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<a href="http://www.critical-stages.org/21/" title="http://www.critical-stages.org/21/"><span style="font-size: 18pt;"><b>Critical Stages/Scènes critiques </b></span></a></p>
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<a href="http://www.critical-stages.org/21/" title="http://www.critical-stages.org/21/"><span style="font-size: 18pt;"><b>JUNE 2021 </b></span></a></p>
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<a href="http://www.critical-stages.org/18/essays/" style="font-family: "Times New Roman", serif; font-size: 12pt;"><b><span style="font-size: 12pt; font-family: "Times New Roman", serif; border-width: 1pt; border-style: none; border-color: windowtext; padding: 0in;">Essays</span></b></a><b style="font-size: 12pt; font-style: inherit; font-variant-ligatures: inherit; font-variant-caps: inherit;"><u><span style="font-size:12.0pt;
font-family:"Times New Roman","serif";mso-fareast-font-family:"Times New Roman""><o:p> </o:p></span></u></b><br>
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<span style="font-size:12.0pt;font-family:"Times New Roman","serif";
mso-fareast-font-family:"Times New Roman"">Section Editor: <b><span style="border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
padding:0in">Yana Meerzon
</span></b>(Canada)<o:p> </o:p></span></p>
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padding:0in"><o:p> </o:p></span></u></i></b></span></p>
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The “ESSAY SECTION” is dedicated to urgent issues related to theater and performance making, ways of thinking and writing about theatre and performing arts, ways of viewing and reflecting practices, pedagogies of performance and text analysis, practices of
dramaturgy, interdisciplinarity, transcultural approaches and digitalization of communication practices in theatre and cultural performance, among other issues. The aim of the ESSAY SECTION is to offer a broader practical, aesthetic, historical and theoretical
outlet to those interested in recent developments in theatre and performance across national and disciplinary boundaries.<o:p> </o:p></p>
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<span class="firstcharacter"><i><span style="border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
padding:0in">C</span></i></span><em><span style="mso-fareast-font-family:"Times New Roman";
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Stages</span></em>/<em><span style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Scènes critiques</span></em> is a peer-reviewed on-line journal
fully committed to the Open Access Initiative. Inquiries, abstracts and submissions are to be sent to the editor of this section.<o:p> </o:p><b style="font-size: 12pt; font-style: inherit; font-variant-ligatures: inherit; font-variant-caps: inherit;">Yana
Meerzon (University of Ottawa) at <u>yana.meerzon@gmail.com</u><o:p> </o:p></b></p>
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<strong><span style="border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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Calendar for June 2021 publication:</span></strong></p>
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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none windowtext 0in;padding:0in">Abstracts
(250 words) and Bio (100 words) – October 15, 2020</span></strong><o:p> </o:p></p>
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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Articles (up to 5000 words) – December 15, 2020</span></strong><o:p> </o:p></p>
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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none windowtext 0in;padding:0in">Peer-Review
Process - January / February 2021</span></strong><o:p> </o:p></p>
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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Draft based on Reviews’ Comments – March 1, 2021</span></strong><o:p> </o:p></p>
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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Editing – April/May 2021</span></strong><o:p> </o:p></p>
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<strong><span style="font-family:"Calibri","sans-serif";mso-ascii-theme-font:
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Date – June 2021</span></strong><o:p> </o:p></p>
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<b>Articles are welcome in English and/or French</b><o:p> </o:p></p>
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<b><span style="font-size:12.0pt">Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.</span></b><span style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#243F60"><o:p> </o:p></span></h5>
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<span style="font-size:12.0pt;
color:#222222">Submission Guidelines / Soumission d’articles</span><span style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>
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<a href="http://www.critical-stages.org/submission-guidelines/"><span style="font-size:12.0pt">http://www.critical-stages.org/submission-guidelines/</span></a><span style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>
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<span lang="FR" style="font-size:
12.0pt;color:#222222;mso-ansi-language:FR">Style Sheet for Critical Stages / Protocole abrégé de Scènes critiques</span><span lang="FR" style="mso-ascii-font-family:
Cambria;mso-hansi-font-family:Cambria;color:#365F91;mso-ansi-language:FR"><o:p> </o:p></span></h1>
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<a href="http://www.critical-stages.org/style-sheet-for-critical-stages/">http://www.critical-stages.org/style-sheet-for-critical-stages/</a><span style="mso-ascii-font-family:Calibri;mso-hansi-font-family:Calibri"><o:p> </o:p></span></p>
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<div class="PlainText"><span style="margin:0px; font-family:Tahoma,Geneva,sans-serif; font-size:12pt"><a href="https://uniweb.uottawa.ca/members/270" title="https://uniweb.uottawa.ca/members/270"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Yana
Meerzon. Ph.D.</span></a></span><br>
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<p style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri,sans-serif; color:rgb(32,31,30); text-align:start; background-color:rgb(255,255,255)">
<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professeure , Département de théâtre</span></p>
<p style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri,sans-serif; color:rgb(32,31,30); text-align:start; background-color:rgb(255,255,255)">
<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professor, Department of Theatre</span></p>
<p style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri,sans-serif; color:rgb(32,31,30); text-align:start; background-color:rgb(255,255,255)">
<span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">135 S</span><span lang="FR-CA" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">éraphin-Marion</span><span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">,
uOttawa, Ottawa, Ontario, K1N 6N5</span></p>
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<div class="PlainText"><span style="font-size:10pt"><a href="https://catracrt.ca/" title="https://catracrt.ca/"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">President CATR/ACRT
</span></a></span></div>
<div class="PlainText"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/">Editor.
Critical Stages/Scènes critiques. </a></span><br>
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<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030399146" title="https://www.palgrave.com/gp/book/9783030399146">Migration and Stereotypes in Performance and Culture (Palgrave 2020), Editors: Meerzon, Yana, Dean, David, McNeil, Daniel
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