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ON BEHALF of <a href="https://mailchi.mp/eb70fa9e4172/critical-stagesscnes-critiques-issue-9283761?fbclid=IwAR02jMD4ebEnSkzvlpEJAybOMBwXkbfZNqVsesC773VSr9gGla6w4hR1Jbo" title="https://mailchi.mp/eb70fa9e4172/critical-stagesscnes-critiques-issue-9283761?fbclid=IwAR02jMD4ebEnSkzvlpEJAybOMBwXkbfZNqVsesC773VSr9gGla6w4hR1Jbo">Critical
Stages and Savas Patsalidis</a></div>
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<div class="elementToProof"><br>
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<br>
<p><br>
</p>
<h1 id="x_site-title" style="box-sizing:border-box; border:0px; font-variant-numeric:inherit; font-variant-east-asian:inherit; font-stretch:inherit; line-height:36px; font-family:"Source Serif Pro"; font-size:30px; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 5px; vertical-align:baseline; color:rgb(34,34,34); text-align:center; background-color:rgb(255,255,255)">
<a href="https://www.critical-stages.org/" data-auth="NotApplicable" title="Critical Stages/Scènes critiques" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:"PT Serif"; font-size:36px; font-style:inherit; font-weight:inherit; margin:0px; outline:dotted thin; padding:0px; vertical-align:baseline; color:rgb(15,190,124); text-decoration-line:none">Critical
Stages/Scènes critiques</a></h1>
<p id="x_site-description" style="box-sizing:border-box; border:0px; font-variant-numeric:inherit; font-variant-east-asian:inherit; font-stretch:inherit; line-height:24px; font-family:"Source Serif Pro"; font-size:16px; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(102,102,102); text-align:center; background-color:rgb(255,255,255)">
The IATC journal/Revue de l'AICT<br>
www.critical-stages.org</p>
<p><br>
Dear colleagues,<br>
<br>
I am excited to announce the publication of the latest (Summer) issue (#25) of <strong>
<em>Critical Stages/Scènes critiques</em></strong>, the open access, peer-reviewed Journal of the International Association of Theatre Critics (IATC). This issue is comprised of 51 original contributions, among them a special topic on "Human-Technology Interfacing
in Performance" and a special two-part Focus on "Theatre (and War) in Ukraine."<br>
<br>
To the editors and guest editors of the journal's sections I owe my deepest gratitude, as much as I owe my heartfelt thanks to the authors themselves (from 31 countries), who have entrusted us with their work.<br>
<br>
Our doors are open to all. Join us as we continue producing new ideas for the ever-evolving theatre arts around the world. If you have any queries about the journal please do not hesitate to contact me (spats@enl.auth.gr).<br>
<br>
Feel free to forward the link of the current issue (<a href="https://www.critical-stages.org/25/" data-auth="NotApplicable">https://www.critical-stages.org/25/</a>) to anyone who may be interested.<br>
<br>
<strong>Forthcoming special issue</strong>: #26 (Dec. 2022): <em>Theatre and Ecology</em><br>
<br>
<strong><em>Critical Stages/Scenes critiques</em> is indexed</strong> by: SCOPUS, DOAJ, ERIH , Plus, DRJI, GOOGLE SCHOLAR and listed in the Ulrich’s web Global Serials<br>
<br>
Best regards<br>
Savas Patsalidis<br>
Prof, Aristotle Univerasity<br>
Editor-in-Chief<br>
<br>
PS<br>
Below is the TABLE OF CONTENTS of issue #25. <br>
<br>
<br>
</p>
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Table of Contents</h1>
<div class="x_entry-content x_clearfix" style="box-sizing:border-box; border:0px; font-variant-numeric:inherit; font-variant-east-asian:inherit; font-stretch:inherit; line-height:inherit; font-family:Georgia,Times,"Times New Roman",serif; font-size:16px; margin:0px; outline:0px; padding:0px; vertical-align:baseline; background-color:rgb(255,255,255)">
<div class="x_pf-content" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Editorial Note: <a href="https://www.critical-stages.org/25/editorial-note/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">The
Tragedy of our Life and Our Refusal to Learn</a><br style="box-sizing:border-box">
Note éditoriale : <a href="https://www.critical-stages.org/25/note-editoriale/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">La
tragédie de notre vie et notre refus d’apprendre</a><br style="box-sizing:border-box">
<a href="https://www.critical-stages.org/24/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Savas
Patsalidis</a>, Editor-in-Chief</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Special Topic</strong></h5>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Guest Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Sebastian
X Samur</a> (Canada)</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/human-technology-interfacing-in-performance-editors-introduction/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Human-Technology
Interfacing in Performance: Editor’s Introduction</a><br style="box-sizing:border-box">
Sebastian X Samur</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/a-simple-tool-for-remote-real-time-dance-interaction-in-virtual-spaces-or-dancing-in-the-metaverse/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">A
Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”</a><br style="box-sizing:border-box">
Dan Strutt</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/but-how-will-they-know-its-live-anonymous-ensembles-digital-performances/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">“But
How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances</a><br style="box-sizing:border-box">
Jessica Del Vecchio and Eamonn Farrell</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/identification-et-performativite-technologique-dans-autour-du-rose-enfer-des-animaux/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Identification
et performativité technologique dans Autour du Rose enfer des animaux</a><br style="box-sizing:border-box">
Thomas Langlois et Robert Faguy</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/parascopic-media-platformizing-performance-with-3d-dentistry-and-drag/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Parascopic
Media: Platformizing Performance with 3D, Dentistry, and Drag</a><br style="box-sizing:border-box">
Brendan McCauley</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/the-intermedial-kingdom-of-bodies-a-narratological-analysis-of-the-live-animated-avatar-performance-the-kingdom-of-shadows/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">The
Intermedial Kingdom of Bodies: A Narratological Analysis of the Live-Animated-Avatar Performance <em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">The
Kingdom of Shadows</em></a><br style="box-sizing:border-box">
Maya Arad Yasur</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/expanding-sound-design-in-performing-arts/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Expanding
Sound Design in Performing Arts</a><br style="box-sizing:border-box">
Kent Olofsson</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/reflections-on-place-in-telematic-performances/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Reflections
on Place in Telematic Performances</a><br style="box-sizing:border-box">
Jörgen Dahlqvist</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/playstrong-engineering-poeticstateson-facilitating-mental-health-through-bio-signal-interfaces-and-brechtian-learning-strategies/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">PLAYStrong–Engineering
POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies</a><br style="box-sizing:border-box">
Antje Budde and Gustavo Sol</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/reimagining-light-technology-and-spectatorship-in-contemporary-theatre/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Reimagining
Light, Technology and Spectatorship in Contemporary Theatre</a><br style="box-sizing:border-box">
Amy Chan and Natalie Cheung</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Essays</strong></h5>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Yana
Meerzon</a> (Canada)</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/speechless-complainer-unnatural-violence-in-dominic-walshs-titus-andronicus/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none"><em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">“Speechless
Complainer”</em>: (Un)natural Violence in Dominic Walsh’s <em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Titus
Andronicus</em></a><br style="box-sizing:border-box">
Ilana Gilovich-Wave</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/jelineks-sports-play-as-satirical-polemic/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Jelinek’s
Sports Play as Satirical Polemic</a><br style="box-sizing:border-box">
Cyrus Lane</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/public-spaces-public-words-towards-the-making-of-a-pro-localist-theatre-in-the-newham-plays/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Public
Spaces, Public Words: Towards the Making of a Pro-Localist Theatre in the Newham Plays</a><br style="box-sizing:border-box">
James Kenworth</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/mi-cuerpo-mi-casa-my-body-my-house-negotiating-the-spaces-of-home-and-the-body-in-mexico-and-galway-through-co-creation-and-digital-performance/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none"><em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Mi
Cuerpo Mi Casa</em>/My Body My House- Negotiating the Spaces of Home and the Body in Mexico and Galway Through Co-creation and Digital Performance</a><br style="box-sizing:border-box">
Maria Tivnan</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/simone-weil-performance-through-nothingness/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Simone
Weil: Performance Through Nothingness</a><br style="box-sizing:border-box">
Tyrone Grima</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/oedipal-landscapes-on-the-digital-and-the-physical-stage/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Elli
Papakonstantinou: Oedipal Landscapes on the Digital and the Physical Stage</a><br style="box-sizing:border-box">
Lina Rosi</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/new-medium-theatre-experiments-in-kolkata-during-covid-19-lockdowns/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">New
Medium Theatre Experiments in Kolkata During COVID-19 Lockdowns</a><br style="box-sizing:border-box">
Hazael Gomes</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/rebels-and-revels-exhibit-curation-as-pedagogy-in-the-study-of-theatre-of-the-middle-east/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Rebels
and Revels: Exhibit Curation as Pedagogy in the Study of Theatre of the Middle East</a><br style="box-sizing:border-box">
Marjan Moosavi, Q-mars Haeri, Kelley Holley</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">National Reports</strong></h5>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Savas
Patsalidis</a> (Greece)</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/facing-the-fire-australian-people-places-and-crises-in-the-works-of-campion-decent/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Facing
the Fire: Australian People, Places, and Crises in the Works of Campion Decent</a><br style="box-sizing:border-box">
Carla Rocavert</p>
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<a href="https://www.critical-stages.org/25/prophecy-or-cautionary-tales-australian-climate-gothic-drama-and-mutating-climate-scapes/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Prophecy
or Cautionary Tales? Australian Climate Gothic Drama and Mutating Climate-Scapes</a><br style="box-sizing:border-box">
Linda Hassall</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/iraqi-theatre-a-niche-in-an-ecologically-political-sane-milie/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Iraqi
Theatre: A Niche in an Ecologically Political Sane Milie</a><br style="box-sizing:border-box">
Majeed Mohammed Midhin and Suad Qahtan Hussein</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/what-will-be-left-after-us-the-rise-%ce%bff-ecotheatre-in-latvia-in-times-of-the-pandemic/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">What
Will Be Left After Us? The Rise οf Ecotheatre in Latvia in Times of the Pandemic</a><br style="box-sizing:border-box">
Kitija Balcare</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/autour-de-lecologie-de-la-langue-les-obscenites-sur-la-scene-theatrale/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Autour
de l’écologie de la langue : les obscénités sur la scène théâtrale</a><br style="box-sizing:border-box">
Irina Antonova</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/the-romanian-theatre-of-the-last-thirty-years-or-the-theatre-of-paradigm-shift/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">The
Romanian Theatre of the Last Thirty Years or the Theatre of Paradigm Shift</a><br style="box-sizing:border-box">
Oana Borș</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Critics on Criticism</strong></h5>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Savas
Patsalidis</a> (Greece)</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/rediscovering-and-reinventing-the-community/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Rediscovering
and Reinventing the Community</a><br style="box-sizing:border-box">
Andrea Porcheddu</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/the-cry-of-the-ear/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">The
Cry of the Ear</a><br style="box-sizing:border-box">
Johannes Birringer</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Interviews</strong></h5>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Savas
Patsalidis</a> (Greece)</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/theatre-for-humility-toward-otherness-spirituality-prayer-and-hope-an-interview-with-satoshi-miyagi/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Theatre
for Humility Toward Otherness: Spirituality, Prayer and Hope: Interview with Satoshi Miyagi</a><br style="box-sizing:border-box">
by Tomoka Tsukamoto and Ted Motohashi</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/we-adapt-to-the-changes-unfolding-in-todays-world-interview-with-sarantuya-sambuu/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">“We
adapt to the changes unfolding in today’s world”: Interview with Sarantuya Sambuu</a><br style="box-sizing:border-box">
by Savas Patsalidis</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/now-is-the-time-for-untold-suppressed-stories-to-be-heard-interview-with-handan-salta/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">“Now
is the time for untold, suppressed stories to be heard”: Interview with Handan Salta</a><br style="box-sizing:border-box">
by Savas Patsalidis</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/creole-time-creative-time-interview-with-brazilian-artist-diego-arauja/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Creole
Time, Creative Time: Interview with Brazilian Artist Diego Araúja</a><br style="box-sizing:border-box">
by Daniele Avila Small and Lorenna Rocha</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/cognition-theatre-interview-with-valters-silis/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Cognition
Theatre: Interview with Valters Sīlis</a><br style="box-sizing:border-box">
by Lauma Mellēna-Bartkeviča</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Performance Reviews</strong></h5>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Matti
Linnavuori</a> (Finland)</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/transborder-and-transdisciplinary-works-in-the-island-state-of-singapore/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Transborder
and Transdisciplinary Works in the Island State of Singapore</a><br style="box-sizing:border-box">
Pawit Mahasarinand</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/being-there-in-person/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Being
there in Person</a><br style="box-sizing:border-box">
Yun-Cheol Kim</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/the-anniversary-of-a-multicultural-outpost-in-northern-romania/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">The
Anniversary of a Multicultural Outpost in Northern Romania</a><br style="box-sizing:border-box">
Maria Zărnescu</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/directing-von-horvath-casimir-and-caroline-on-the-romanian-stage/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Directing
von Horváth: <em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Casimir and Caroline</em> on
the Romanian Stage</a><br style="box-sizing:border-box">
Zafiris Nikitas</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/un-g8-culturel-a-genes/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Un
G8 culturel à Gênes</a><br style="box-sizing:border-box">
Jean-Pierre Han</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/a-poetic-glass-menagerie-buried-under-the-ground/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">A
Poetic <em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Glass</em> <em style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Menagerie </em>Buried
under the Ground</a><br style="box-sizing:border-box">
Grigorios Ioannidis</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/avignon-2021-liddell-vandalem-guedon-trois-manieres-de-faire-du-theatre/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Avignon
2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre</a><br style="box-sizing:border-box">
Selim Lander</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/finland-pursues-trendy-sexual-identities/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Finland
Pursues Trendy Sexual Identities</a><br style="box-sizing:border-box">
Matti Linnavuori</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/ottawa-a-subversive-cabaret-of-identity-politics/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Ottawa:
a Subversive Cabaret of Identity Politics</a><br style="box-sizing:border-box">
Alvina Ruprecht</p>
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<a href="https://www.critical-stages.org/25/invitation-to-dimitri-papaioannous-cosmos-of-make-believe/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Invitation
to Dimitri Papaioannou’s Cosmos of Make-Believe</a><br style="box-sizing:border-box">
Paraskevi Tektonidou</p>
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Rubin</a> (Canada)</p>
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Jonathan H. Shannon</p>
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History of East African Theatre: Vol. I: Horn of Africa</a><br style="box-sizing:border-box">
Don Rubin</p>
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Tribute Delphi</a><br style="box-sizing:border-box">
Maria Ristani</p>
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of Form: Performing Verse in Contemporary Theatre</a><br style="box-sizing:border-box">
Patricia Keeney</p>
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of the Heart: British Theatre from 1992-2020</a><br style="box-sizing:border-box">
Chris Jones</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
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Editors: Critical Stages</p>
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Thaw in a Zone of War</a><br style="box-sizing:border-box">
Jeffrey Eric Jenkins</p>
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Suppliants and the Loss of Tragic Sensibility</a><br style="box-sizing:border-box">
Savas Patsalidis</p>
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and Ukraine: No Longer Russia’s Hinterlands</a><br style="box-sizing:border-box">
John Freedman</p>
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is not an escape; it is a statement of life.” Interview with Alex Borovenskiy</a><br style="box-sizing:border-box">
by Yana Meerzon</p>
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died but not completely”: Dialogue with Artur Solomonov*</a><br style="box-sizing:border-box">
Yana Meerzon</p>
<h5 style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.2; font-size:22px; font-style:inherit; font-weight:normal; margin:0px; outline:0px; padding:0px 0px 18px; vertical-align:baseline; color:rgb(46,17,20)">
<strong style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline">Focus: Ukraine</strong> II</h5>
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Guest Editor: <a href="https://www.critical-stages.org/25/cs-issue-no-25-editors/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Kasia
Lech</a> (Poland/England)</p>
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Theatre: Pasts, Presents, and Futures</a><br style="box-sizing:border-box">
Kasia Lech</p>
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as a Ηumanitarian Mission: Ukraine`s Experience 2022</a><br style="box-sizing:border-box">
Maiia Harbuziuk</p>
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Art for Peace from Kharkiv, the City of Freedom</a><br style="box-sizing:border-box">
Julia Bilińska</p>
<p style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:1.6; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px 0px 15px; outline:0px; padding:0px; vertical-align:baseline">
<a href="https://www.critical-stages.org/25/%d1%96%d1%81%d1%82%d0%be%d1%80%d1%96%d1%8f-%d1%83%d0%ba%d1%80%d0%b0%d1%97%d0%bd%d0%b8-historia-ukrainy-history-of-ukraine/" data-auth="NotApplicable" style="box-sizing:border-box; border:0px; font-variant:inherit; font-stretch:inherit; line-height:inherit; font-family:inherit; font-style:inherit; font-weight:inherit; margin:0px; outline:0px; padding:0px; vertical-align:baseline; color:rgb(80,27,29); text-decoration-line:none">Історія
України / Historia Ukrainy / History of Ukraine</a><br style="box-sizing:border-box">
Sofiia Onishchenko, Daria Bohdan, Vasylyna Martseniuk</p>
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<p><br>
</p>
<div>Savas Patsalidis<br>
Theatre Professor<br>
Aristotle University<br>
Thessaloniki-Greece<br>
Editor-in-Chief<br>
Critical Stages/Scènes critiques (the journal of IATC--International Association of Theatre Critics)<br>
President of the Hellenic Association of Theatre and Performing Arts Critics<br>
<a href="https://auth.academia.edu/SavasPatsalidis" data-auth="NotApplicable">https://auth.academia.edu/SavasPatsalidis</a><br>
<a href="https://www.linkedin.com/in/savas-patsalidis-40b11644/" data-auth="NotApplicable">https://www.linkedin.com/in/savas-patsalidis-40b11644/</a><br>
<a href="https://www.facebook.com/savas.patsalidis" data-auth="NotApplicable">https://www.facebook.com/savas.patsalidis</a><br>
<a href="http://savaspatsalidis.blogspot.com/" data-auth="NotApplicable">http://savaspatsalidis.blogspot.com/</a></div>
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