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<span class="firstcharacter"><b><u><span lang="FR" style="color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR;mso-bidi-font-style:italic">C</span></u></b></span><em><b><u><span lang="FR" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR">ritical

 Stages</span></u></b></em><b><u><span lang="FR" style="color:black;mso-color-alt:windowtext;mso-ansi-language:FR">/</span></u></b><em><b><u><span lang="FR" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR">Scčnes

 critiques</span></u></b></em><em><b><u><span lang="FR" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR;font-style:normal;mso-bidi-font-style:italic"><o:p> </o:p></span></u></b></em></p>

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<em><b><u><span lang="FR" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR">JUNE 2023</span></u></b></em><em><b><u><span lang="FR" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR;font-style:normal;mso-bidi-font-style:italic"><o:p> </o:p></span></u></b></em></p>

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<em><b><u><span lang="FR" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm;mso-ansi-language:FR;font-style:normal;mso-bidi-font-style:italic"><o:p> </o:p></span></u></b></em></p>

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<span lang="EN-US" style="color:black;mso-color-alt:windowtext"><a href="http://www.critical-stages.org/18/essays/"><b><span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman";mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Essays</span></b></a></span><b><u><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman""><o:p> </o:p></span></u></b></p>

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<span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman";color:black;mso-color-alt:windowtext">Section Editor: <b><span style="border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Yana

 Meerzon </span></b>(Canada)</span><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman""><o:p> </o:p></span></p>

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<span lang="EN-US" style="color:black;mso-color-alt:windowtext">The “ESSAYS SECTION” is dedicated to urgent issues related to theater and performance making, ways of thinking and writing about theatre and performing arts, ways of viewing and reflecting practices,

 pedagogies of performance and text analysis, practices of dramaturgy, interdisciplinarity, transcultural approaches and digitalization of communication in theatre and cultural performance, among other issues. The aim of the ESSAYS SECTION is to offer a broader

 practical, aesthetic, historical and theoretical outlet to those interested in recent developments in theatre and performance across national and disciplinary boundaries.</span><span lang="EN-US"><o:p> </o:p></span></p>

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<span class="firstcharacter"><i><span lang="EN-US" style="color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">C</span></i></span><em><span lang="EN-US" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">ritical

 Stages</span></em><span lang="EN-US" style="color:black;mso-color-alt:windowtext">/</span><em><span lang="EN-US" style="mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:major-fareast;color:black;mso-color-alt:windowtext;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Scčnes

 critiques</span></em><span lang="EN-US" style="color:black;mso-color-alt:windowtext"> is a peer-reviewed on-line journal fully committed to the Open Access Initiative.

</span><span lang="EN-US"><o:p> </o:p></span></p>

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<span lang="EN-US" style="color:black;mso-color-alt:windowtext">For June 2023 issue, inquiries, abstracts and submissions are to be sent to the editor of this section,

<b>Yana Meerzon (University of Ottawa) at <u>yana.meerzon@gmail.com</u></b></span><span lang="EN-US"><o:p> </o:p></span></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;color:red;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Production

 Calendar for June 2023 publication:</span></strong></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm"><o:p> </o:p></span></strong></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Abstracts

 (250 words) and Bio (100 words) – October 15, 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Complete

 Articles (up to 5000 words) – December 15, 2022</span></strong><span lang="EN-US"><o:p> </o:p></span></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Peer-Review

 Process -  January / February 2023</span></strong><span lang="EN-US"><o:p> </o:p></span></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Second

 Draft based on Reviews’ Comments – March 1, 2023</span></strong><span lang="EN-US"><o:p> </o:p></span></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Technical

 Editing – April/May 2023</span></strong><span lang="EN-US"><o:p> </o:p></span></p>

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<strong><span lang="EN-US" style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0cm;padding:0cm">Publication

 Date – June 2023</span></strong><span lang="EN-US"><o:p> </o:p></span></p>

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<b><span lang="EN-US">------------------------------------------------------------------------------</span></b><span lang="EN-US"><o:p> </o:p></span></p>

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<b><span lang="EN-US">Articles are welcome in English and/or French</span></b><span lang="EN-US"><o:p> </o:p></span></p>

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<b><span lang="EN-US" style="font-size:12.0pt">Writers of English or French as a second language are encouraged to seek help of professional proofreaders before sending their submissions for consideration.</span></b><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#243F60"><o:p> </o:p></span></h5>

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<span lang="EN-US" style="font-size:12.0pt;color:#222222">Submission Guidelines / Soumission d’articles</span><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>

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<span lang="EN-US"><a href="http://www.critical-stages.org/submission-guidelines/"><span style="font-size:12.0pt">http://www.critical-stages.org/submission-guidelines/</span></a></span><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>

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<span lang="EN-US" style="font-size:12.0pt;color:#222222">Style Sheet for Critical Stages / Protocole abrégé de Scčnes critiques</span><span lang="EN-US" style="mso-ascii-font-family:Cambria;mso-hansi-font-family:Cambria;color:#365F91"><o:p> </o:p></span></h1>

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<span lang="EN-US"><a href="http://www.critical-stages.org/style-sheet-for-critical-stages/">http://www.critical-stages.org/style-sheet-for-critical-stages/</a><span class="MsoHyperlink" style="color:blue;text-decoration:underline"><o:p> </o:p></span></span></p>

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<span class="MsoHyperlink" style="color:blue;text-decoration:underline"><span lang="EN-US">The latest issue (n.25) June 2022 can be found here</span></span><span lang="EN-US" style="mso-ascii-font-family:Calibri;mso-hansi-font-family:Calibri"><o:p> </o:p></span></p>

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<div class="PlainText"><span style="margin:0px; font-family:Tahoma,Geneva,sans-serif; font-size:12pt"><a href="https://uniweb.uottawa.ca/members/270" title="https://uniweb.uottawa.ca/members/270"><span style="font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Yana

 Meerzon. Ph.D.</span></a></span><br>

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<span lang="FR" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">Professeure , Département de théâtre</span></p>

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<span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">135 S</span><span lang="FR-CA" style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">éraphin-Marion</span><span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif">,

 uOttawa, Ottawa, Ontario, K1N 6N5</span></p>

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<span style="margin:0px; font-size:11pt; font-family:Calibri,Helvetica,sans-serif"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" style="margin:0px;text-align:left;background-color:rgb(255, 255, 255)"><span style="margin:0px;font-size:12pt">Editor.

 Critical Stages/Scčnes critiques</span></a><br>

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<b>Recent publications:</b></p>

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<div class="PlainText"><u>CATR 2022. Patrick O'Neil Award, Special Mention</u> </div>

<div class="PlainText"><a href="https://www.palgrave.com/gp/book/9783030399146" title="https://www.palgrave.com/gp/book/9783030399146"><span style="color: rgb(12, 100, 192);">Migration and Stereotypes in Performance and Culture (Palgrave 2020), Editors: Meerzon,

 Yana, Dean, David, McNeil, Daniel</span></a></div>

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<div class="PlainText"><a href="https://www.bloomsbury.com/us/performing-arousal-9781350155657/" title="https://www.bloomsbury.com/us/performing-arousal-9781350155657/"><span style="color: rgb(12, 100, 192);">Performing Arousal. Precarious Bodies and Frames

 of Representation. Eds. Julia Listengarten, Yana Meerzon (Methuen Drama, 2021)</span></a></div>

<div class="PlainText"><span style="margin:0px;background-color:rgb(255, 255, 255)"><a href="https://www.palgrave.com/gp/book/9783030414092" title="https://www.palgrave.com/gp/book/9783030414092" style="margin:0px"><span style="color: rgb(12, 100, 192);">Performance,

 Subjectivity, Cosmopolitanism (Palgrave 2020)</span></a></span><br>

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