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Dear Colleagues,
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<div class="">I’m please to announce that the latest issue of <i class="">Performance Matters
</i><span style="font-style: normal;" class="">has just been published. </span><i class="">Sound Acts, Part 1</i>, edited by Patricia Herrera, Caitlin Marshall, and Marci R. McMahon, is the first of two linked issues exploring the resonances of sound in the
field of performance studies, asking “how the materialist of sound <i class="">acts</i><span style="font-style: normal;" class=""> as a form of social and political possibility.</span>”</div>
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<div class=""><span style="font-style: normal;" class="">Access the full issue here: </span> <a href="https://performancematters-thejournal.com/index.php/pm/issue/current" class="">https://performancematters-thejournal.com/index.php/pm/issue/current</a>.</div>
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<div>___________________<br class="">
<b class="">Peter Dickinson, PhD</b><br class="">
Professor and Graduate Chair<br class="">
School for the Contemporary Arts | SFU<br class="">
Director, Institute for Performance Studies | SFU<br class="">
T: 604-908-0993<br class="">
W: <a href="http://www.sfu.ca/~ped" class="">http://www.sfu.ca/~ped</a><br class="">
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At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.</div>
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