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<p class="MsoNormal"><span style="color:black;letter-spacing:.75pt">Dear Colleagues,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black;letter-spacing:.75pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="color:black;letter-spacing:.75pt">I want to call your attention about these two upcoming talks, which you can attend in-person or via zoom:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black;letter-spacing:.75pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="color:black;letter-spacing:.75pt">Find details here:
<a href="https://www.concordia.ca/finearts/research/labs/acts-of-listening/news.html">
https://www.concordia.ca/finearts/research/labs/acts-of-listening/news.html</a> <o:p>
</o:p></span></p>
<p class="MsoNormal"><b><span style="color:#912338;letter-spacing:.75pt"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:#912338;letter-spacing:.75pt">March 8, 6pm<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black;letter-spacing:.75pt">Documentary theatre performance: modes of listening<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="color:#912338;letter-spacing:.75pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="color:#912338;letter-spacing:.75pt">A Talk by Dr. Tom Cantrell, University of York, UK<b><br>
</b></span><span style="color:#2C2C2C;letter-spacing:.75pt">2022 scholar-in-residence at Concordia’s Acts of Listening Lab</span><span style="color:black;letter-spacing:.75pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="color:black">In this talk, <b>Dr. Cantrell</b> will discuss how actors approach listening across a range of documentary theatre forms. He will identify ‘documentary theatre’ as an umbrella term which includes a wide range of
working methods, each calling on the actor to listen in different ways. Examples drawn from British theatre will include headphone verbatim theatre, tribunal theatre and verbatim musicals. <o:p></o:p></span></p>
<p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal"><b><span style="color:#912338;letter-spacing:.75pt">March 9, 2pm<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black;letter-spacing:.75pt">Towards a Decolonised Testimonial Theatre: Witnessing re-imagined<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="color:#912338;letter-spacing:.75pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="color:#912338;letter-spacing:.75pt">A Talk by Dr. Amanda Stuart Fisher, Central School of Speech and Drama UK<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">Dr Amanda Stuart Fisher i</span></b><span style="color:black;background:white">s Reader in Contemporary Theatre and Performance, and Course Leader for the Program Writing for Performance at the Central School
of Speech and Drama, London, UK. She is the author of various books and articles on testimonial theatre, including<span class="apple-converted-space"> </span></span><i><span style="color:black">Performing the Testimonial: Rethinking verbatim dramaturgies</span></i><span style="color:black;background:white">,
and her co-edited collection<span class="apple-converted-space"> </span></span><i><span style="color:black">Performing Care: New perspectives on socially engaged performance.</span></i><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:11.25pt"><b><span style="font-size:16.0pt;font-family:"GillSansMTProMedium",serif;color:#912338;letter-spacing:.75pt"><o:p> </o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:11.25pt"><span style="font-family:"GillSansMTProMedium",serif;color:black;letter-spacing:.75pt">Best,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:10.0pt;color:black">Dr Luis Carlos Sotelo Castro<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black">Director <a href="http://www.concordia.ca/allab">
<span style="color:#0563C1">Acts of Listening Lab</span></a> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black">Co-Director <a href="http://storytelling.concordia.ca/">
<span style="color:#0563C1">Centre for Oral History and Digital Storytelling (COHDS) </span></a>
<br>
Associate Professor <a href="http://www.concordia.ca/finearts/theatre.html"><span style="color:#0563C1">Department of Theatre </span></a>(GM. 500.61)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black">SSHRC-funded research project:
</span><span style="font-size:10.0pt">Oral History Performance, Listening and Transformative Justice</span><b><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black">Concordia University<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black">Tiohtià:ke, unceded Kanien’kehá:ka territory<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;color:black">GM 500.61, 1550 de Maisonneuve Blvd. West, Montreal, QC H3G 1M8</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="DA" style="font-size:10.0pt;color:black">t. 514 848 2424 x.4784</span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:11.25pt"><b><span style="font-size:16.0pt;font-family:"GillSansMTProMedium",serif;color:#912338;letter-spacing:.75pt"><o:p> </o:p></span></b></p>
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