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<p class="MsoNormal">Dear colleagues,</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">The new issue of Theatre Research International 45.2 is now available and can be accessed here:
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">
https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a></p>
<p class="MsoNormal"><o:p> </o:p></p>
<div>
<p class="MsoNormal"><b>Editorial: Climates of Denial</b><b><o:p></o:p></b></p>
<p class="MsoNormal">FINTAN WALSH</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Articles<o:p></o:p></b></p>
<p class="MsoNormal">South Pacific Brownface: Racial Imposture, Global Markets, and National Theatre in Tapu (1903)</p>
<p class="MsoNormal">MARGARET WERRY</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Minnie Cunningham at the Old Bedford</p>
<p class="MsoNormal">JASON PRICE</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Ibsen and the Repertory System: Peer Gynt on the German Stage</p>
<p class="MsoNormal">JENS-MORTEN HANSSEN</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Human No-Go Zones: Theatricalizing Unintentional and Intentional Wildlife Sanctuaries</p>
<p class="MsoNormal">CATHERINE DIAMOND</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Dossier: Climate Change and the Decolonized Future of Theatre<o:p></o:p></b></p>
<p class="MsoNormal">LISA WOYNARSKI, ADELINA ONG, TANJA BEER, STEPHANIE BEAUPARK, JONAH WINN-LENETSKY, RULAN TANGEN, MICHELLE NICHOLSON-SANZ</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Double Take<o:p></o:p></b></p>
<p class="MsoNormal">Unmarked: The Politics of Performance. By Peggy Phelan. London and New York: Routledge, 1993.
</p>
<p class="MsoNormal">Stephen Scott-Bottoms</p>
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<p class="MsoNormal"><b>New Books<o:p></o:p></b></p>
<p class="MsoNormal"><i>Thinking through Theatre and Performance</i>. Edited by Maaike Bleeker, Adrian Kear, Joe Kelleher and Heike Roms. London and New York: Methuen Drama, 2019.
</p>
<p class="MsoNormal"><i>Nomadic Theatre: Mobilizing Theory and Practice on the European Stage</i>. By Liesbeth Groot Nibbelink. London and New York: Methuen Drama, 2019.
</p>
<p class="MsoNormal">Peter M. Boenisch</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>The Dumb Type Reader</i>. Edited by Peter Eckersall, Edward Scheer and Fujii Shintaṛ. Copenhagen: Museum Tusculanam Press, 2017.
</p>
<p class="MsoNormal">Carol Fisher Sorgenfrei</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Freak Performances: Dissidence in Latin American Theater</i>. By Analola Santana. Ann Arbor: University of Michigan Press, 2018.
</p>
<p class="MsoNormal">Jeanmarie Higgins</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Theory for Theatre Studies: Space</i>. By Kim Solga. London: Bloomsbury Methuen Drama, 2019.
</p>
<p class="MsoNormal">Oluchi J. Igili</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Australian Theatre, Modernism and Patrick White: Governing Culture</i>. By Denise Varney and Sandra D'Urso. London and New York: Anthem Press, 2018.
</p>
<p class="MsoNormal">Julian Meyrick</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Queer Exceptions: Solo Performance in Neoliberal Times</i>. By Stephen Greer. Manchester: Manchester University Press, 2019.
</p>
<p class="MsoNormal">Sarah Mullan</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Outside Theater: Alliances that Shape Mexico</i>. By Stuart Day. Tucson: The University of Arizona Press, 2017.</p>
<p class="MsoNormal">Cristián Opazo</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>The Routledge Companion to Butoh Performance</i>. Edited by Bruce Baird and Rosemary Candelario. London and New York: Routledge, 2018.
</p>
<p class="MsoNormal">Uchino Tadashi</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Drama and Digital Arts Cultures</i>. By David Cameron, Michael Anderson and Rebecca Wotzko. London: Bloomsbury Methuen Drama, 2017.
</p>
<p class="MsoNormal">Dean Wilcox</p>
</div>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Associate Editor,
<i><a href="https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies"><span style="color:#0563C1">Journal of Interdisciplinary Voice Studies</span></a></i> (Intellect)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Convenor,
<a href="https://www.iftr.org/working-groups/music-theatre"><span style="color:#0563C1">Music Theatre Working Group</span></a>,
<a href="https://www.iftr.org/"><span style="color:#0563C1">International Federation for Theatre Research</span></a>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Online Content Manager,
<i><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#0563C1">Theatre Research International</span></a>
</i>(Cambridge)<br>
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 <br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b>: <a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#0563C1">marcus.tan@nie.edu.sg</span></a>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#0563C1">Profile</span></a>
<o:p></o:p></span></p>
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<p class="MsoNormal"><a href="https://www.palgrave.com/gp/book/9783030346850"><span style="color:windowtext;text-decoration:none"><img border="0" width="248" height="248" style="width:2.5833in;height:2.5833in" id="Picture_x0020_4" src="cid:image002.gif@01D5E7CE.86D0AE80"></span></a><o:p></o:p></p>
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