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<div>Friends, it’s a huge pleasure for me to announce the online release of Theatre Research in Canada / Recherches theatrales au Canada 41.1 (Spring 2020), a special issue on race and representation in the Canada-US borderlands, guest edited by Colleen Kim
Daniher and Katie Zien.</div>
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<div>Because Black Lives Matter and because content needs more often to be free, this special issue is offered for immediate and paywall-less download on our website, at <a href="https://tricrtac.ca/en/current-issue/" class="">https://tricrtac.ca/en/current-issue/</a>.</div>
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<div>Please share widely, and enjoy!<br class="">
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Kim<br class="">
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TRiC/RTaC</span></a></b><span class="Apple-converted-space"> </span><br class="">
Vol 41, No1. (Spring 2020)<br class="">
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<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/tric_41.1_full_issue.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Full
Issue PDF</span></a></div>
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<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/01_tric_41.1_introduction.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Introduction:
Race and Performance in the US-Canada Borderlands</span></a></div>
<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Présentation : Race et performances dans les frontières canado-américaines</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Colleen Kim Daniher and Katherine Zien</span></div>
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<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/02_tric_41.1_a_greater_compass.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">“A
Greater Compass of Voice”: Elizabeth Taylor Greenfield and Mary Ann Shadd Cary Navigate Black Performance</span></a></div>
<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Kristin Moriah</span></div>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/03_tric_41.1_princess_white_deer.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Princess White Deer’s
Show Blanket: Brokering Popular Indigenous Performance Across International Borders</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span></a><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Christine Bold</span></p>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/04_tric_41.1_performing_blackface.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Performing Blackface
on the Newfoundland Stage: The Rossleys, Transnational Connections, and Early Twentieth Century Theatre in St. John’s</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span></a><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Colleen Quigley and Melissa Templeton</span></p>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/05_tric_41.1_citizen_in_exception.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Citizen in Exception:
Omar Khadr and the Performative Gap in the Law</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span></a><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Matt Jones</span></p>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/06_tric_41.1_close_encounters.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Close Encounters Under
the Muslim Ban: Mobile Media, Intimacy, and Augmented Whiteness</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span></a><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Danielle Wong</span></p>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/07_tric_41.1_getting_under.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Getting Under the Skin: Antiblackness,
Proximity, and Resistance in the SLĀV Affair</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span></a><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Philip S. Howard</span></p>
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<span style="font-size: 17pt; font-family: Arial; font-weight: 700;" class="">Forum</span></h2>
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<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/08_tric_41.1_o_kanata.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Ô
Kanata</span></a></div>
<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Yves Sioui Durand and Catherine Joncas</span></div>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/09_tric_41.1_re-embodying.pdf" class=""><span style="font-size: 11pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 400; text-decoration: underline;" class="">Re-embodying Jurisprudence:
Performance Art and Intersections of Race and Law</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span></a><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Preeti Kaur Dhaliwal</span></p>
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<a href="https://tricrtac.ca/en/wp-content/uploads/2020/06/10_tric_41.1_book_reviews.pdf" class=""><span style="font-size: 13pt; font-family: Arial; color: rgb(17, 85, 204); font-weight: 700; text-decoration: underline;" class="">Book Reviews / Comptes Rendus</span></a></h3>
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<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Melissa Poll, Robert Lepage's Scenographic Dramaturgy: The Aesthetic Signature at Work</span></div>
<div style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;" class=""><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Piet Defraeye</span></div>
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<span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Olivier Dumas, La scène québécoise au fémin, 12 coups de théâtre 1974-1988</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Louise Forsyth</span></p>
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<span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Yana Meerzon, ed., Theatre and (Im)migration: New Essays on Canadian Theatre, Volume 10<span class="Apple-converted-space"> </span></span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class=""><br class="">
</span><span style="font-size: 11pt; font-family: Arial; font-weight: 400;" class="">Natalie Rewa</span></p>
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