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 Stages</span></u></b><b><u><span lang="FR" style="color: black;">/</span></u></b><b><u><span lang="FR" style="padding: 0cm; border-width: 1pt; border-style: none; border-color: windowtext; color: black;">Scènes critiques</span></u></b><b><u><span lang="FR" style="padding: 0cm; border-width: 1pt; border-style: none; border-color: windowtext;"><o:p> </o:p></span></u></b></i></p>
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<em><b><u><span lang="FR" style="padding: 0cm; border-width: 1pt; border-style: none; border-color: windowtext; color: black;">DECEMBER </span></u></b></em><em><b><u><span lang="FR" style="padding: 0cm; border-width: 1pt; border-style: none; border-color: windowtext; color: black;">2022</span></u></b></em><em><b><u><span lang="FR" style="padding: 0cm; border-width: 1pt; border-style: none; border-color: windowtext;"><o:p> </o:p></span></u></b></em></p>
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<b>ESSAYS</b></p>
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<span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman";color:black;mso-color-alt:windowtext">Section Editor: <b><span style="border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Yana
 Meerzon </span></b>(Canada)</span><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman""><o:p> </o:p></span></p>
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<span lang="EN-US" style="color:black;mso-color-alt:windowtext">The “ESSAYS SECTION” is dedicated to urgent issues related to theater and performance making, ways of thinking and writing about theatre and performing arts, ways of viewing and reflecting practices,
 pedagogies of performance and text analysis, practices of dramaturgy, interdisciplinarity, transcultural approaches and digitalization of communication in theatre and cultural performance, among other issues. The aim of the ESSAYS SECTION is to offer a broader
 practical, aesthetic, historical and theoretical outlet to those interested in recent developments in theatre and performance across national and disciplinary boundaries.</span><span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span class="firstcharacter"><i><span lang="EN-US" style="color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">C</span></i></span><em><span lang="EN-US" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">ritical
 Stages</span></em><span lang="EN-US" style="color:black;mso-color-alt:windowtext">/</span><em><span lang="EN-US" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Scènes
 critiques</span></em><span lang="EN-US" style="color:black;mso-color-alt:windowtext"> is a peer-reviewed on-line journal fully committed to the Open Access Initiative. <a href="https://www.critical-stages.org/24/" title="https://www.critical-stages.org/24/">The
 latest issue (n. 24) </a></span><span lang="EN-US"><o:p> was published in December 2021. </o:p></span><span lang="EN-US" style="font-family: "Times New Roman", serif; font-size: 12pt; color: black;">For December 2022 issue, inquiries, abstracts, and submissions
 are to be sent to the editor of this section, <b>Yana Meerzon (University of Ottawa) at
<u>yana.meerzon@gmail.com</u></b></span><span lang="EN-US" style="font-family: "Times New Roman", serif; font-size: 12pt; color: rgb(0, 0, 0);"><o:p> </o:p></span></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;color:red;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Production
 Calendar for the December 2022 publication:</span></strong></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm"><o:p> </o:p></span></strong></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Abstracts
 (250 words) and Bio (100 words) – May 1, 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Complete
 Articles (up to 5000 words) – June 15, 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Peer-Review
 Process -  July / August 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Second
 Draft – September 1, 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Technical
 Editing – October/November 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>
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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Publication
 Date – December 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>
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<b><span lang="EN-US">Articles are welcome in English and/or French</span></b><span lang="EN-US"><o:p> </o:p></span></p>
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<b><span lang="EN-US" style="font-size:12.0pt">Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.</span></b><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#243F60"><o:p> </o:p></span></h5>
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<span lang="EN-US" style="font-size:12.0pt;color:#222222">Submission Guidelines / Soumission d’articles</span><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>
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<span lang="EN-US"><a href="http://www.critical-stages.org/submission-guidelines/"><span style="font-size:12.0pt">http://www.critical-stages.org/submission-guidelines/</span></a></span><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>
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<span lang="EN-US" style="font-size:12.0pt;color:#222222">Style Sheet for Critical Stages / Protocole abrégé de Scènes critiques</span><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>
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<span lang="EN-US"><a href="http://www.critical-stages.org/style-sheet-for-critical-stages/">http://www.critical-stages.org/style-sheet-for-critical-stages/</a><span class="MsoHyperlink" style="color:blue;text-decoration:underline"><o:p> </o:p></span></span></p>
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<span class="MsoHyperlink" style="color:blue;text-decoration:underline"><span lang="EN-US"><o:p> </o:p></span></span></p>
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<span class="MsoHyperlink" style="color:blue;text-decoration:underline"><span lang="EN-US">The latest issue (n.23) June 2021 can be found here</span></span><span lang="EN-US" style="mso-ascii-font-family:Calibri;mso-hansi-font-family:Calibri"><o:p> </o:p></span></p>
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<div class="PlainText"><span style="margin:0px; font-family:Tahoma,Geneva,sans-serif; font-size:12pt"><a href="https://uniweb.uottawa.ca/members/270" title="https://uniweb.uottawa.ca/members/270"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Yana
 Meerzon. Ph.D.</span></a></span><br>
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<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professeure , Département de théâtre</span></p>
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<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professor, Department of Theatre</span></p>
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<span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">135 S</span><span lang="FR-CA" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">éraphin-Marion</span><span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">,
 uOttawa, Ottawa, Ontario, K1N 6N5</span></p>
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<div class="PlainText"><span style="font-size:10pt"><a href="https://catracrt.ca/" title="https://catracrt.ca/"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">President CATR/ACRT
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<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030414092" title="https://www.palgrave.com/gp/book/9783030414092">Performance, Subjectivity, Cosmopolitanism (Palgrave 2020)</a><br>
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<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030399146" title="https://www.palgrave.com/gp/book/9783030399146">Migration and Stereotypes in Performance and Culture (Palgrave 2020), Editors: Meerzon, Yana, Dean, David, McNeil, Daniel
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<div class="PlainText"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" style="font-size:14.6667px; font-family:Calibri,Helvetica,sans-serif">Editor.
 Critical Stages/Scènes critiques</a><br>
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