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<span style="color: rgb(85, 85, 85); font-family: Verdana, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255); display: inline !important">Dear colleagues, </span></div>
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<span style="color: rgb(85, 85, 85); font-family: Verdana, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255); display: inline !important">Apologies for cross-listing. I hope this title will make into your libraries' catalogues: </span></div>
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<span style="color: rgb(85, 85, 85); font-family: Verdana, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255); display: inline !important"><a href="https://www.palgrave.com/gp/book/9783030414092" title="https://www.palgrave.com/gp/book/9783030414092">Performance,
Subjectivity, Cosmopolitanism (Palgrave 2020). By Yana Meerzon</a><br>
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<span style="color: rgb(85, 85, 85); font-family: Verdana, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255); display: inline !important">This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical
condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect,
and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided
origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories
about ourselves to others, and from without, through the stories the others tell about us. </span><br>
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<div class="PlainText"><span style="margin:0px; font-family:Tahoma,Geneva,sans-serif; font-size:12pt"><a href="https://uniweb.uottawa.ca/members/270" title="https://uniweb.uottawa.ca/members/270"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Yana
Meerzon. Ph.D.</span></a></span><br>
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<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professeure , Département de théâtre</span></p>
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<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professor, Department of Theatre</span></p>
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<span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">135 S</span><span lang="FR-CA" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">éraphin-Marion</span><span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">,
uOttawa, Ottawa, Ontario, K1N 6N5</span></p>
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<div class="PlainText"><span style="font-size:10pt"><a href="https://catracrt.ca/" title="https://catracrt.ca/"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">President CATR/ACRT
</span></a></span></div>
<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030414092" title="https://www.palgrave.com/gp/book/9783030414092">Performance, Subjectivity, Cosmopolitanism (Palgrave 2020)</a><br>
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<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030399146" title="https://www.palgrave.com/gp/book/9783030399146">Migration and Stereotypes in Performance and Culture (Palgrave 2020), Editors: Meerzon, Yana, Dean, David, McNeil, Daniel
</a><br>
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<div class="PlainText"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" style="font-size:14.6667px; font-family:Calibri,Helvetica,sans-serif">Editor.
Critical Stages/Scènes critiques</a><br>
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