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<p class="MsoNormal"><span lang="EN-GB" style="color:#222222">Dear colleagues,</span><span lang="EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="color:#222222"><o:p> </o:p></span></p>
<p style="margin:0in;line-height:18.0pt"><span style="color:#111111">The next issue of <i>Theatre Research International </i>46.2 is now available on Cambridge Core. <a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#3EAAF5">https://www.cambridge.org/core/journals/theatre-research-international</span></a><br>
<br>
This is a special issue devoted to the subject of Sounding Corporeality. The first fully dedicated special issue of the journal since 2014 (39.3), it takes as its focus the relationship between sounds and bodies in theatre and performance. As the editors tell
us in their editorial, the issue ‘acknowledges and examines the intimate interactions, intersections and interventions of the aesthetic, the social and the political, to explore how corporeality sounds and how sonicity moves.<o:p></o:p></span></p>
<p style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:22.5pt;margin-left:0in;line-height:18.0pt">
<span style="color:#111111">The issue includes research articles, artist reflections and dialogues that engage experimental performance, dance, choreography, installation, opera, and the dynamic interactions between performance forms and media. Contributors
survey practices from the US, Israel, Northern Ireland, Singapore, Italy, the UK, India and Australia.<o:p></o:p></span></p>
<p style="margin:0in;line-height:18.0pt"><span style="color:#111111">The Senior Editor's Note and Editorial are free to access. Do also check out the special issue's launch <a href="https://www.youtube.com/watch?v=q2KTHp_65tE" target="_blank"><span style="color:#3EAAF5">video </span></a>where
Senior Editor Fintan Walsh chats with the issue editors and some contributors. <o:p>
</o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<b><span lang="EN-GB" style="color:#333333"><br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/article/senior-editors-note-academics-dancing/F79B471C76A89FAC7E369C63093AF1B5"><span style="border:none windowtext 1.0pt;padding:0in">Senior Editor's Note: Academics Dancing</span></a><br>
</span></b><span lang="EN-GB" style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">FINTAN WALSH</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<b><span lang="EN-GB" style="color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-sounding-corporeality/DE71931F8148459C1822CC1F48CC6325"><span style="border:none windowtext 1.0pt;padding:0in">Editorial:
Sounding Corporeality</span></a><br>
</span></b><span lang="EN-GB" style="color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=AOIFE%20MCGRATH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">AOIFE MCGRATH</span></a><span style="border:none windowtext 1.0pt;padding:0in">, </span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARCUS%20CHENG%20CHYE%20TAN&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">MARCUS
CHENG CHYE TAN</span></a><span style="border:none windowtext 1.0pt;padding:0in">, </span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PRARTHANA%20PURKAYASTHA&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">PRARTHANA
PURKAYASTHA</span></a><span style="border:none windowtext 1.0pt;padding:0in">, </span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TEREZA%20HAVELKOV%C3%81&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">TEREZA
HAVELKOVÁ</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:13.5pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span lang="EN-GB" style="color:#595959"> </span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:13.5pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span lang="EN-GB" style="color:#595959">ARTICLES</span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/intermediality-and-queer-african-american-improvisation-dianne-mcintyre-sounds-in-motion/9EF742BC024E98763F0DDD36CBA4BC48"><span style="border:none windowtext 1.0pt;padding:0in">Intermediality
and Queer African American Improvisation: Dianne McIntyre, Sounds in Motion</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=THOMAS%20F.%20DEFRANTZ&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">THOMAS F. DEFRANTZ</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/voice-and-the-sleepwalking-body/2A5BC96E66E45BF728E9F82F93BC28D9"><span style="border:none windowtext 1.0pt;padding:0in">Voice
and the Sleepwalking Body</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MICHAL%20GROVER-FRIEDLANDER&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">MICHAL GROVER-FRIEDLANDER</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/sounding-a-quietening-breastfeeding-choreographies-and-the-soniccorporeal-dialogue-of-maternal-experience/D2B3C4D4A22D9536460A6CD4487C3484"><span style="border:none windowtext 1.0pt;padding:0in">Sounding
a Quietening: Breastfeeding Choreographies and the Sonic–Corporeal Dialogue of Maternal Experience</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=AOIFE%20MCGRATH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">AOIFE MCGRATH</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/moving-cage-vibration-sonification-and-the-quanta-of-time/A67AB65B22085885A5A5DAA7A891E0BD"><span style="border:none windowtext 1.0pt;padding:0in">Moving
Cage: Vibration, Sonification and the Quanta of Time</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARCUS%20CHENG%20CHYE%20TAN&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">MARCUS CHENG CHYE
TAN</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dancing-migration-making-sound-mediterranean-practices-of-listening-and-hospitality/5619E70E68EC82A1B135B418921A48FF"><span style="border:none windowtext 1.0pt;padding:0in">Dancing
Migration, Making Sound: Mediterranean Practices of Listening and Hospitality</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANNALISA%20PICCIRILLO&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">ANNALISA PICCIRILLO</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/visuality-sonicity-and-corporeality-in-installation-art-a-conversation-with-jun-nguyenhatsushiba/78BE422181840069BBA0A2AE2B457841"><span style="border:none windowtext 1.0pt;padding:0in">Visuality,
Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PRARTHANA%20PURKAYASTHA&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">PRARTHANA PURKAYASTHA</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/an-archaeology-of-sound-a-slightly-curving-place-introduction/9134786796A57B9A55B6BD422408EE7F"><span style="border:none windowtext 1.0pt;padding:0in">An
Archaeology of Sound: </span><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">A Slightly Curving Place</span></i></span><span style="border:none windowtext 1.0pt;padding:0in"> Introduction</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NIDA%20GHOUSE&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">NIDA GHOUSE</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/reassembled-slightly-askew-immersive-storytelling-through-sound/FFEE156AEC743748A00BD2B007DE86FC"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Reassembled,
Slightly Askew</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">: Immersive Storytelling Through Sound</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SHANNON%20YEE%20(SICKELS)&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">SHANNON YEE (SICKELS)</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANNA%20NEWELL&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">ANNA
NEWELL</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PAUL%20STAPLETON&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">PAUL
STAPLETON</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HANNA%20SL%C3%84TTNE&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">HANNA
SLÄTTNE</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=STEVIE%20PRICKETT&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">STEVIE
PRICKETT</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/unsettling-sound-some-traces/0A1043ED0C550DD41F91F6C9CF2C08A4"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Unsettling
Sound</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">: Some Traces</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SARA%20JANE%20BAILES&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">SARA JANE BAILES</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ALEXANDRINA%20HEMSLEY&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">ALEXANDRINA
HEMSLEY</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ROYONA%20MITRA&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">ROYONA
MITRA</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RAJNI%20SHAH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">RAJNI
SHAH</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ARABELLA%20STANGER&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">ARABELLA
STANGER</span></a><span class="gmail-separator"><span style="border:none windowtext 1.0pt;padding:0in">, </span></span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JEREMY%20TOUSSAINT-BAPTISTE&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">JEREMY
TOUSSAINT-BAPTISTE</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#595959;font-weight:normal">DOUBLE TAKE</span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-at-the-crossroads-of-culture-by-patrice-pavis-london-and-new-york-routledge-1992-pp-219-96-hb-2959-pb-2959-ebook/4DA8C72AC46A120117427E43786D8C18"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Theatre
at the Crossroads of Culture</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Patrice Pavis. London and New York: Routledge, 1992. Pp. 219. £96 Hb; £29.59 Pb; £29.59 eBook.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Osita%20Okagbue&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Osita Okagbue</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#595959;font-weight:normal">NEW BOOKS</span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
<h5 style="line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/prison-theatre-and-the-global-crisis-of-incarceration-by-ashley-lucas-london-and-new-york-bloomsbury-2021-pp-252-5850-hb/1D679A9AF144C398D61760E9BB83C7B2"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Prison
Theatre and the Global Crisis of Incarceration</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Ashley Lucas. London and New York: Bloomsbury, 2021. Pp. 252. £58.50 Hb.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Sarah%20Bartley&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Sarah Bartley</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/repositioning-site-dance-local-acts-global-perspectives-by-karen-barbour-victoria-hunter-and-melanie-kloetzel-bristol-and-chicago-intellect-2019-pp-xii-323-749850-hb-60-ebook/831D2148BA63B78CF0F28CFC292D61AB"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">(Re)Positioning
Site Dance: Local Acts, Global Perspectives</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Karen Barbour, Victoria Hunter and Melanie Kloetzel. Bristol and Chicago: Intellect, 2019. Pp. xii + 323. £74/$98.50 Hb; £60 eBook.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Carolyn%20Deby&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Carolyn Deby</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/shakespeares-accents-voicing-identity-in-performance-by-sonia-massai-cambridge-cambridge-university-press-2020-pp-236-11-illus-9999-hb/5DDCBBF675EE5902480247FF26FB0F99"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Shakespeare's
Accents: Voicing Identity in Performance</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Sonia Massai. Cambridge: Cambridge University Press, 2020. Pp. 236 + 11 illus. $99.99 Hb.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Hanyang%20Jiang&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Hanyang Jiang</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/contemporary-japanese-objects-manipulators-and-actors-in-performance-by-mari-boyd-tokyo-sophia-university-press-2020-pp-iv-349-3080-pb/EA0E6CAD6BD8809D64727AA994B7F056"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Contemporary
Japanese Objects, Manipulators, and Actors in Performance</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Mari Boyd. Tokyo: Sophia University Press, 2020. Pp. iv + 349. ¥3,080 Pb.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Marie%20Kruger&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Marie Kruger</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/contemporary-african-dance-theatre-phenomenology-whiteness-and-the-gaze-by-sabine-sorgel-cham-palgrave-macmillan-2020-pp-v-174-12-illus-7279-hb-5884-pb/145F33FCB46AE4CF81AB0BC309727C2D"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Contemporary
African Dance Theatre: Phenomenology, Whiteness, and the Gaze</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Sabine Sörgel. Cham: Palgrave Macmillan, 2020. Pp. v + 174 + 12 illus. €72.79 Hb; €58.84 Pb.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Celena%20Monteiro&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Celena Monteiro</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/revolutionary-bodies-chinese-dance-and-the-socialist-legacy-by-emily-wilcox-berkeley-university-of-california-press-2018-pp-322-31-illus-3495-pb/F647E05839BF6CE06F641509D12B8D37"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Revolutionary
Bodies: Chinese Dance and the Socialist Legacy</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Emily Wilcox. Berkeley: University of California Press, 2018. Pp. 322 + 31 illus. $34.95 Pb.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Soo%20Ryon%20Yoon&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Soo Ryon Yoon</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/women-and-embodied-mythmaking-in-irish-theatre-by-shonagh-hill-cambridge-cambridge-university-press-2019-pp-x-257-75-hb-84-ebook/8F3FB91BB9E6F291F313C7323F5FAA37"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Women
and Embodied Mythmaking in Irish Theatre</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. By Shonagh Hill. Cambridge: Cambridge University Press, 2019. Pp. x + 257. £75 Hb; $84 eBook.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Kim%20Solga&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Kim Solga</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<span style="font-size:11.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/casting-a-movement-the-welcome-table-initiative-edited-by-claire-syler-and-daniel-banks-new-york-routledge-2019-pp-266-23-illus-120-hb-3196-pb/1D540BD68528909E874A3525D7F1921E"><span class="gmail-italic"><i><span style="color:blue;border:none windowtext 1.0pt;padding:0in">Casting
a Movement: The Welcome Table Initiative</span></i></span><span style="border:none windowtext 1.0pt;padding:0in">. Edited by Claire Syler and Daniel Banks. New York: Routledge, 2019. Pp. 266 + 23 illus. $120 Hb; $31.96 Pb.</span></a><br>
</span><span style="font-size:11.0pt;color:#595959;font-weight:normal"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Collin%20Vorbeck&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in">Collin Vorbeck</span></a></span><span style="font-size:11.0pt;color:#222222"><o:p></o:p></span></h5>
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<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Programme Leader, Minor Study in Drama and Performance
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<br>
Associate Editor, </span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies"><span style="color:#2F5496">Journal of Interdisciplinary Voice Studies</span></a></span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
(Intellect) </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<br>
Convenor, </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/working-groups/music-theatre"><span style="color:#2F5496">Music Theatre Working Group</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/"><span style="color:#2F5496">International Federation for Theatre Research</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> <br>
Online Content Editor, </span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
<br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:initial;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01D78460.79E3FB70"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
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