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<i><span class="x_firstcharacter" style="margin:0px"><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">C</span></u></b></span><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">ritical

 Stages</span></u></b><b><u><span lang="FR" style="margin:0px;color:black">/</span></u></b><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">Scčnes critiques</span></u></b><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext"> </span></u></b></i></p>

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<em><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">DECEMBER </span></u></b></em><em><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">2022</span></u></b></em><em><b><u><span lang="FR" style="margin:0px;padding:0cm;border:1pt none windowtext"> </span></u></b></em></p>

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<b>ESSAYS</b></p>

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<span lang="EN-US" style="margin:0px;color:black">Section Editor: <b><span style="margin:0px;padding:0cm;border:1pt none windowtext">Yana Meerzon<span> </span></span></b>(Canada)</span><span lang="EN-US" style="margin:0px"> </span></p>

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<span lang="EN-US" style="margin:0px;color:black">The “ESSAYS SECTION” is dedicated to urgent issues related to theater and performance making, ways of thinking and writing about theatre and performing arts, ways of viewing and reflecting practices, pedagogies

 of performance and text analysis, practices of dramaturgy, interdisciplinarity, transcultural approaches and digitalization of communication in theatre and cultural performance, among other issues. The aim of the ESSAYS SECTION is to offer a broader practical,

 aesthetic, historical and theoretical outlet to those interested in recent developments in theatre and performance across national and disciplinary boundaries.</span><span lang="EN-US" style="margin:0px"> </span></p>

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<span class="x_firstcharacter" style="margin:0px"><i><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">C</span></i></span><em><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">ritical

 Stages</span></em><span lang="EN-US" style="margin:0px;color:black">/</span><em><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;color:black">Scčnes critiques</span></em><span lang="EN-US" style="margin:0px;color:black"> is a peer-reviewed

 on-line journal fully committed to the Open Access Initiative. <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.critical-stages.org%2F24%2F&data=04%7C01%7C%7C02e98880097242df756c08da01d564d2%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637824313273619593%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=RSkXVN2kVQhmDPq6YV6UiM%2BF6e9%2F8hzBp80kFecohvc%3D&reserved=0" target="_blank" rel="noopener noreferrer" data-auth="Verified" shash="W8npUBpgWttZMU8N1W3KtoNIiSRYiRPwTpWPjUkM43PV/buGgjaXoKg8LXlSCvKbZBdZBJAvAC5InLg2ryWLJJIU33ZpcJsV0dGIyf4y1BvWb9hjA9I9bPQQZYoXPLdUTRiS9Up4LSIhYZ3xQ0x5rakSdzlsj+4w5uYbTgIGCmQ=" title="Protected by Outlook: https://www.critical-stages.org/24/. Click or tap to follow the link." data-linkindex="0" style="margin:0px">The

 latest issue (n. 24)<span> </span></a></span><span lang="EN-US" style="margin:0px"> was published in December 2021. </span><span lang="EN-US" style="margin:0px;color:black">For December 2022 issue, inquiries, abstracts, and submissions are to be sent to the

 editor of this section,<span> </span><b>Yana Meerzon (University of Ottawa) at<span> </span><u>yana.meerzon@gmail.com</u></b></span><span lang="EN-US" style="margin:0px"> </span></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif;color:red">Production Calendar for the December 2022 publication:</span></strong></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif">Abstracts (250 words) and Bio (100 words) – May 1, 2022</span></strong><span lang="EN-US" style="margin:0px"> </span></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif">Complete Articles (up to 5000 words) – June 15, 2022</span></strong><span lang="EN-US" style="margin:0px"> </span></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif">Peer-Review Process -  July / August 2022</span></strong><span lang="EN-US" style="margin:0px"> </span></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif">Second Draft – September 1, 2022</span></strong><span lang="EN-US" style="margin:0px"> </span></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif">Technical Editing – October/November 2022</span></strong><span lang="EN-US" style="margin:0px"> </span></p>

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<strong><span lang="EN-US" style="margin:0px;padding:0cm;border:1pt none windowtext;font-family:Calibri, sans-serif">Publication Date – December 2022</span></strong><span lang="EN-US" style="margin:0px"> </span></p>

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<b><span lang="EN-US" style="margin:0px">------------------------------------------------------------------------------</span></b><span lang="EN-US" style="margin:0px"> </span></p>

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<b><span lang="EN-US" style="margin:0px">Articles are welcome in English and/or French</span></b><span lang="EN-US" style="margin:0px"> </span></p>

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<b><span lang="EN-US" style="margin:0px;font-size:12pt">Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.</span></b><span lang="EN-US" style="margin:0px"> </span></h5>

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<span lang="EN-US" style="margin:0px;font-size:12pt;color:rgb(34, 34, 34)">Submission Guidelines / Soumission d’articles</span><span lang="EN-US" style="margin:0px"> </span></h1>

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<span lang="EN-US" style="margin:0px;font-size:12pt;color:rgb(34, 34, 34)">Style Sheet for Critical Stages / Protocole abrégé de Scčnes critiques</span><span lang="EN-US" style="margin:0px"> </span></h1>

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<span class="x_MsoHyperlink" style="margin:0px;color:blue;text-decoration:underline"><span lang="EN-US" style="margin:0px">The latest issue (n.23) June 2021 can be found here</span></span><span lang="EN-US" style="margin:0px"> </span></p>

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<div class="PlainText"><span style="margin:0px; font-family:Tahoma,Geneva,sans-serif; font-size:12pt"><a href="https://uniweb.uottawa.ca/members/270" title="https://uniweb.uottawa.ca/members/270"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Yana

 Meerzon. Ph.D.</span></a></span><br>

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<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professeure , Département de théâtre</span></p>

<p style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri,sans-serif; color:rgb(32,31,30); text-align:start; background-color:rgb(255,255,255)">

<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professor, Department of Theatre</span></p>

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<span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">135 S</span><span lang="FR-CA" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">éraphin-Marion</span><span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">,

 uOttawa, Ottawa, Ontario, K1N 6N5</span></p>

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<div class="PlainText"><span style="font-size:10pt"><a href="https://catracrt.ca/" title="https://catracrt.ca/"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">President CATR/ACRT

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<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030414092" title="https://www.palgrave.com/gp/book/9783030414092">Performance, Subjectivity, Cosmopolitanism (Palgrave 2020)</a><br>

</div>

<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030399146" title="https://www.palgrave.com/gp/book/9783030399146">Migration and Stereotypes in Performance and Culture (Palgrave 2020), Editors: Meerzon, Yana, Dean, David, McNeil, Daniel

</a><br>

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<div class="PlainText"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" style="font-size:14.6667px; font-family:Calibri,Helvetica,sans-serif">Editor.

 Critical Stages/Scčnes critiques</a><br>

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