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<p class="MsoNormal">Dear Colleagues,<br>
<br>
The new issue of Theatre Research International is now available on Cambridge Core.<br>
https://www.cambridge.org/core/journals/theatre-research-international/latest-issue<o:p></o:p></p>
<p class="MsoNormal"><br>
<br>
<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:0in;margin-left:.25in;margin-bottom:.0001pt;vertical-align:baseline">
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Collaborate*&˄%!</span></a></span></b><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:0in;margin-left:.25in;margin-bottom:.0001pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
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LAY</span></a></span><o:p></o:p></p>
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and Fault Lines: Janakaraliya and Theatre for Peace Building in Sri Lanka</span></a></span></b><o:p></o:p></p>
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Protest and Protesting Performance: The International Circuits of Touring Political Theatre</span></a></span></b><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/culture-identity-and-actor-training-indigeneity-in-new-zealands-national-drama-school/60FEA4B3D142F7E2A903BD1814CC2D0D"><span style="border:none windowtext 1.0pt;padding:0in">Culture,
Identity and Actor Training: Indigeneity in New Zealand's National Drama School</span></a></span></b><o:p></o:p></p>
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and the World: Performance and the Politics of Culture</span></i><span style="border:none windowtext 1.0pt;padding:0in">. By Rustom Bharucha. London: Routledge, 1993. Pp. 272. £120 Hb; £34.99 Pb.</span></a></span></b><o:p></o:p></p>
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Broadway: The Pleasure and Promise of Musical Theatre across America</span></i><span style="border:none windowtext 1.0pt;padding:0in">. By Stacy Wolf. New York: Oxford University Press, 2019. Pp. 382. $99 Hb; $29.95 Pb.</span></a></span></b><o:p></o:p></p>
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Aesthetics in Traditional Chinese Theatre: From 1978 to the Present</span></i><span style="border:none windowtext 1.0pt;padding:0in">. By Wei Feng. Cham: Palgrave Macmillan, 2020. Pp. xv + 277. £59.99/$84.99 Hb.</span></a></span></b><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/jonathan-burrows-towards-a-minor-dance-by-daniela-perazzo-domm-cham-palgrave-macmillan-2019-pp-xiii-232-13-illus-30993639-hb-19992599-pb/5C9309A03A665F773D92A3594C2BEAAC"><i><span style="border:none windowtext 1.0pt;padding:0in">Jonathan
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/intercultural-actor-and-performer-training-edited-by-phillip-b-zarrilli-t-sasitharan-and-anuradha-kapur-london-and-new-york-routledge-2019-pp-286-9600-hb-2799-pb-2799-ebook/236E08999CE3E7A86B089D1BCB7347F8"><i><span style="border:none windowtext 1.0pt;padding:0in">Intercultural
Actor and Performer Training</span></i><span style="border:none windowtext 1.0pt;padding:0in">. Edited by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur. London and New York: Routledge, 2019. Pp. 286. £96.00 Hb; £27.99 Pb; £27.99 eBook.</span></a></span></b><o:p></o:p></p>
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<span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Charlotte%20McIvor&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Charlotte McIvor</span></a></span><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/palestinian-theatre-in-the-west-bank-our-human-faces-by-gabriel-varghese-cham-palgrave-macmillan-2020-pp-xi-166-7279-hb-5884-pb/E908804B3DC2D1A21CE9FEF81A6B8027"><i><span style="border:none windowtext 1.0pt;padding:0in">Palestinian
Theatre in the West Bank: Our Human Faces</span></i><span style="border:none windowtext 1.0pt;padding:0in">. By Gabriel Varghese. Cham: Palgrave Macmillan, 2020. Pp. xi + 166. €72.79 Hb; €58.84 Pb.</span></a></span></b><o:p></o:p></p>
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<span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Najla%20Nakhl%C3%A9-Cerruti&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Najla
Nakhlé-Cerruti</span></a></span><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/anne-bean-self-etc-edited-by-rob-la-frenais-bristol-and-london-intellect-and-live-art-development-agency-2019-pp-320-25-pb-unlimited-action-the-performance-of-extremity-in-the-1970s-by-dominic-johnson-manchester-manchester-university-press-2019-pp-xiii-217-800012000-hb-17992695-pb/11557D1C2DC161326661CC28AC9420AD"><i><span style="border:none windowtext 1.0pt;padding:0in">Anne
Bean: Self Etc</span></i><span style="border:none windowtext 1.0pt;padding:0in">. Edited by Rob La Frenais. Bristol and London: Intellect and Live Art Development Agency, 2019. Pp. 320. £25 Pb. <i>Unlimited Action: The Performance of Extremity in the 1970s</i>.
By Dominic Johnson. Manchester: Manchester University Press, 2019. Pp. xiii + 217. £80.00/$120.00 Hb; £17.99/$26.95 Pb.</span></a></span></b><o:p></o:p></p>
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<span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Phoebe%20Patey-Ferguson&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Phoebe Patey-Ferguson</span></a></span><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/bodies-and-transformance-in-taiwanese-contemporary-theatre-by-peilin-liang-london-and-new-york-routledge-2020-pp-xii-157-960010777-hb/17424B5C2E542C67791AC1806AADDC88"><i><span style="border:none windowtext 1.0pt;padding:0in">Bodies
and Transformance in Taiwanese Contemporary Theatre</span></i><span style="border:none windowtext 1.0pt;padding:0in">. By Peilin Liang. London and New York: Routledge, 2020. Pp. xii + 157. £96.00/$107.77 Hb.</span></a></span></b><o:p></o:p></p>
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<span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Shanlu%20Yu&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Shanlu Yu</span></a></span><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/performing-indigenous-identities-on-the-contemporary-australian-stage-by-susanne-julia-thurow-abingdon-and-new-york-routledge-2020-pp-206-au20100-hb-au18100-ebook/8907890CEA312A6135A9C7D71D899DB1"><i><span style="border:none windowtext 1.0pt;padding:0in">Performing
Indigenous Identities on the Contemporary Australian Stage</span></i><span style="border:none windowtext 1.0pt;padding:0in">. By Susanne Julia Thurow. Abingdon and New York: Routledge, 2020. Pp. 206. AU$201.00 Hb; AU$181.00 eBook.</span></a></span></b><o:p></o:p></p>
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<b><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/casting-a-movement-the-welcome-table-initiative-edited-by-claire-syler-and-daniel-banks-new-york-routledge-2019-pp-266-23-illus-120-hb-3196-pb/5EE0B1FE74F048423D9D458116339A2E"><i><span style="border:none windowtext 1.0pt;padding:0in">Casting
a Movement: The Welcome Table Initiative</span></i><span style="border:none windowtext 1.0pt;padding:0in">. Edited by Claire Syler and Daniel Banks. New York: Routledge, 2019. Pp. 266 + 23 illus. $120 Hb; $31.96 Pb.</span></a></span></b><o:p></o:p></p>
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<span style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Collin%20Vorbeck&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Collin Vorbeck</span></a></span><o:p></o:p></p>
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<p class="MsoNormal"><b><span style="font-size:8.0pt;font-family:"Helvetica",sans-serif;color:black">Marcus TAN (Dr) </span></b><span style="font-size:8.0pt;font-family:"Helvetica",sans-serif;color:black">| Assistant Professor | <a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts" target="_blank"><span style="color:blue">V</span></a><a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts" target="_blank"><span style="color:blue">isual
and Performing Arts</span></a> |<a href="https://www.nie.edu.sg/" target="_blank"><span style="color:blue"> National Institute of Education</span></a> | <a href="https://www.ntu.edu.sg/Pages/home.aspx" target="_blank"><span style="color:blue">Nanyang Technological University</span></a> Singapore<br>
NIE 3-03-61, 1 Nanyang Walk, Singapore 637616 <br>
T: (65) 6790-3552 GMT+8h | F: (65) 6896-9279 | E: <a href="mailto:marcus.tan@nie.edu.sg" target="_blank"><span style="color:blue">marcus.tan@nie.edu.sg</span></a><br>
<a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus" target="_blank"><span style="color:blue">Profile</span></a> | Chair,
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:blue">NIE Visiting Artist Programme</span></a> | Programme Leader, Practicum | Programme Leader,
<a href="Call%20for%20Participants:%20Syncopation,%20Synchrony,%20and%20the%20Art%20of%20Listening%20to%20Others">
<span style="color:blue">Minor Study in Drama and Performance</span></a> | Associate Editor, <a href="https://www.ingentaconnect.com/content/intellect/jivs" target="_blank"><span style="color:blue">Journal of Interdisciplinary Voice Studies</span></a> (Intellect) | Convenor, <a href="https://www.iftr.org/working-groups/music-theatre" target="_blank"><span style="color:blue">Music
Theatre Working Group</span></a>, <a href="https://www.iftr.org/" target="_blank"><span style="color:blue">International Federation for Theatre Research</span></a> | Online Content Manager, <a href="https://www.cambridge.org/core/journals/theatre-research-international" target="_blank"><span style="color:blue">Theatre
Research International </span></a>(Cambridge) | <a href="https://www.iftr.org/organisation/executive-committee" target="_blank"><span style="color:blue">Secretary-General (Communications)</span></a> International Federation for Theatre Research</span><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:black"><br>
</span><img border="0" width="320" height="124" style="width:3.3333in;height:1.2916in" id="gmail-m_-21486291523878737611A97CDC1-435C-4075-940F-2131E2F75988" src="cid:image001.png@01D71F23.B616E870"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:black"><o:p></o:p></span></p>
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