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<body lang="EN-US" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
<p class="MsoNormal"><span lang="EN-GB">Dear Colleagues,<br>
<br>
The new issue of Theatre Research International 45.3 is now available on Cambridge Core.<br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l17 level1 lfo18;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><u><span style="font-size:11.0pt;color:black">Editorial</span></u><span style="font-size:11.0pt;color:black;font-weight:normal"><br>
<br>
</span><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-between-breaths/498B622E77CBC06A34D9158FA12FAD03"><span style="border:none windowtext 1.0pt;padding:0in">Editorial:
Between Breaths</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l17 level1 lfo18;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">FINTAN WALSH</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB">Articles<o:p></o:p></span></u></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l14 level1 lfo17;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/welcome-to-the-jungle-performing-borders-and-belonging-in-contemporary-british-migration-theatre/34E126C67D83D37C903C7A4445418E7F"><span style="border:none windowtext 1.0pt;padding:0in">Welcome
to </span><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The Jungle</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">: Performing Borders and Belonging in Contemporary British
Migration Theatre</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l14 level1 lfo17;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=EMMA%20WELTON&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">EMMA WELTON</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="color:black"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l25 level1 lfo16;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/towards-a-collaborative-ergonomics-from-strangers-to-symbiotic-community-through-boundary-traversal-in-performance/CACFECBB063371C5B39315E6B70D8697"><span style="border:none windowtext 1.0pt;padding:0in">Towards
a Collaborative Ergonomics: From Strangers to Symbiotic Community through Boundary Traversal in Performance</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l25 level1 lfo16;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PEILIN%20LIANG&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">PEILIN LIANG</span></a><o:p></o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l15 level1 lfo15;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/mei-lanfang-and-stanislavsky-the-deconstruction-of-an-intercultural-myth-on-the-international-stage/44313561EAD8B2A105F4BDFEF3507613"><span style="border:none windowtext 1.0pt;padding:0in">Mei
Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l15 level1 lfo15;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MIN%20TIAN&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">MIN TIAN</span></a><o:p></o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l24 level1 lfo14;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/staging-tagore-beyond-the-spectres-of-authority-suman-mukhopadhyays-falguni-suchana-2001/4C24F44D95660EF472D433FAA5F900E6"><span style="border:none windowtext 1.0pt;padding:0in">Staging
Tagore Beyond the Spectres of Authority: Suman Mukhopadhyay's </span><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Falguni: Suchana</span></i></span><span style="border:none windowtext 1.0pt;padding:0in"> (2001)</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l24 level1 lfo14;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RAJDEEP%20KONAR&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">RAJDEEP KONAR</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB"><o:p><span style="text-decoration:none"> </span></o:p></span></u></b></p>
<p class="MsoNormal"><b><u><span lang="EN-GB">Dossier: </span></u></b><b><span lang="EN-GB">Theatrical Vestiges: Material Remains and Theatre Historiography</span></b><span lang="EN-GB"><o:p></o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l27 level1 lfo13;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dossiertheatrical-vestiges-material-remains-and-theatre-historiography-introduction/FAE390498B9BCD7BB398C1A3F17D3340"><span style="border:none windowtext 1.0pt;padding:0in">Dossier–Theatrical
Vestiges: Material Remains and Theatre Historiography: Introduction</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l27 level1 lfo13;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=T.%20SOFIE%20TAUBERT&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">T. SOFIE TAUBERT</span></a><span class="separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RUTHIE%20ABELIOVICH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">RUTHIE
ABELIOVICH</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l20 level1 lfo12;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/staging-global-theatre-history-in-the-museum-carl-niessen-and-the-draft-of-the-reichstheaterinstitut-1943/E9E977B935F7CE3D268EF3F6D7A3FC5A"><span style="border:none windowtext 1.0pt;padding:0in">Staging
Global Theatre History in the Museum: Carl Niessen and the Draft of the Reichstheaterinstitut (1943)</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l20 level1 lfo12;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NORA%20PROBST&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">NORA PROBST</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l23 level1 lfo11;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/archival-practices-of-suspicion-remains-in-secret-reports-selfdocumentation-and-oral-histories/DDFE9C9F17ECBE7E29A2FADB9FE91572"><span style="border:none windowtext 1.0pt;padding:0in">Archival
Practices of Suspicion: Remains in Secret Reports, Self-Documentation and Oral Histories</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l23 level1 lfo11;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=KORN%C3%89LIA%20DERES&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">KORNÉLIA DERES</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l13 level1 lfo9;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/how-to-catch-the-devil-performance-materiality-and-meyerbeers-robert-le-diable/84255184C72C448D7D6F8315F073DF57"><span style="border:none windowtext 1.0pt;padding:0in">How
to Catch the Devil? Performance Materiality and Meyerbeer's </span><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Robert le Diable</span></i></span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l13 level1 lfo9;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=T.%20SOFIE%20TAUBERT&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">T. SOFIE TAUBERT</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l11 level1 lfo10;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/remains-of-a-past-production-a-short-film-theatre-1957/3FFCE13AE7D0CAD83C760C2738005301"><span style="border:none windowtext 1.0pt;padding:0in">Remains
of a Past Production: A Short Film, </span><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Theatre</span></i></span><span style="border:none windowtext 1.0pt;padding:0in"> (1957)</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l11 level1 lfo10;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HANNA%20KORSBERG&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">HANNA KORSBERG</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l3 level1 lfo8;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/work-and-play-rolf-hochhuths-the-representative-in-tel-aviv-1964/5C85F5FDB6DA633D5AB9508D3E7799A4"><span style="border:none windowtext 1.0pt;padding:0in">Work
and Play: Rolf Hochhuth's </span><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The Representative</span></i></span><span style="border:none windowtext 1.0pt;padding:0in"> in Tel Aviv (1964)</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l3 level1 lfo8;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RUTHIE%20ABELIOVICH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">RUTHIE ABELIOVICH</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l22 level1 lfo7;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/feminist-exploration-of-material-objects-in-anuradha-kapurs-jeevit-ya-mrit/748D3FDABA75D57278337EC8E319FEFF"><span style="border:none windowtext 1.0pt;padding:0in">Feminist
Exploration of Material Objects in Anuradha Kapur's </span><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Jeevit Ya Mrit</span></i></span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l22 level1 lfo7;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=INDU%20JAIN&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">INDU JAIN</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l26 level1 lfo6;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/reusing-props-at-the-national-theatre-london-considering-theatre-materiality-in-a-historiographical-context/3B64101547D9F4E5A5007983029ABE6A"><span style="border:none windowtext 1.0pt;padding:0in">Reusing
Props at the National Theatre, London: Considering Theatre Materiality in a Historiographical Context</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l26 level1 lfo6;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SASCHA%20F%C3%96RSTER&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">SASCHA FÖRSTER</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB"><o:p><span style="text-decoration:none"> </span></o:p></span></u></b></p>
<p class="MsoNormal"><b><u><span lang="EN-GB">Remembering Philip Zarrilli (1947-2020)<o:p></o:p></span></u></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l2 level1 lfo5;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/its-never-about-me-its-always-about-you-generosity-in-zarrillis-training-space/EAF5923BCB966A5BBDCE6B7AFB1B4361"><span style="border:none windowtext 1.0pt;padding:0in">‘It's
Never about Me, It's Always about You’: Generosity in Zarrilli's Training Space</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l2 level1 lfo5;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ALISSA%20CLARKE&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">ALISSA CLARKE</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB"><o:p> </o:p></span></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l10 level1 lfo4;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/matter-of-metaphor-remembering-phillip/BFDE9D0E4EBBFB604E49F69C948A18BA"><span style="border:none windowtext 1.0pt;padding:0in">The
Matter of Metaphor: Remembering Phillip</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l10 level1 lfo4;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARTIN%20WELTON&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">MARTIN WELTON</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB"><o:p> </o:p></span></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l5 level1 lfo3;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/phillip-zarrillis-knowledges-about-in-for/DEF1B61ACCA2CA78FF3A47F84423DEF4"><span style="border:none windowtext 1.0pt;padding:0in">Phillip
Zarrilli's Knowledges: ‘About’, ‘In’, ‘For’</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l5 level1 lfo3;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=REBECCA%20LOUKES&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">REBECCA LOUKES</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB"><o:p> </o:p></span></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l6 level1 lfo2;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/phenomenology-and-the-actors-breath-in-memory-of-phillip-zarrilli/5B8B3D8E62578A8CFEC92D79A6EDD46D"><span style="border:none windowtext 1.0pt;padding:0in">Phenomenology
and the Actor's Breath: In Memory of Phillip Zarrilli</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l6 level1 lfo2;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=STANTON%20B.%20GARNER&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">STANTON B. GARNER</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB"><o:p> </o:p></span></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l21 level1 lfo1;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/for-phillip-remembering-a-friend/A4D2E37A6C7318908F8EEE7F07B94F30"><span style="border:none windowtext 1.0pt;padding:0in">For
Phillip: Remembering a Friend</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l21 level1 lfo1;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RUSTOM%20BHARUCHA&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">RUSTOM BHARUCHA</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><u><span lang="EN-GB">Double Take</span></u></b><i><span lang="EN-GB">
<u><o:p></o:p></u></span></i></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l1 level1 lfo28;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-everyday-life-an-ethics-of-performance-by-alan-read-london-routledge-1993-pp-xii-260-33995895-pb/75EF7A39D7F713293CD2CDC2C4BB7798"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Theatre
& Everyday Life: An Ethics of Performance</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Alan Read. London: Routledge, 1993. Pp. xii + 260. £33.99/$58.95 Pb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level1 lfo28;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Martin%20Harries&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Martin Harries</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB">New Books<o:p></o:p></span></u></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l8 level1 lfo19;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/incapacity-and-theatricality-politics-and-aesthetic-in-theatre-involving-actors-with-intellectual-disabilities-by-tony-mccaffrey-london-and-new-york-routledge-2019-pp-198-120-hb/5A3DC5616A0250C809764D62AC2B0E0D"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Incapacity
and Theatricality: Politics and Aesthetic in Theatre Involving Actors with Intellectual Disabilities</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Tony McCaffrey. London and New York: Routledge, 2019. Pp. 198. £120 Hb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l8 level1 lfo19;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Margaret%20Ames&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Margaret Ames</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB"><o:p><span style="text-decoration:none"> </span></o:p></span></u></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l7 level1 lfo20;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/war-as-performance-conflicts-in-iraq-and-political-theatricality-by-lindsey-mantoan-cham-switzerland-springer-2018-pp-vii-236-84997279-hb/15DD64E4288363F44D1B9A8C7EB73E3D"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">War
as Performance: Conflicts in Iraq and Political Theatricality</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Lindsey Mantoan. Cham, Switzerland: Springer, 2018. Pp. vii + 236. $84.99/€72.79 Hb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l7 level1 lfo20;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Hadeel%20Abdelhameed&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Hadeel Abdelhameed</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB"><o:p><span style="text-decoration:none"> </span></o:p></span></u></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l9 level1 lfo21;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-knowledge-by-david-kornhaber-london-red-globe-press-2020-pp-xii-78-6991799-pb/839BFE0E54957ADC7A5A9D78E6C04C95"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Theatre
& Knowledge</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By David Kornhaber. London: Red Globe Press, 2020. Pp. xii + 78. £6.99/$17.99 Pb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l9 level1 lfo21;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Michael%20Y.%20Bennett&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Michael Y. Bennett</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-GB"><o:p><span style="text-decoration:none"> </span></o:p></span></u></b></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l12 level1 lfo22;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/performing-commedia-dellarte-15701630-by-natalie-crohn-schmitt-london-and-new-york-routledge-2020-pp-viii-112/D53E28A1F5E1733B87BD8C612E68A974"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Performing
Commedia dell'Arte: 1570–1630</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Natalie Crohn Schmitt. London and New York: Routledge, 2020. Pp. viii + 112.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l12 level1 lfo22;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Peter%20Jordan&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Peter Jordan</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l18 level1 lfo23;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/tennessee-williams-in-sweden-and-france-19451965-cultural-translations-sexual-anxieties-and-racial-fantasies-by-dirk-gindt-london-and-new-york-bloomsbury-methuen-drama-2019-pp-xiii-257-30-illus-67509180-hb-26093596-pb/674B403788D02E965A2FA11B68E4E4F4"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Tennessee
Williams in Sweden and France, 1945–1965: Cultural Translations, Sexual Anxieties and Racial Fantasies</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Dirk Gindt. London and New York: Bloomsbury Methuen Drama, 2019. Pp. xiii + 257 + 30
illus. £67.50/$91.80 Hb; £26.09/$35.96 Pb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l18 level1 lfo23;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Xavier%20Lemoine&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Xavier Lemoine</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l16 level1 lfo24;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/players-advice-to-hamlet-the-rhetorical-acting-method-from-the-renaissance-to-the-enlightenment-by-david-wiles-cambridge-cambridge-university-press-2020-pp-378-8-illus-90-hb/F5976005826A17BC3B1C93EC5B332855"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Players’ Advice to Hamlet: The Rhetorical Acting Method from the Renaissance to the Enlightenment</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By David Wiles. Cambridge: Cambridge University Press, 2020. Pp. 378 + 8 illus. £90
Hb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l16 level1 lfo24;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
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<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l0 level1 lfo25;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/enacting-lecoq-movement-in-theatre-cognition-and-life-by-maiya-murphy-london-palgrave-macmillan-2019-pp-225-72798499-hb/71B74AD3F2FC30DC5446B57950CA0CBF"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Enacting
Lecoq: Movement in Theatre, Cognition, and Life</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Maiya Murphy. London: Palgrave MacMillan, 2019. Pp. 225. €72.79/$84.99 Hb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level1 lfo25;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Sebastian%20Samur&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Sebastian Samur</span></a><o:p></o:p></span></p>
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<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l19 level1 lfo26;background:white;vertical-align:baseline;box-sizing: border-box;margin:0.2rem 0px 4px;font-variant:inherit;font-stretch: inherit;text-rendering: optimizelegibility;-webkit-font-smoothing: antialiased">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/adapting-western-classics-for-the-chinese-stage-by-shouhua-qi-new-york-routledge-2019-pp-xxiii-191-124-hb/1C0756D59709343A85F09849A4B99A1A"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Adapting
Western Classics for the Chinese Stage</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Shouhua Qi. New York: Routledge, 2019. Pp. xxiii + 191. $124 Hb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l19 level1 lfo26;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Min%20Tian&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Min Tian</span></a><o:p></o:p></span></p>
<p class="author" style="margin:0in;margin-bottom:.0001pt;line-height:13.5pt;background:white;vertical-align:baseline">
<span style="color:#595959"><o:p> </o:p></span></p>
<h5 style="margin-left:0in;text-indent:-.25in;line-height:14.25pt;mso-list:l4 level1 lfo27;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-family:Symbol;color:#333333;font-weight:normal"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-of-the-oppressed-in-practice-today-an-introduction-to-the-work-and-principles-of-augusto-boal-by-ali-campbell-london-methuen-bloomsbury-2019-pp-246-14-illus-35-hb-1189-pb/9F382E63C73F73766CB3F8BC912F7AFC"><span class="italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Theatre of the Oppressed in Practice Today: An Introduction to the Work and Principles of Augusto Boal</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Ali Campbell. London: Methuen Bloomsbury, 2019. Pp. 246 + 14 Illus. £35 Hb;
£11.89 Pb.</span></a><o:p></o:p></span></h5>
<p class="author" style="margin:0in;margin-bottom:.0001pt;text-indent:-.25in;line-height:13.5pt;mso-list:l4 level1 lfo27;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol;color:#595959"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Aylwyn%20Walsh&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Aylwyn Walsh</span></a><o:p></o:p></span></p>
<p class="author" style="margin:0in;margin-bottom:.0001pt;line-height:13.5pt;background:white;vertical-align:baseline">
<span style="color:#595959"><o:p> </o:p></span></p>
<p class="author" style="margin:0in;margin-bottom:.0001pt;line-height:13.5pt;background:white;vertical-align:baseline">
<span style="color:#595959"><o:p> </o:p></span></p>
<p class="author" style="margin:0in;margin-bottom:.0001pt;line-height:13.5pt;background:white;vertical-align:baseline">
<span style="color:black">Best regards,</span><o:p></o:p></p>
<p class="author" style="margin:0in;margin-bottom:.0001pt;line-height:13.5pt;background:white;vertical-align:baseline">
<span style="color:black">Marcus</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Programme Leader, Minor Study in Theatre and Performance
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<br>
Associate Editor, </span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies"><span style="color:#2F5496">Journal of Interdisciplinary Voice Studies</span></a></span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
(Intellect) </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<br>
Convenor, </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/working-groups/music-theatre"><span style="color:#2F5496">Music Theatre Working Group</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/"><span style="color:#2F5496">International Federation for Theatre Research</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> <br>
Online Content Manager, </span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
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<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:initial;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01D6B458.B0D3A370"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
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