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<p class="MsoNormal"><span style="font-size:14.0pt;color:black;border:none windowtext 1.0pt;padding:0cm"><img width="624" height="424" style="width:6.5in;height:4.4166in" id="_x0000_i1026" src="https://lh6.googleusercontent.com/OklI-zRhXFEcvzJNAQdg7JfRDHh8ihfxUU9dGllUFeJUrYrFTUEp3GHr7-HNvMwWktzEIJ6FFjIixUZFr7mHEqkN-FrZ-0wsrerZOquCJqgWI1SWT1HFhUT-iNZo8ABwmoRlBCI" alt="A group of trees
Description automatically generated with low confidence"></span><o:p></o:p></p>
<p align="right" style="margin:0cm;text-align:right"><b><span style="font-size:14.0pt;color:black">Crisis and Recovery: Theatre and Performance Before and After the Global Pandemic</span></b></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p align="right" style="margin:0cm;text-align:right"><span style="font-size:12.0pt;color:#5A5A5A">Canadian Association for Theatre Research</span><o:p></o:p></p>
<p align="right" style="margin:0cm;text-align:right"><span style="font-size:12.0pt;color:#5A5A5A">Société québécoise d’études théâtrales</span></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Please join us next week for Act Three of
<b>Crisis and Recovery: Theatre and Performance Before and After the Global Pandemic</b>, the 2021 online conference of the </span><a href="https://catracrt.ca/"><span style="font-size:12.0pt">Canadian Association for Theatre Research (CATR/ACRT)</span></a><span style="font-size:12.0pt;color:black"> and
the </span><a href="https://www.sqet.org/"><span style="font-size:12.0pt">Société québécoise d’études théâtrales (SQET)</span></a><span style="font-size:12.0pt;color:black">. If you attended one of the sessions in the first two acts, we’re delighted to have
you back for Act Three! If you are joining us for the first time, welcome! The third act, sponsored by the University of Manitoba, runs for two days next week from
<b>July 8 to 9</b>. We hope you enjoy the program we have prepared, available at </span>
<a href="http://www.theatreagora.ca"><span style="font-size:12.0pt">Theatreagora.ca</span></a><span style="font-size:12.0pt;color:black">. </span></p>
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<p style="margin:0cm"><i><span style="font-size:12.0pt;color:black">Note that all times listed below are in Eastern Daylight Time (E.D.T.)</span></i></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Please join us on
<b>July 8 at 11am </b>for our final keynote lecture titled <i>Re-turning the Page: How theatre practice must bravely return into a post-pandemic, de-colonial, anti-racist world</i> by
<b>Kevin Loring</b> (N'lakap’amux from the Lytton First Nation in British Columbia, Artistic Director of Indigenous Theatre at the National Arts Centre of Canada). In his lecture, Kevin will discuss the importance of theatres to be diligent in their efforts
to dismantle systems of oppression within their organizations and the sector broadly in relation to racism and to settler colonialism. This session is organized with the assistance of the
</span><a href="https://www.mcgill.ca/misc/"><span style="font-size:12.0pt">McGill Institute for the Study of Canada</span></a><span style="font-size:12.0pt;color:black">. </span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">Other highlights include our round table on
<b>Black Lives Matter and the Canadian Theatre and Performance Landscape</b>, taking place
<b>July 8 at 3pm</b>, sponsored by the </span><a href="https://www.colefoundation.ca/en/home-2/"><span style="font-size:12.0pt">Cole Foundation</span></a><span style="font-size:12.0pt;color:black">. The round table will feature contributions from Henry Daniel,
Naila Keleta-Mae, Quincy Armorer, Cherissa Richards, and Mike Payette.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">At
<b>6pm</b>, on <b>July 8</b>, Keynote speaker Kevin Loring will present a dramatic reading of his newly published play,
<i>Little Red Warrior and His Lawyer: A Trickster Land Claim Fable</i>, sponsored by
</span><a href="https://www.talonbooks.com/"><span style="font-size:12.0pt">Talonbooks</span></a><span style="font-size:12.0pt;color:black">.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">We close the conference with a mini conference about online performance and teaching called
<b>Survival and Reinvention</b>. The mini conference kicks off on <b>July 8 at 7:30pm</b> with
<b>COVID-Era Digital Theatre, Pedagogy, and Spectatorship</b>. In addition to comments by David Rokeby and Douglas Eacho of the BMO Lab, there will be a performance of
<b><i>Orpheus: Live from the Underworld</i></b>, a live-streamed musical experience that combines operatic performance, realtime motion capture, and computer animation to depict Orpheus' search for their beloved, Eurydice and their encounter with the ruler
of the underworld.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">On <b>July 9</b>, we continue our mini conference on
<b>Survival and Reinvention </b>with four consecutive panel discussions among scholars and artists, including
<b>Digital Theatre: A Necessary Evolution</b> at <b>11am</b>, <b>Zoom Plays as Pedagogy
</b>at <b>1:30pm</b>, <b>The Online Spectator: Exploring Digital Audiences’ Sense-making</b> at
<b>3pm</b>, and <b>The Pandemic Pivot: Artists, Audiences, and Adaptation</b> at <b>
4:30pm</b>.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">For a quick preview of some of our panels, you can take a look at our series of
</span><a href="https://www.youtube.com/playlist?list=PLUVejhWLqnVWfegYpZ-P5CznjakCUbhhY"><span style="font-size:12.0pt">video trailers</span></a><span style="font-size:12.0pt;color:black"> created by panelists. </span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">We are offering translation clinics to revise your presentation materials and translation between English and French in a variety of formats for certain events. For details, see our page on
</span><a href="https://theatreagora.ca/translation-support/"><span style="font-size:12.0pt">Translation Support</span></a><span style="font-size:12.0pt;color:black">. We are pleased to offer closed captioning, American Sign Language (ASL) and Langue des signes
québécoise (LSQ) for some events. For more information, see our page on </span><a href="https://theatreagora.ca/accessibility-support/"><span style="font-size:12.0pt">Accessibility Support</span></a><span style="font-size:12.0pt;color:black">. </span></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">You can access everything at
</span><a href="http://www.theatreagora.ca"><span style="font-size:12.0pt">Theatreagora.ca</span></a><span style="font-size:12.0pt;color:black">. For any questions, you can reach us at
</span><a href="mailto:info@theatreagora.ca"><span style="font-size:12.0pt">info@theatreagora.ca</span></a><span style="font-size:12.0pt;color:black"> or browse our
</span><a href="https://theatreagora.ca/logistics-guides/"><span style="font-size:12.0pt">logistics guides</span></a><span style="font-size:12.0pt;color:black">. If you encounter any difficulties accessing the site, contact:
</span><a href="mailto:tech@theatreagora.ca"><span style="font-size:12.0pt">tech@theatreagora.ca</span></a><span style="font-size:12.0pt;color:black">. </span></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">We’re looking forward to seeing you soon!</span></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">The 2021 CATR-SQET Conference Organizing Committee</span></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">--</span><o:p></o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Theatreagora.ca is hosted on University of Waterloo webspace. The University of Waterloo is situated on the traditional territory of the Attawandaron (Neutral), Anishnaabeg and Haudenosaunee peoples.
The main campus is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometres on each side of the Grand River. </span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:28.0pt;color:black;border:none windowtext 1.0pt;padding:0cm"><img border="0" width="624" height="99" style="width:6.5in;height:1.0333in" id="_x0000_i1025" src="https://lh5.googleusercontent.com/R37_ci_NcNxG8mpJ0DEg9yPiW7yW4RGjQprbvusSo90Tkm831eaaI_paHsdJCm5OQvd9E1W_a6H1Zs7QRplfK0WI7D5rI3GciYDJO5CRg5h3-Y_pjVv6LTd6AxP6lHsfMyKTZug" alt="Image de bouleaux dans une forêt"></span><span style="font-size:12.0pt;color:black"> </span><o:p></o:p></p>
<p align="right" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:12.0pt;margin-left:0cm;text-align:right">
<b><span style="font-size:13.5pt;color:black">Crise et relance : théâtre et performance avant et après la pandémie mondiale</span></b><o:p></o:p></p>
<p align="right" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:3.0pt;margin-left:0cm;text-align:right">
<span style="color:#5A5A5A">Société québécoise d’études théâtrales</span><o:p></o:p></p>
<p align="right" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:3.0pt;margin-left:0cm;text-align:right">
<span style="color:#5A5A5A">Association canadienne de la recherche théâtrale</span></p>
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<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Joignez-vous à nous la semaine prochaine pour le troisième acte du colloque en ligne 2021 « <b>Crise et relance : Théâtre et performance avant et après la pandémie mondiale</b> » de la </span><a href="https://www.sqet.org/"><span style="font-size:12.0pt">Société
québécoise d’études théâtrales (SQET)</span></a><span style="font-size:12.0pt;color:black"> et de l’</span><a href="https://catracrt.ca/"><span style="font-size:12.0pt">Association canadienne de la recherche théâtrale (ACRT/CATR)</span></a><span style="font-size:12.0pt;color:black">.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Si vous avez été des nôtres lors des deux premiers actes du colloque, nous sommes heureux et heureuses de vous revoir pour ce nouveau segment ! Si vous vous joignez à nous pour la première fois,
bienvenue ! Le troisième acte, soutenu par l'Université du Manitoba, se déroulera sur deux jours la semaine prochaine, soit
<b>les 8 et 9 juillet</b>. En espérant que vous apprécierez le programme que nous vous avons préparé ! Vous pouvez le consulter à tout moment sur le site web officiel du colloque
</span><a href="http://www.theatreagora.ca"><span style="font-size:12.0pt">Theatreagora.ca</span></a><span style="font-size:12.0pt;color:black">.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><i><span style="font-size:12.0pt;color:black">Veuillez noter que tous les événements sont programmés selon l'heure avancée de l'est (HAE).</span></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Le <b>8 juillet</b>, à
<b>11 h</b>, aura lieu notre dernière conférence principale intitulée </span><i><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:#201F1E">Tourner la page et revenir à la scène. La renaissance courageuse de la pratique théâtrale dans un
monde postpandémie, décolonisé et antiraciste</span></i><span style="font-size:12.0pt;color:black"> de
<b>Kevin Loring</b> (N'lakap’amux de la Première Nation Lytton en Colombie-Britannique, Directeur artistique du théâtre autochtone au Centre national des Arts du Canada). Dans sa conférence, Kevin parlera de l’importance pour les théâtres d’être diligents dans
leurs efforts de démantèlement des systèmes d’oppression au sein de leurs organisations et dans le secteur du théâtre en général, en ce qui a trait au racisme et au colonialisme de peuplement. Cette séance est organisée avec l'appui de
</span><a href="https://www.mcgill.ca/misc/fr"><span style="font-size:12.0pt">l'Institut d'études canadiennes de McGill</span></a><span style="font-size:12.0pt;color:black">.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">Plusieurs autres événements dignes de mention ponctueront la journée, dont notre table ronde sur
<b>Black Lives Matter et le milieu du théâtre et de la performance au Canada</b>, qui se déroulera
<b>le 8 juillet à 15 h</b>, avec l’appui de </span><a href="https://www.colefoundation.ca/en/programmes/intercultural-conversations/"><span style="font-size:12.0pt">la Fondation Cole</span></a><span style="font-size:12.0pt;color:black">. La table ronde accueillera
les contributions de Henry Daniel, Naila Keleta-Mae, Quincy Armorer, Cherissa Richards, et Mike Payette.<o:p></o:p></span></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black"><o:p> </o:p></span></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><b><span style="font-size:12.0pt;color:black">Le 8 juillet à 18 h</span></b><span style="font-size:12.0pt;color:black">, notre conférencier invité
<b>Kevin Loring</b> fera la lecture de sa nouvelle pièce, <i>Little Red Warrior and His Lawyer : A Trickster Land Claim Fable</i>, commandité par
</span><a href="https://www.talonbooks.com/"><span style="font-size:12.0pt">Talonbooks</span></a><span style="font-size:12.0pt;color:black">.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">Nous clôturerons le colloque par une mini-conférence sur la performance et l'enseignement en ligne intitulée
<b>Survie et réinvention</b>. La mini-conférence débute le <b>8 juillet à 19 h 30</b> avec une séance intitulée
<b>Théâtre virtuel en temps de pandémie, pédagogie et public</b>. En plus des commentaires de David Rokeby et Douglas Eacho du laboratoire BMO, il y aura une représentation d'<b>Orpheus : en direct des Enfers</b>, une expérience musicale en direct qui combine
la performance opératique, la capture de mouvements en temps réel et l’animation par ordinateur dans le but de dépeindre Orphée, sa quête de sa bien-aimée Eurydice et sa rencontre avec le maître des Enfers.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><b><span style="font-size:12.0pt;color:black">Le 9 juillet</span></b><span style="font-size:12.0pt;color:black">, nous poursuivons notre mini-conférence sur la
<b>Survie et la réinvention</b> avec quatre séances de discussion consécutives entre universitaires et artistes :
<b>Théâtre virtuel : une évolution nécessaire</b> à <b>11 h</b>, <b>Le jeu en Zoom comme pédagogie</b> à
<b>13 h 30</b>, <b>Le public en ligne : explorer la pertinence des publics virtuels</b> à
<b>15 h</b>, et <b>Une adaptation pour les artistes et le public en temps de pandémie</b> à
<b>16 h 30</b>.</span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Pour avoir un aperçu rapide de certaines de nos séances, vous pouvez jeter un coup d'œil à notre série de
</span><a href="https://www.youtube.com/playlist?list=PLUVejhWLqnVWfegYpZ-P5CznjakCUbhhY"><span style="font-size:12.0pt">bandes-annonces vidéo</span></a><span style="font-size:12.0pt;color:black"> créées par les panélistes. </span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Nous offrons des cliniques pour réviser vos textes et la traduction entre l'anglais et le français dans une variété de formats pour certains événements. Pour plus de détails, consultez notre
</span><a href="https://theatreagora.ca/services-de-traduction/?lang=fr"><span style="font-size:12.0pt">page sur les services de traduction</span></a><span style="font-size:12.0pt;color:black">. Nous offrons le sous-titrage codé et l’interprétation en en langue
des signes québécoise (LSQ) et en American Sign Language (ASL) pour certains événements. Pour plus d'informations, consultez notre
</span><a href="https://theatreagora.ca/services-daccessibilite/?lang=fr"><span style="font-size:12.0pt">page sur les services d’accessibilité</span></a><span style="font-size:12.0pt;color:black">. </span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Tout le colloque, ses activités et son contenu sont accessibles via le site
</span><a href="https://theatreagora.ca/?lang=fr"><span style="font-size:12.0pt">Theatreagora.ca</span></a><span style="font-size:12.0pt;color:black">. Pour toute question, vous pouvez nous joindre à
</span><a href="mailto:info@theatreagora.ca"><span style="font-size:12.0pt">info@theatreagora.ca</span></a><span style="font-size:12.0pt;color:black"> ou consulter nos
</span><a href="https://theatreagora.ca/guides-logistiques/?lang=fr"><span style="font-size:12.0pt">guides logistiques</span></a><span style="font-size:12.0pt;color:black">. Si vous rencontrez des difficultés pour accéder au site, contactez-nous à l’adresse
</span><a href="http://tech@theatreagora.ca"><span style="font-size:12.0pt">tech@theatreagora.ca</span></a><span style="font-size:12.0pt;color:black">. </span></p>
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<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">Au plaisir de vous revoir très bientôt (virtuellement)!</span></p>
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<p style="margin:0cm;text-align:justify;text-justify:inter-ideograph"><span style="font-size:12.0pt;color:black">Le comité organisateur du colloque 2021 de la SQET et de l’ACRT</span><o:p></o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">--</span><o:p></o:p></p>
<p style="margin:0cm"><span style="font-size:12.0pt;color:black">Theatreagora.ca est hébergé sur les serveurs de l’Université de Waterloo. L'Université est située sur le territoire traditionnel des peuples attawandaron (Neutres), anishinabé et haudonosaunee.
Le campus principal se trouve sur la concession de Haldimand, parcelle de terrain d'une largeur de six milles sur chaque rive de la rivière Grand, promise aux Six Nations en 1784. </span></p>
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