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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<span lang="EN-GB">Dear colleagues,<br>
<br>
The latest issue of Theatre Research International 47.3 is now available on Cambridge Core.<br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a><br>
<br>
<br>
</span><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Editorial<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-on-critical-and-convivial-assembly/5F3E76915F705CB5DED478B08CB8013E"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Editorial:
On Critical and Convivial Assembly</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SILVIJA
JESTROVIC</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Article<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/queering-romeo-and-juliet-in-south-korea-homonormativity-as-gay-utopian-fantasy/880B5A9D599C7AE73F3764D67EC0CA42"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Queering </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Romeo
and Juliet</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> in South Korea: Homonormativity as Gay Utopian Fantasy</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YEEYON%20IM&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">YEEYON
IM</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/purification-and-hybridization-reconstruction-and-reception-of-theatrical-nationality-in-western-tours-of-the-mei-lanfang-and-tsutsui-troupes-in-1930/7A6B06424301B22D293C37B13001ED73"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Purification’
and ‘Hybridization’: (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YANG%20GAO&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">YANG
GAO</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/eimuntas-nekrosiuss-transnational-voice-from-lithuania-reinterpreting-polish-classics-within-frames-of-the-theatre-of-sensual-metaphors/0DF14095F4785E1BC6FE2B6C3E7F9EF0"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Eimuntas
Nekrošius's Transnational ‘Voice from Lithuania’: Reinterpreting Polish Classics within Frames of the Theatre of Sensual Metaphors</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ARTUR%20DUDA&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ARTUR
DUDA</span></a></span><span lang="EN-GB" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:#595959;border:none windowtext 1.0pt;padding:0in"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/we-already-carry-out-a-national-assignment-indigenous-performance-and-the-struggle-for-a-sami-national-theatre-in-sweden/1F8350221F25B0E2FDF32B34CEE08B10"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘We
Already Carry Out a National Assignment’: Indigenous Performance and the Struggle for a Sámi National Theatre in Sweden</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DIRK%20GINDT&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">DIRK
GINDT</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/resistance-to-the-neoliberal-economy-and-the-life-of-a-play-the-jana-natya-manch-and-theatre-activism/0326E4BAB597D917C8BB849550204CA3"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Resistance
to the Neo-liberal Economy and the Life of a Play: The Jana Natya Manch and Theatre Activism</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ARJUN%20GHOSH&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ARJUN
GHOSH</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Double Take<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/liveness-performance-in-a-mediatized-culture-by-philip-auslander-abingdon-and-new-york-routledge-1999-pp-224-120-hb-36-pb/697D812037986BB97E72D7F96C8CA7D0"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Liveness:
Performance in a Mediatized Culture</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Philip Auslander. Abingdon and New York: Routledge, 1999. Pp. 224. £120 Hb; £36 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Seda%20Ilter&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Seda
Ilter</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">New Books<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/brecht-and-tragedy-radicalism-traditionalism-eristics-by-martin-revermann-cambridge-cambridge-university-press-2022-pp-xvii-474-90120-hb/069179B2882AC86B267F3088532CD336"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Brecht
and Tragedy: Radicalism, Traditionalism, Eristics</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Martin Revermann. Cambridge: Cambridge University Press, 2022. Pp. xvii + 474. £90/$120 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=David%20Barnett&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">David
Barnett</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/comic-storytelling-of-western-japan-satire-and-social-mobility-in-kamigata-rakugo-by-m-w-shores-cambridge-cambridge-university-press-2021-pp-xii-261-759999-hb/5F8555BAEB6DCD9059F9E577FDE369D6"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By M. W. Shores. Cambridge: Cambridge University Press, 2021. Pp.
xii + 261. £75/$99.99 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Lorie%20Brau&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Lorie
Brau</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theater-as-data-computational-journeys-into-theater-research-by-miguel-escobar-varela-ann-arbor-university-of-michigan-press-2021-pp-248-53277195-hb-22172995-pb/DEC1FC1E0C8476828A56413676189CE5"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Theater
as Data: Computational Journeys into Theater Research</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Miguel Escobar Varela. Ann Arbor: University of Michigan Press, 2021. Pp. 248. £53.27/$71.95
Hb; £22.17/$29.95 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Paulina%20Bronfman&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Paulina
Bronfman</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dancing-the-dharma-religious-and-political-allegory-in-japanese-noh-theatre-by-susan-blakeley-klein-cambridge-ma-and-london-harvard-university-asia-center-2021-pp-401-569570-hb/2D796E43B93A89AEE3752455F43BE446"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Dancing
the Dharma: Religious and Political Allegory in Japanese Noh Theatre</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Susan Blakeley Klein. Cambridge, MA and London: Harvard University Asia Center,
2021. Pp. 401. £56.95/$70 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Ashley%20Thorpe&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Ashley
Thorpe</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Addendum<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/whose-crisis-syrian-refugees-and-the-turkish-stage-addendum/5227980C3103872A1BA03006B376776A"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Whose
Crisis? Syrian Refugees and the Turkish Stage – ADDENDUM</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=EM%C4%B0NE%20F%C4%B0%C5%9EEK&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">EMİNE
FİŞEK</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Online Content Editor,
</span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
<br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:"initial",serif;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01D8E0B2.1139C9B0"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
<p class="MsoNormal"><img border="0" width="320" height="124" style="width:3.3333in;height:1.2916in" id="Picture_x0020_1" src="cid:image002.png@01D8E0B2.1139C9B0"><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
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