<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><b class="">CALL FOR PROPOSALS: Pre-recorded PechaKucha Presentations<br class=""><br class="">“Reimagining Intimacy: Immersive and Participatory Performance in the Era of Covid-19”<br class=""><br class="">A Hybrid Event hosted by the </b><b class="">School of Creative and Performing Arts, University of Calgary</b><div class=""><b class="">14 – 17 December 2022<br class=""><br class="">Partner Institutions:</b><div class=""><b class="">Royal Central School of Speech and Drama, London</b></div><div class=""><b class="">Concordia University, Montreal</b></div><div class=""><b class="">University of Greenwich, London<br class=""><br class="">Proposal Deadline: 4 November 2022<br class="">Presentation Date: 17 December 2022</b></div><div class=""><b class=""><br class=""></b></div><div class=""><a href="https://reimaginingintimacy.ca/rii-call_for_proposals/" class=""><b class="">Online version of this CFP</b></a><b class=""><br class=""></b><br class="">For much of the world’s population, the onset of the Covid-19 pandemic in early 2020 necessitated heretofore unimaginable levels of restricted activity and social distancing. Individuals of every age, culture, vocation, and educational background saw their lives transformed by voluntary or imposed interpersonal restrictions and/or lockdowns, by direct and potentially life-threatening health impacts, and by the devastation of social, cultural, and commercial economies. Specifically, the pandemic had a devastating effect on artistic performance, both economically and culturally, in terms of training, production, exhibition, and consumption. In this sense, live performance became an immediate and explicit reflection of a broader societal schism in daily behaviours and expectations.<br class=""><br class="">A great deal has changed over the past two years. After an initial period of shock, and even paralysis, artists and arts organizations around the world have demonstrated resurgent resourcefulness and innovation in pursuit of flexible, multifarious, and emergent routes forward within and through the ongoing pandemic. This process of adaptation has, of course, included rapid advancement in the adoption, development, and refinement of digital and virtual performance strategies. However, emergent strategies related to immediacy, co-presence, and intimacy in live performance—in particular, immersive and participatory formats—are revolutionizing processes of creation, production, and participant experience. Moreover, for many artists, the abrupt disruption of traditional educational, compositional, and production processes represents a valuable opportunity for much-needed reflection and reassessment of sedimented industries and attitudes. From this perspective, Covid-19 has offered a chance to reconsider who has been systemically excluded—in terms of audiences, as well as creators and performers—in past practices and frameworks, and how a corrective to greater inclusivity may, in fact, be accelerated within current conditions.<br class=""><br class=""><b class="">“Reimagining Intimacy: Immersive and Participatory Performance in the Era of Covid-19”</b> (RiI) will be held over four days and in four separate locations between 14 – 17 December, 2022. Hosts include the University of Calgary and Concordia University in Canada, and the Royal Central School of Speech and Drama and the University of Greenwich in London, UK. Combining live and virtual performances, public workshops, artist laboratories, creator and scholar panels, and a one-day symposium, the event will approach its primary preoccupation from a wide and diverse range of perspectives. At the centre of all this activity is the key question,<br class=""><br class=""><i class="">“What are the present conditions and future possibilities of intimacy in Immersive and Participatory Performance in a world transformed by the Covid-19 pandemic?”</i><br class=""><br class="">Prominent artists and scholars from across Canada, the USA, the UK, and northern Europe will convene to exchange, explore, and collectively vision around this shared preoccupation.<br class=""><br class=""><b class="">THE CALL</b><br class=""><br class="">RiI will conclude with a one-day hybrid conference on <b class="">Saturday, December 17th</b>, virtually connecting in-person gatherings at the four host institutions and an international audience via the symposium web platform. In addition to a keynote presentation, a Scholars Panel, and a series of virtual performances, the final-day symposium will feature a selection of online <b class="">PechaKucha-style</b> presentations addressing the key question posed above.<br class=""><br class=""><b class="">The event organizers invite proposals from artists, scholars, and artist-scholars for presentations following the PechaKucha format (6 minutes and 40 seconds in length; 20 slides exhibited for 20 seconds each).</b> All accepted presentations will be pre-recorded and submitted in advance of the event. The presentations will be presented online during the conference and remain viewable on the event website after the event.<br class=""><br class="">Submissions must be received no later than <b class="">Friday, November 4th</b> and include the following information:<br class=""><br class=""><b class="">Name(s) of applicant(s)<br class="">Academic or professional affiliation (if relevant)<br class="">Proposed title of presentation<br class="">A 200-word description of the presentation topic/focus/content</b><br class=""><br class="">Please submit proposals and/or any questions about the event to <a href="mailto:info@reimaginingintimacy.ca" class="">info@reimaginingintimacy.ca</a>.</div><div class=""><br class="">RiI is made possible by a Social Sciences and Humanities Research Council (SSHRC) Connection Grant and the generous support of its four host institutions. Information and updates about the event, as well as a version of the CFP that includes references and full citations, can be found on the <b class="">RiI website: <a href="https://reimaginingintimacy.ca/" class="">https://reimaginingintimacy.ca</a></b>.</div><div class=""><br class=""><b class=""><i class="">Event Convenors:</i><br class="">Bruce Barton, University of Calgary<br class="">Gareth White, Royal Central School of Speech and Drama<br class="">Natalia Esling, University of British Columbia</b></div></div><div class=""><b class=""><br class=""></b></div><div class=""><br class=""></div><div class="">
<meta charset="UTF-8" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div>Bruce Barton, PhD<br class="">Professor and SCPA Director, <a href="https://arts.ucalgary.ca/creative-performing-arts" class="">School of Creative and Performing Arts</a> <br class="">University of Calgary<br class="">CH D100 / 2500 University Dr. NW / Calgary, AB CANADA / T2N 1N4 / 403-210-6265 / <a href="mailto:bruce.barton@ucalgary.ca" class="">bruce.barton@ucalgary.ca</a><br class=""><a href="http://brucewbarton.com" class="">brucewbarton.com</a><br class=""><br class=""><span style="font-size: 12px;" class=""><i class="">As a settler and visitor, I live and work on the traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut’ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to Métis Nation of Alberta, Region III.</i></span><br class=""><br class=""></div></div></div>
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