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<span style="color:blue">Join us for an evening of conversation on photography and forced migration.</span><span style="color:#222222"></span></p>

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<span style="color:blue"> <br>

The discussion, the first in a new series of rolling, online conversations on Forced Migration and The Arts, takes place on Thursday, 26 January 2023, from 6pm till 7.30pm (UK Time).<br>

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The event brings together people with lived experience of forced migration, photographers, activists and academics for discussion on the work they are doing with photography and how this speaks to questions around forced migration.<br>

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The event is free and open to all. Tickets are available <a href="https://www.eventbrite.co.uk/e/photography-in-focus-forced-migration-and-the-arts-tickets-514181158687" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">here</span></a>.<br>

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Speakers include:</span><span style="color:#222222"></span></p>

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● <a href="https://www.rohingyatographer.org/team" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">Sahat Zia Hero</span></a>, a photographer and founder and editor of Rohingyatographer Magazine, who is currently living in a refugee

 camp in Bangladesh;<br>

● <a href="https://gignouxphotos.com/about/" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">Alan Gignoux</span></a>, an award-winning documentary photographer and founder of Gignoux Photos, which produces documentary photography

 and film projects focusing on socio-political and environmental issues around the world; and<br>

● <a href="https://www.researchgate.net/profile/Josephine-Biglin-2" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">Jo Biglin</span></a>, a lecturer in Social Psychology at the University of Salford who explores refugees’ and asylum-seekers’

 experiences of place, belonging and citizenship through creative arts-based methods.<br>

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Notes:<br>

[1] If you would like to speak at the <a href="http://ambrosemusiyiwa.blogspot.com/2022/12/call-for-participants-forced-migration.html" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">Forced Migration and The Arts</span></a> series

 of events, please email <a href="mailto:civicleicester@gmail.com" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">civicleicester@gmail.com</span></a> with a short bio and a brief summary of the topic you would like to speak on.  </span><span style="color:#222222"></span></p>

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<span style="color:blue">[2] You might also be interested in “<a href="https://www.eventbrite.co.uk/e/reggae-music-enslavement-abolition-and-reparations-tickets-511818441737" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1155CC">Reggae

 Music: Slavery, Abolition and Reparations</span></a>” taking place online on 2 February 2023 from 6pm till 7.30pm (UK Time).</span><span style="color:#222222"><br>

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With regards<br>

 <br>

Ambrose Musiyiwa</span></p>

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<b><span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79">Ambrose Musiyiwa</span></b><span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79"> | NWCDTP Collaborative Doctoral Award PhD Researcher | Department

 of Drama and Film in collaboration with Community Arts North West (CAN) | School of Arts, Languages and Cultures | University of Manchester</span></p>

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<span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79">Monica Manolachi and Ambrose Musiyiwa (2022). "<a href="https://www.erudit.org/en/journals/ttr/1900-v1-n1-ttr07391/1093025ar/abstract/" data-auth="NotApplicable" data-loopstyle="link"><span style="color:blue">Literary

 Translation as a Form of Social and Pedagogical Activism</span></a>". <i>TTR: Traduction, terminologie, rédaction</i>, Volume 35, Number 1, pp. 173-201</span></p>

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<span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79"> </span></p>

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<span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79">(Ed.)

</span><i><span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79; background:white"><a href="https://www.amazon.co.uk/dp/1916459374/" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1F4E79">Poetry and Settled

 Status for All: An Anthology</span></a></span></i><span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79; background:white"> (CivicLeicester, 2022);</span><span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79">

<i><a href="https://www.amazon.co.uk/dp/1916459358" data-auth="NotApplicable" data-loopstyle="link"><span style="color:#1F4E79">Black Lives Matter: Poems for a New World</span></a></i> (CivicLeicester, 2020)</span></p>

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<span style="font-size:9.0pt; font-family:"Gill Sans MT",sans-serif; color:#1F4E79"><br>

Arts and Culture columnist. <a href="https://peacenews.info/article-type/beyond-barricades" data-auth="NotApplicable" data-loopstyle="link">

<span style="color:#1F4E79">Beyond The Barricades</span></a>, <i>Peace News</i></span></p>

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