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<p class="MsoNormal"><span lang="EN-GB">Dear Colleagues,<br>
<br>
</span><span lang="EN-GB" style="color:#111111">The latest issue of <a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue"><span style="color:#1155CC">Theatre Research International 48.1</span></a> is now published! This
is a Special Issue on Presence and Precarity in (Post-)Pandemic Theatre and Performance, edited by MONIKA PIETRZAK-FRANGER, HEIDI LUCJA LIEDKE, TAMARA RADAK.</span><span lang="EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#222222"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/senior-editors-note/11858B70222161C2D269C29CB4451A64"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Senior
Editor's Note</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SILVIJA
JESTROVIC</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-presence-and-precarity-in-postpandemic-theatre-and-performance/184427CFDC87483120056ABAE5009982"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Editorial:
Presence and Precarity in (Post-)Pandemic Theatre and Performance</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MONIKA%20PIETRZAK-FRANGER&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">MONIKA
PIETRZAK-FRANGER</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#595959;border:none windowtext 1.0pt;padding:0in">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HEIDI%20LUCJA%20LIEDKE&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">HEIDI
LUCJA LIEDKE</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#595959;border:none windowtext 1.0pt;padding:0in">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TAMARA%20RADAK&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">TAMARA
RADAK</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;vertical-align:baseline"><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><br>
Articles</span></i><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/digital-performance-and-its-discontents-or-problems-of-presence-in-pandemic-performance/94ED6412B97D7A0782993E06BFC42ED3"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Digital
Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SARAH%20BAY-CHENG&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SARAH
BAY-CHENG</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/postperformance-pandemic-breach-experiments-big-theatre-data-and-the-ends-of-theory/AFF60B8C851D6A364EFE676BC9A38346"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Post-performance:
Pandemic Breach Experiments, Big Theatre Data, and the Ends of Theory</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ULF%20OTTO&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ULF
OTTO</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dying-to-connect-postdigital-copresence-in-dead-centres-to-be-a-machine-version-10-2020/0BF31761443860F6CC8E396AE30561E2"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Dying
… to Connect’: Postdigital Co-presence in Dead Centre's <i>To Be a Machine (Version 1.0)</i> (2020)</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TAMARA%20RADAK&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">TAMARA
RADAK</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/precarious-bodies-locating-spectatorship-in-the-national-theatre-of-scotlands-scenes-for-survival-series/D2759B817938CA284CD09339B2DB0E10"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Precarious
Bodies: Locating Spectatorship in the National Theatre of Scotland's <i>Scenes for Survival</i> Series</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARLENA%20TRONICKE&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">MARLENA
TRONICKE</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/brave-new-worlds-covid19-and-irishlanguage-theatre-produced-under-lockdown-in-northern-ireland/085D784816892F6F663CFD173DE493E6"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Brave
New Worlds? COVID-19 and Irish-Language Theatre Produced under Lockdown in Northern Ireland</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RICHARD%20HUDDLESON&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">RICHARD
HUDDLESON</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/close-but-far-human-but-square-normal-but-exhausting-pandemic-theatre-in-poland/67CEEE96513990FFEB9545128F79249D"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Close
but Far, Human but Square, Normal but Exhausting’: Pandemic Theatre in Poland</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANNA%20R.%20BURZY%C5%83SKA&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ANNA
R. BURZYŃSKA</span></a><br>
<br>
</span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;vertical-align:baseline"><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Video Essays</span></i><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/hijacking-the-familiar-the-work-of-big-telly-theatre-company/5698371CB32FD432D08B106562CC86E8"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Hijacking
the Familiar: The Work of Big Telly Theatre Company</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ZO%D0%81%20SEATON&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ZOЁ
SEATON</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-and-its-enchantments/BC2E67998221848390D3DFE49546A43B"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Theatre
and Its Enchantments</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=CARIDAD%20SVICH&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">CARIDAD
SVICH</span></a><br>
<br>
</span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;vertical-align:baseline"><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959">Double Take</span></i><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/utopia-in-performance-finding-hope-at-the-theatre-by-jill-dolan-ann-arbor-university-of-michigan-press-2005-pp-233-2795-pb/472C2BEDE62B0B9DDD48A69B14C95F2E"><i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Utopia
in Performance: Finding Hope at the Theatre</span></i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Jill Dolan. Ann Arbor: University of Michigan Press, 2005. Pp. 233. $27.95 Pb.</span></a></span></b><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;vertical-align:baseline"><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><br>
New Books</span></i><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/real-theatre-essays-in-experience-by-paul-rae-cambridge-cambridge-university-press-2019-pp-xiv-236-7899105-hb-26993499-pb/5CB91447526FA736AC9107FE2969B7F9"><i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Real
Theatre: Essays in Experience</span></i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Paul Rae. Cambridge: Cambridge University Press, 2019. Pp. xiv + 236. £78.99/$105 Hb; £26.99/$34.99 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Michelle%20Liu%20Carriger&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Michelle
Liu Carriger</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/earth-matters-on-stage-ecology-and-environment-in-american-theater-by-theresa-j-may-london-and-new-york-routledge-2021-pp-xvi-294-120160-hb-34994495-pb/F851CEE8723E088DE617482296EC5B7D"><i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Earth
Matters on Stage: Ecology and Environment in American Theater</span></i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Theresa J. May. London and New York: Routledge, 2021. Pp. xvi + 294. £120/$160
Hb; £34.99/$44.95 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Pranab%20Kumar%20Mandal&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Pranab
Kumar Mandal</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/patrick-whites-theatre-australian-modernism-on-stage-19602018-by-denise-varney-sydney-university-of-sydney-press-2021-pp-x-202-275445-pb/D068DD144DA11C8CA7C2B68A820DF933"><i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Patrick
White's Theatre: Australian Modernism on Stage, 1960–2018</span></i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Denise Varney. Sydney: University of Sydney Press, 2021. Pp. x + 202. £27.54/$45
Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Ian%20Maxwell&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Ian
Maxwell</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/institutional-theatrics-performing-arts-policy-in-postwall-berlin-by-brandon-woolf-evanston-il-northwestern-university-press-2021-pp-280-23-illus-89959096-hb-3535-pb/0B36E50C558CCDAADE411CF8CB2B115C"><i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Institutional
Theatrics: Performing Arts Policy in Post-Wall Berlin</span></i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Brandon Woolf. Evanston, IL: Northwestern University Press, 2021. Pp. 280 + 23 illus.
£89.95/$90.96 Hb; £35/$35 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=John%20Yves%20Pinder&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">John
Yves Pinder</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:14.25pt;vertical-align:baseline;background-image:initial;background-position:initial;background-size: initial;background-repeat:initial;background-attachment:initial;background-origin: initial;background-clip: initial">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/international-theatre-festivals-and-21stcentury-interculturalism-by-ric-knowles-cambridge-cambridge-university-press-2022-pp-xvi-313-70267879-hb/6D982797F95514D2C5D25F951F785531"><i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">International
Theatre Festivals and 21st-Century Interculturalism</span></i><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Ric Knowles. Cambridge: Cambridge University Press, 2022. Pp. xvi + 313. £70.26/$78.79
Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Sarah%20Thomasson&eventCode=SE-AU"><span style="font-family:"Times New Roman",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Sarah
Thomasson</span></a></span><span lang="EN-GB" style="color:#222222"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Online Content Editor,
</span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
<br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.nie.edu.sg/profile/tan-cheng-chye-marcus"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:initial;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01D9460B.9E558690"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
<p class="MsoNormal"><img border="0" width="320" height="124" style="width:3.3333in;height:1.2916in" id="Picture_x0020_1" src="cid:image002.png@01D9460B.9E558690"><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
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