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<span style="color: rgb(0, 0, 0); font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt;">You are invited to a conversation with renowned Theatre & Performance Studies Scholar Dr. Peggy Phelan,
</span><span class="x_x_JsGRdQ" style="color: rgb(0, 0, 0); font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt;">who will be discussing Sarah Cameron Sunde's
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Participants will be provided with a short essay and weblink when they RSVP, which they are asked to review before the session.</span><br>
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RSVP here: <span style="color:rgb(35,35,51); font-family:Lato,Helvetica,Arial; font-size:14px; background-color:rgb(255,255,255); display:inline!important"><span> </span></span><a href="https://us02web.zoom.us/meeting/register/tZAudu-prDwtE9SaL4kNzn_HtVkApV05z6q7" data-auth="NotApplicable" style="box-sizing:border-box; background:rgb(255,255,255); color:rgb(14,113,235); font-family:Lato,Helvetica,Arial; font-size:14px">https://us02web.zoom.us/meeting/register/tZAudu-prDwtE9SaL4kNzn_HtVkApV05z6q7</a></div>
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This event is presented by the Propeller Project as part of our spring symposium, April 29-30. More information on the symposium to follow
<a href="https://www.uwindsor.ca/fahss/propellerproject/" data-auth="NotApplicable" title="https://www.uwindsor.ca/fahss/propellerproject/">
on our website</a>. </div>
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<span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"><b>Peggy Phelan</b> is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English at Stanford
University. Publishing widely in both book and essay form, Phelan is the author of </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Unmarked: the politics of performance</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Routledge,
1993); </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Mourning Sex: performing public memories</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Routledge,
1997; honorable mention Callaway Prize for dramatic criticism 1997-1999); the survey essay for </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Art and Feminism,</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> ed.
by Helena Reckitt (Phaidon, 2001, winner of “The top 25 best books in art and architecture” award, amazon.com, 2001); the survey essay for </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Pipilotti
Rist</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Phaidon, 2001); and the catalog essay for</span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)"> Intus:
Helena Almeida </em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important">(Lisbon, 2004). She edited and contributed to </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Live
Art in Los Angeles</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important">, (Routledge, 2012), and contributed catalog essays for </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Everything
Loose Will Land: 1970s Art and Architecture in Los Angeles</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Mak Center, 2013), </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Haunted:
Contemporary</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Photography,
Video, and Performance</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Guggenheim Museum, 2010); </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">WACK!
Art and the Feminist Revolution</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Museum of Contemporary Art, 2007); and </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Andy
Warhol: Giant Size</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (Phaidon, 2008), among others. Phelan is co-editor, with the late Lynda Hart, of </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Acting
Out: Feminist Performances </em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important">(University of Michigan Press, 1993; cited as “best critical anthology” of 1993 by American
Book Review); and co-editor with Jill Lane of</span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)"> The Ends of Performance</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (New
York University Press, 1997). She contributed an essay to Philip Ursprung’s </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Herzog and De Meurron: Natural History</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> (CAA,
2005).</span><br>
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<span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important">She has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Artforum</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> to </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Signs</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important">.
She has written about Samuel Beckett for the PMLA and for The National Gallery of Ireland. She has also written about Robert Frost, Michael and Paris Jackson, Olran, Marina Abramovic, Dziga Vertov and a wide range of artists working in photography, dance,
architecture, film, video, music, and poetry. She has edited special issues of the journals </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Narrative</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> and </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Women
and Performance</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important">. She has been a fellow of the Humanities Institute, University of California, Irvine; and a fellow
of the Humanities Institute, The Australian National University, Canberra, Australia. She served on the Editorial Board of </span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt"><em style="background-color:rgb(255,255,255)">Art Journal,</em></span><span style="font-family:Calibri,Helvetica,sans-serif; font-size:12pt; background-color:rgb(255,255,255); display:inline!important"> one
of three quarterly publications of the College Art Association, and as Chair of the board. She has been President and Treasurer of Performance Studies International, the primary professional organization in her field. She has been a fellow of the Getty Research
Institute and the Stanford Humanities Center. She won a Guggenheim Fellowship in 2004. She chaired the Department of Performance Studies at New York University and the Drama Department at Stanford University.</span><br>
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