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<p class="MsoNormal"><span lang="EN-GB">Dear Colleagues,<br>
<br>
The new issue of Theatre Research International 46.3 is out. Do head to Cambridge Core for the full issue.
<br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international">https://www.cambridge.org/core/journals/theatre-research-international</a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="color:#111111;background:white">Do check out the panel discussion where Senior Editor Prof. Fintan Walsh discusses the new issue 46.3 with contributing authors and academics.
<br>
<a href="https://www.youtube.com/watch?v=BTjf34xZYTE">https://www.youtube.com/watch?v=BTjf34xZYTE</a></span><span lang="EN-GB" style="background:white"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="background:white"><o:p> </o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;color:#595959">Editorial<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-ritual-unions/421B797FB5AB7916E39A074422269AE5"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Editorial:
Ritual Unions</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">FINTAN WALSH</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;color:#595959">Article<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/caravana-of-central-american-mothers-in-mexico-performances-of-devotional-and-saintly-motherhood-on-a-transnational-stageinmotion/AE1AB7658EE080C142E2820D82831357"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">The <i>Caravana</i> of
Central American Mothers in Mexico: Performances of Devotional and Saintly Motherhood on a Transnational Stage-in-Motion</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANA%20ELENA%20PUGA&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">ANA
ELENA PUGA</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/burn-the-witch-decadence-and-the-occult-in-contemporary-feminist-performance/3F98D14C7E78F1E74E3AF4CD99A53C51"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">‘Burn
the Witch’: Decadence and the Occult in Contemporary Feminist Performance</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ADAM%20ALSTON&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">ADAM ALSTON</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/landscape-of-wegajty-theatre/0D610D9226FF66356429FB92DC9DD7EA"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Landscape of Węgajty Theatre</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JUSTYNA%20BIERNAT&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">JUSTYNA
BIERNAT</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/bulbs-onstage-theatrical-hygiene-and-the-electrification-of-performance/5A399DFFF4012137676DD48914471B86"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Bulbs
Onstage: Theatrical Hygiene and the Electrification of Performance</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ULF%20OTTO&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">ULF OTTO</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/oh-i-know-ive-been-changed/00F04EE96234076A1905AEFEB6349635"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Oh,
I Know I've Been Changed</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RICHARD%20SCHECHNER&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">RICHARD
SCHECHNER</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;color:#595959">Dossier – Fighting Back: Contemporary Theatre in Brazil</span></i><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dossier-fighting-back-contemporary-theatre-in-brazil-introduction/52BF03154AFDF3F9C9F1EFACC3B53C86"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Dossier
– Fighting Back: Contemporary Theatre in Brazil: Introduction</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DODI%20T.%20B.%20LEAL&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">DODI
T. B. LEAL</span></a><span style="border:none windowtext 1.0pt;padding:0in">, </span><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=L%C3%9ACIA%20R.%20V.%20ROMANO&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">LÚCIA
R. V. ROMANO</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;color:#333333">Article<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-and-indigenous-peoples-learning-to-imagine-new-worlds-in-end-times/A85B6825CFCB47156B278B692B4816A0"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Theatre
and Indigenous Peoples: Learning to Imagine New Worlds in End Times</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=CIBELE%20FORJAZ%20SIM%C3%95ES&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">CIBELE
FORJAZ SIMÕES</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/black-theatricalities-in-revisiting-history-for-the-present/3FBBEEA85605A716969BA8B20EE6B264"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Black
Theatricalities in Revisiting History for the Present</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SORAYA%20MARTINS%20PATROC%C3%8DNIO&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">SORAYA
MARTINS PATROCÍNIO</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/feminist-struggle-in-performing-arts-in-brazil/5F5F8B3EB3E69CA8AACC45E08F86F9E7"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Feminist Struggle in Performing Arts in Brazil</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=L%C3%9ACIA%20R.%20V.%20ROMANO&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">LÚCIA
R. V. ROMANO</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:7.5pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/gender-in-danger-transdanger-people-in-performing-arts-in-brazil/6F6A9491CE5D25DCBA45883FF9162ED0"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Gender
in Danger: <i>Transdanger</i> People in Performing Arts in Brazil</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DODI%20T.%20B.%20LEAL&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">DODI
T. B. LEAL</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;color:#595959">Double Take<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/unmaking-mimesis-essays-on-feminism-and-theatre-by-elin-diamond-abingdon-routledge-1997-pp-xvi-226-96-hb-2799-pb/C12BE2104BA12360F22D20661A86B9FD"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Unmaking
Mimesis: Essays on Feminism and Theatre</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Caoimhe%20Mader%20McGuinness&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Caoimhe
Mader McGuinness</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;color:#595959">New Books<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/scenes-from-bourgeois-life-by-nicholas-ridout-ann-arbor-university-of-michigan-press-2020-pp-xi-211-7000/A44A8EB609559F2DB6EBCA65198085DD"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Scenes
from Bourgeois Life</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. By Nicholas Ridout. Ann Arbor: University of Michigan Press, 2020. Pp. xi + 211. $70.00.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Adam%20Alston&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Adam Alston</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/performing-arts-in-prisons-creative-perspectives-edited-by-michael-balfour-byrdieleigh-bartleet-linda-davey-and-huib-schippers-bristol-and-chicago-intellect-2019-pp-xiv-264-660810500-hb/67A5921E4D07076011DF3A50217C0DE1"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Performing
Arts in Prisons: Creative Perspectives</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. Edited by Michael Balfour, Byrdie-Leigh Bartleet, Linda Davey and Huib Schippers. Bristol and Chicago: Intellect, 2019. Pp. xiv +
264. £66.08/$105.00 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Jonathan%20Shailor&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Jonathan
Shailor</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dancing-odissi-paratopic-performances-of-gender-and-state-by-anurima-banerji-calcutta-seagull-books-2019-pp-xviii-467-2235799-pb/0C49FBD58BEAFD7F7936598A3FAB7A94"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Dancing
Odissi: Paratopic Performances of Gender and State</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. By Anurima Banerji. Calcutta: Seagull Books, 2019. Pp. xviii + 467. £22/$35/₹799 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Aastha%20Gandhi&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Aastha
Gandhi</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/interdisciplinary-theatre-of-ping-chong-by-yuko-kurahashi-jefferson-nc-mcfarland-company-2020-pp-246-31-illus-65-pb/6FDCF6E6DAD16A97BE33E03C3BFE7AC6"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Interdisciplinary Theatre of Ping Chong</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. By Yuko Kurahashi. Jefferson, NC: McFarland & Company, 2020. Pp. 246 + 31 illus. $65 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Esther%20Kim%20Lee&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Esther
Kim Lee</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/japanese-political-theatre-in-the-eighteenth-century-bunraku-puppet-plays-in-social-context-by-akihiro-odanaka-and-masami-iwai-abingdon-routledge-2021-pp-246-11-illus-160-hb-4895-ebook/FC4B00F9ED7C50C864447523254D6956"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Japanese
Political Theatre in the Eighteenth Century: Bunraku Puppet Plays in Social Context</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. By Akihiro Odanaka and Masami Iwai. Abingdon: Routledge, 2021. Pp. 246 + 11 illus. $160
Hb; $48.95 Ebook.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Jyana%20S.%20Browne&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Jyana
S. Browne</span></a></span><b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:12.0pt;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/after-the-long-silence-the-theater-of-brazils-postdictatorship-generation-by-claudia-tatinge-nascimento-abingdon-routledge-2019-pp-255-120160-hb-36994895-pb/C4B43CBFB5D1C56A5C1130FF3D3573F2"><i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">After
the Long Silence: The Theater of Brazil's Post-Dictatorship Generation</span></i><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">. By Cláudia Tatinge Nascimento. Abingdon: Routledge, 2019. Pp. 255. £120/$160 Hb; £36.99/$48.95 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:12.0pt;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Jennifer%20Joan%20Thompson&eventCode=SE-AU"><span style="border:none windowtext 1.0pt;padding:0in;text-decoration:none">Jennifer
Joan Thompson</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Programme Leader, Minor Study in Drama and Performance
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<br>
Associate Editor, </span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies"><span style="color:#2F5496">Journal of Interdisciplinary Voice Studies</span></a></span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
(Intellect) </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<br>
Convenor, </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/working-groups/music-theatre"><span style="color:#2F5496">Music Theatre Working Group</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/"><span style="color:#2F5496">International Federation for Theatre Research</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> <br>
Online Content Editor, </span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
<br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:initial;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01D7D00C.27B33580"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
<p class="MsoNormal"><img border="0" width="320" height="124" style="width:3.3333in;height:1.2916in" id="Picture_x0020_1" src="cid:image002.png@01D7D00C.27B33580"><o:p></o:p></p>
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