<div dir="ltr"><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b style="font-size:12pt"><i><span style="font-family:Arial,sans-serif">Now
Available </span></i></b><b style="font-size:12pt"><i><span style="font-family:Arial,sans-serif;color:black">from MIT Press & Project Muse:</span></i></b><br></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"><a href="https://direct.mit.edu/pajj/issue/44/3%20(132)" style="color:blue"><b>PAJ 132, Volume 44.3,
September 2022</b></a></span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><br></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif"><u>ISSUE CONTENTS</u>:</span></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b style="font-size:12pt"><u><span style="font-family:Arial,sans-serif"><br></span></u></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b style="font-size:12pt"><u><span style="font-family:Arial,sans-serif">Editorial</span></u></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif"><br></span></u></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif"><a href="https://watermark.silverchair.com/pajj_e_00622.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAArkwggK1BgkqhkiG9w0BBwagggKmMIICogIBADCCApsGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMuQqsf-MDN2FWlG0pAgEQgIICbLm2gIM2UMFtS4_FBGpIkUPZzgbn4Kf0LIZYAOFnAEFOQrOmfViv3DMEvdpfRE7oBI740kS1MNfj-4cZ9ES_SLqgylLbwlp0XCjVLlZTOVL-HFNvGW0uRAIskeDuCJIeOhIJuyYre7YintCbEqE7iEyVh08joXfJiLcdZuX-U4aNucAzlzNL76-gHZ_8WzcKiyp5evRToOPv_WPr_PpUzmfkW9FWG7t2fQ-nZpTs-fC8IRR8lbAifJSfUnlHz8kTULkuhH7hGNTR19eNCA76jUpEiZrVLS9vvfkTKWvooFeUp0YPClto3N7I93FfRotOJoQQasPiLJ9v6HJyLSexzDPTX9wb4Y2Gz2pZQj4LvFn-PjsGMQzOPXr8p-oclZtFwGlY-FP1GJSzVKHjDIX4RWuW9gmtavopKSecarfMgmfgBDP6bw3wD4tlOWBz2lfq_t-1pMGCl6zrY4BbDmv25xB5WcIBm9dJErKUK0u8Sqia9tsuI4CNI688pxzpXC6z5z6vMRwBvkbNBKwXuhItbeeoFRMp7vt5fYzzf_cqZvK_u0R38BiValyJsRmgkzhMStiNG3whNzQU3MOEF6wAC4f-u6oZ6m1eyvgs4TDlN8ZXbiJNji9sxUK7a1pZs2-aoXMA5BUa3dzSVdkYFzV6MOyjkV-BBY8cbQyrqpuUHHOs8vbyaeCEoYYF0lMUrzXuf9osHvFw85xiFBRRbZQ4gzzvlKQaSqjUEKG2s-ZjzOaG8o8C-AKg6m3wWUFOOxTK2B6AyJex6VQz0UvXEwVK0pROHMRC3G0oetDOvgRL49qPXqImIooTVNTK2nZP" style="color:blue">Common
Ground</a> </span></b><span style="font-family:Arial,sans-serif">(Open
Access)<b> </b></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Bonnie Marranca</span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"><br></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif">Articles</span></u></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif"><a href="https://watermark.silverchair.com/pajj_a_00623.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAArkwggK1BgkqhkiG9w0BBwagggKmMIICogIBADCCApsGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMesaVSOgLl353EzNkAgEQgIICbNFVSuCpoo7Dmk5xgwleXo8iYpA1HXyZA3CQjG9zpStf9xSgov2sGK_opKiTxl00pzJwKdDZV0u_0__zZj4vb0CRO90hNJqra3e_1R0Msapfjtq75JNpoSGL-ZgsbW1kwrE7-AhGJ2os2xbEmVpsANHHs8Lsyy7-P8r5TNVKtdGbF44ZcaZa55dHgZhdupDeL0rPQACHUFmWu9DEb58xrzWJe-mmz9iB9qqV-T8mFPCv52dKPDWeVRwd2xpTPLLezP522kVYj3T7gNwpcsXj-qEz6HY73n9ivvKs74U-tYDKUXDJYG8LuVlHK4Q5NRMJfogd-bgTSFmvU20n_PYe34IAdwrPCP73D0LOA5F1OFDXPBmmsAvxKHMNsEJgTTO9ltIQFRoiQp0gfgVW4oaz7gMUpIfPLO7TSwdyZilKayp7d-LWJVYuOrck0nliS-rzEjiW3H1L11XAkg_wmPBjpkt61j2hcrG6OwoHgs821N8otYriucq80Xj5aebjPIas55LME9poiPdyGv12K_EZrVaWl3sV0RwFO7-Qkhu8YS3KrGfzjdfNAGwwooWCuKFmUZlcO3uFapcCOSaYvSXoXsTZ7JXf4cPlIFQkXeg-x6DyPOcPu3tF4DEQ-eag2iNCU4CX_3LxlV6jJn9kbAN2WpMnzhxsTsukHzfhSIYy1L2pUmRoYuRLEQOxjzaxyLJQc9IXxCnocV1xbFNYzCYqPD1zGvdT-7ebHwmjM0-Gk0tBmdw_Kzk1hPWTy2q5heYWicSx-beXpi9nS0AwUZ0QQfBXxHvaJM5ksv-vBS-uVtmPF8lgUgW0uTKcssko" style="color:blue">Singing
in Dark Times: Report from Berlin</a> </span></b><span style="font-family:Arial,sans-serif">(Open
Access) </span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Matt Cornish</span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Sculpting Time: Sara Rudner in Her Studio </span></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Emily Coates</span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Transmission Mysteries: Art and Technophilia </span></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Kenneth King</span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif"> </span></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Sun Through Broken Screen: Murakami and Gutai </span></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Kay Nishikawa</span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif">Special
Section: Food & Performance</span></u></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif"><br></span></u></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Dancers,
Mountains, and People in the Fields </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Adam Weinert</span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Sprouts for
Life: Eco-Feminism and Performance </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Leslie
Labowitz, Jacki Apple</span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif">Art &
Performance Notes</span></u></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Trajal
Harrell: The Anxiety of Autobiography </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><i><span style="font-family:Arial,sans-serif">Dancer of
the Year, a performance by Trajal Harrell, Kunsthalle Zürich, Zurich,
Switzerland</span></i><span style="font-family:Arial,sans-serif"></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Brit Barton</span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Learning to
Listen </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><i><span style="font-family:Arial,sans-serif">Particular
Matter(s), an installation by Tomás Saraceno, The Shed, New York, NY</span></i><span style="font-family:Arial,sans-serif"></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Sarah Lucie</span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Social
Injustice </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><i><span style="font-family:Arial,sans-serif">Qui a tué
mon père [Who Killed My Father], a performance by Édouard Louis, directed by
Thomas Ostermeier, St. Ann’s Warehouse, Brooklyn, NY</span></i></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Paul David
Young</span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Beyond
Making Sense </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><i><span style="font-family:Arial,sans-serif">Under Bright
Light, a performance by Forced Entertainment, directed by Tim Etchells, PACT
Zollverein, Essen, Germany</span></i></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Christian
Grueny</span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"><br></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif">Play</span></u></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif"><br></span></u></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif">All Right. Good Night. (Excerpt) </span></i></b></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Helgard Haug</span></p>

<p class="MsoNormal" style="vertical-align:baseline;margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(26,26,26)"> </span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif">Books
& Company</span></u></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><u><span style="font-family:Arial,sans-serif"><br></span></u></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Between the
Sacred and the Profane: The Works and Days of Lee Breuer </span></b></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Books Reviewed:<b> </b><i>Getting Off:
Lee Breuer on Performance by Lee Breuer with Stephen Nunns; La Divina
Caricatura by Lee Breuer with photographs by Beatriz Schiller</i></span></p>

<p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif">Olga Taxidou</span></p><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div><br></div><div><div><div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>