>, <a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TOM%20LANE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">TOM
LANE</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level3 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level4 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/we-are-all-treaty-people-indigenoussettler-relations-story-and-young-audiences/70EBFE4B511EE23B0884FBCE51DA05EF"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">We
Are All Treaty People</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">: Indigenous–Settler Relations, Story and Young Audiences</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level4 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HEATHER%20M.%20FITZSIMMONS%20FREY&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">HEATHER
M. FITZSIMMONS FREY</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level4 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level5 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/world-cups-doubleheaded-eagle-gestures-and-scenarios-in-the-football-arena/8A3E454A563DCB896DAA5B6FA6D7CC40"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">The
World Cup's Double-Headed Eagle: Gestures and Scenarios in the Football Arena</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level5 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JARED%20STRANGE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">JARED
STRANGE</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level5 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level6 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/killjoy-comedian-hannah-gadsbys-nanette/9B685EEB4E24CB6D1B1D06512D6E6E16"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">The
Killjoy Comedian: Hannah Gadsby's <span class="gmail-italic"><i>Nanette</i></span></span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level6 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SARAH%20BALKIN&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SARAH
BALKIN</span></a><o:p></o:p></span></p>
<h4 style="margin-left:0in;text-indent:-.25in;mso-list:l1 level6 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 0.71429rem;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><i><span style="font-family:"Helvetica",sans-serif;color:#595959;font-weight:normal">Double Take<o:p></o:p></span></i></h4>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level6 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level7 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/postdramatic-theatre-by-hansthies-lehmann-trans-karen-jursmunby-abingdon-and-new-york-routledge-2006-pp-x-214-9399155-hb-43994395-pb/83D0C18ABD7382A59D00C95423D4C894"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Postdramatic
Theatre</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Hans-Thies Lehmann, trans. Karen Jürs-Munby. Abingdon and New York: Routledge, 2006. Pp. x + 214. £93.99/$155 Hb; £43.99/$43.95 Pb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level7 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Philip%20Watkinson&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Philip
Watkinson</span></a><o:p></o:p></span></p>
<h4 style="margin-left:0in;text-indent:-.25in;mso-list:l1 level7 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 0.71429rem;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><i><span style="font-family:"Helvetica",sans-serif;color:#595959;font-weight:normal">New Books<o:p></o:p></span></i></h4>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level7 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level8 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-of-nepal-and-the-people-who-make-it-by-carol-c-davis-cambridge-cambridge-university-press-2019-pp-xxi-159-9999-hb/68A8CD42EB596C784D7B904F92686585"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Theatre
of Nepal and the People Who Make It</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Carol C. Davis. Cambridge: Cambridge University Press, 2019. Pp. xxi + 159. $99.99 Hb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level8 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Syed%20Jamil%20Ahmed&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Syed
Jamil Ahmed</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level8 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level9 lfo1;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/postdramatic-theatre-and-form-edited-by-michael-shane-boyle-matt-cornish-and-brandon-woolf-london-bloomsbury-2019-pp-xi-266-75-hb/04AE193BEAA8C5159EB03C573511C480"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Postdramatic
Theatre and Form</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Michael Shane Boyle, Matt Cornish and Brandon Woolf. London: Bloomsbury, 2019. Pp. xi + 266. £75 Hb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level9 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=David%20Barnett&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">David
Barnett</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level9 lfo1;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l0 level1 lfo2;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/model-as-performance-staging-space-in-theatre-and-architecture-by-thea-brejzek-and-lawrence-wallen-london-and-new-york-methuen-drama-2018-188-pp-188-30-b-w-illus-7593-hb-2232-pb/364E2630496346C8DB20EB5CF50B9820"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">The
Model as Performance: Staging Space in Theatre and Architecture</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Thea Brejzek and Lawrence Wallen. London and New York: Methuen Drama, 2018.
188 Pp. 188 + 30 b & w illus. £75/$93 Hb; £22/$32 Pb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level1 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=James%20R.%20Hamilton&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">James
R. Hamilton</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level1 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l0 level2 lfo2;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:"Courier New";color:#333333;font-weight:normal"><span style="mso-list:Ignore">o<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/freedom-theatre-performing-cultural-resistance-in-palestine-edited-by-ola-johansson-and-johanna-wallin-new-delhi-leftword-books-2018-pp-417-indian-rupees-65000-pb/58C143CA52F6410D2BDE9D8346590BC5"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">The
Freedom Theatre: Performing Cultural Resistance in Palestine</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Ola Johansson and Johanna Wallin. New Delhi: LeftWord Books, 2018. Pp.
417. Indian Rupees 650.00 Pb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level2 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:"Courier New";color:#595959"><span style="mso-list:Ignore">o<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Rayya%20El%20Zein&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Rayya
El Zein</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level2 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:"Courier New";color:#595959"><span style="mso-list:Ignore">o<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l0 level3 lfo2;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/social-housing-in-performance-the-english-council-estate-on-and-off-stage-by-katie-beswick-london-and-new-york-bloomsbury-2019-pp-x-220-6480-hb/0EF90E3FE0373388B90ED497FA2DD7A9"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Social
Housing in Performance: The English Council Estate On and Off Stage</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Katie Beswick. London and New York: Bloomsbury, 2019. Pp. x + 220. £64.80
Hb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level3 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Lynne%20McCarthy&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Lynne
McCarthy</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level3 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l0 level4 lfo2;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/nuovo-teatro-made-in-italy-19632013-by-valentina-valentini-rome-bulzoni-2015-pp-380-3500-pb-new-theatre-made-in-italy-19632013-by-valentina-valentini-trans-thomas-haskell-simpson-london-and-new-york-routledge-2018-pp-178-1200014500-hb/8EDE8FB7B664FEEF544AA65733EF0E2E"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Nuovo
teatro Made in Italy 1963–2013</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Valentina Valentini. Rome: Bulzoni, 2015. Pp. 380. €35.00 Pb. <span class="gmail-italic"><i>New Theatre Made
in Italy: 1963–2013</i></span>. By Valentina Valentini, trans. Thomas Haskell Simpson. London and New York: Routledge, 2018. Pp. 178. £120.00/$145.00 Hb.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level4 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Flora%20Pitrolo&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Flora
Pitrolo</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level4 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l0 level5 lfo2;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility">
<![if !supportLists]><span style="font-family:Wingdings;color:#333333;font-weight:normal"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/teaching-postdramatic-theatre-anxieties-aporias-and-disclosures-by-glenn-dcruz-cham-palgrave-mcmillan-2018-pp-xi-205-10-illus-8999-hb-8999-pb-7496-ebook/22F2E791F8EF4BDFC9001E9EE1F8C089"><span class="gmail-italic"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Teaching
Postdramatic Theatre: Anxieties, Aporias and Disclosures</span></i></span><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Glenn D'Cruz. Cham: Palgrave McMillan, 2018. Pp. xi + 205 + 10 illus. €89.99 Hb;
€89.99 Pb; €74.96 Ebook.</span></a><o:p></o:p></span></h5>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level5 lfo2;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Wingdings;color:#595959"><span style="mso-list:Ignore">§<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Prue%20Wales&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Prue
Wales</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<table class="MsoNormalTable" border="0" cellspacing="0" cellpadding="0" width="0" style="width:379.45pt">
<tbody>
<tr>
<td style="padding:0in 0in 0in 0in"></td>
<td width="506" style="width:355.45pt;padding:0in 0in 0in 0in"></td>
</tr>
<tr>
<td colspan="2" style="padding:0in 0in 0in 0in">
<p class="MsoNormal"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Associate Editor,
<i><a href="https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies"><span style="color:#0563C1">Journal of Interdisciplinary Voice Studies</span></a></i> (Intellect)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Convenor,
<a href="https://www.iftr.org/working-groups/music-theatre"><span style="color:#0563C1">Music Theatre Working Group</span></a>,
<a href="https://www.iftr.org/"><span style="color:#0563C1">International Federation for Theatre Research</span></a>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Online Content Manager,
<i><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#0563C1">Theatre Research International</span></a>
</i>(Cambridge)<br>
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 <br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b>: <a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#0563C1">marcus.tan@nie.edu.sg</span></a>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#0563C1">Profile</span></a>
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial",sans-serif"><img border="0" width="320" height="124" style="width:3.3333in;height:1.2916in" id="Picture_x0020_1" src="cid:image001.png@01D5F20F.CC29A450" alt="cid:image001.png@01D582AC.0C49DA10"></span><span style="color:#1F497D"><o:p></o:p></span></p>
</td>
</tr>
</tbody>
</table>
<p class="MsoNormal"><a href="https://www.palgrave.com/gp/book/9783030346850"><span style="color:#0563C1;text-decoration:none"><img border="0" width="248" height="248" style="width:2.5833in;height:2.5833in" id="Picture_x0020_2" src="cid:image002.gif@01D5F20F.CC29A450" alt="Palgrave+Author+Badge"></span></a><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
</body>
</html>