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<span lang="EN-GB" style="color:black">Dear colleagues,<br>
<br>
The latest issue of <i>Theatre Research International</i> 47.2 is now available on Cambridge Core.<br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a><br>
<br>
</span><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959">Editorial<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-the-muses-roar-from-the-margin/855B2DC6ED0FA525D832AC5E608F967A"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">Editorial:
The Muses Roar from the Margin</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">SILVIJA
JESTROVIC</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Article<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/no-quiero-staging-alfonso-reyess-ifigenia-cruel-in-francoist-spain-1958/9255E8E956EDAB24AF8DDDE3CF32F6E4"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">‘¡No
quiero!’ Staging Alfonso Reyes's </span><i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Ifigenia cruel</span></i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in"> in
Francoist Spain (1958)</span></a><br>
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MONRÓS-GASPAR</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/unto-the-next-generations-the-blurring-of-binaries-and-the-recreation-of-the-social-in-lola-ariass-el-ano-en-que-naci/F3A353206045A3C771366354D1F64A7B"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">Unto
the Next Generations: The Blurring of Binaries and the Re-creation of the Social in Lola Arias's </span><i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in;text-decoration:none">El año en que nací</span></i></a><br>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/female-nudity-interspecies-sexuality-and-horseness-in-laetitia-doschs-hate-2018/552318903121BB02A76CBB3860ACC641"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">Female
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/remembering-thomas-postlewait-19412021/FCE0B009CB5D9CF37E7DEA40A193D8C1"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">Remembering
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/on-being-had-publishing-an-article-on-a-literary-fake/8734E136B64AF1C9CB63D88F7B9745E1"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">On
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<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Double Take<o:p></o:p></span></i></p>
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as Working Women: Their Social Identity in Victorian Culture</span></i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">. By Tracy C. Davis. London: Routledge, 1991. Pp. 228. £110/$180 Hb.</span></a><br>
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</span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/rethinking-chinese-socialist-theatres-of-reform-performance-practice-and-debate-in-the-mao-era-edited-by-xiaomei-chen-tarryn-limin-chun-and-siyuan-liu-ann-arbor-university-of-michigan-press-2021-pp-x-310-15-illus-80-hb/46D585A889857B4AC675BC0F3303BB3D"><i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Rethinking
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<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/epic-performances-from-the-middle-ages-into-the-twentyfirst-century-edited-by-fiona-macintosh-justine-mcconnell-stephen-harrison-and-claire-kenward-oxford-and-new-york-oxford-university-press-2018-pp-xx-643-40-illus-12000166-hb-performing-epic-or-telling-tales-by-fiona-macintosh-and-justine-mcconnell-oxford-and-new-york-oxford-university-press-2020-pp-176-13-illus-58008354-hb/C5147F0C15192CDEE8275190B095595B"><i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">Epic
Performances from the Middle Ages into the Twenty-First Century</span></i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">. Edited by Fiona Macintosh, Justine McConnell, Stephen Harrison and Claire Kenward. Oxford and New
York: Oxford University Press, 2018. Pp. xx + 643 + 40 illus. £120.00/$166 Hb. - <i>Performing Epic or Telling Tales</i>. By Fiona Macintosh and Justine McConnell. Oxford and New York: Oxford University Press, 2020. Pp. 176 + 13 illus. £58.00/$83.54 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Olga%20Taxidou&eventCode=SE-AU"><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in">Olga
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/cambridge-companion-to-theatre-and-science-by-kirsten-e-shepherdbarr-cambridge-cambridge-university-press-2020-pp-225-au4395/3DB5450F1506963B94D4A0B66E82EF2C"><i><span style="font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
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<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
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<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Associate Editor,
</span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies"><span style="color:#2F5496">Journal of Interdisciplinary Voice Studies</span></a></span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
(Intellect) </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Online Content Editor,
</span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
<br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:initial;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01D89AC6.FE33CF40"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
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