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<i><span lang="EN-US">(Le français suit)<o:p> </o:p></span></i></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">Dear CATR Colleagues,<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">It is with heavy hearts that the CATR Board learned of the recent passing of our colleague, friend, and BC Representative, Dr. Eury Chang, after a long illness.<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">On the CATR Board, Eury served on the Anti-Racism and Anti-Oppression Committee, the Archival Committee, and as the Board’s Working Group Liaison.
<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">As a scholar, Eury’s work on Asian-Canadian theatre was groundbreaking, with theatre-related publications on bouffon, immigration, intercultural performance, and Asian Canadian Dance. He was also an editor for
<i>Ricepaper Magazine</i>.<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">For those who knew him, Eury was a valued colleague ready to hold any conversation about theatre at the many conferences he attended across the country, particularly while browsing new titles at the book tables. He was a kind, curious, empathetic,
and generative listener when in conversation with professors and fellow graduate students alike, always eager to hear what you thought about any subject, grand or minute. Perhaps he knew that we are all searching for answers, even to the unanswerable, and
that it was the thrill of the chase that made academia and life worthwhile.<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">The CATR Board and CATR 2023 Organizing Committee will give space to say more in Eury’s memory at the Conference and on our website (https://catracrt.ca). For now, we send love and warm thoughts to his family, friends, and colleagues far
and wide in this difficult time.<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">The UBC Department of Theatre & Film has posted this tribute:<o:p> </o:p></span></p>
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<span lang="EN-US"><a href="https://theatrefilm.ubc.ca/news/in-memoriam-dr-eury-chang" class="FluidPluginCopy">https://theatrefilm.ubc.ca/news/in-memoriam-dr-eury-chang</a><o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<i><span lang="EN-US">Ricepaper Magazine</span></i><span lang="EN-US"> has posted this tribute:<o:p> </o:p></span></p>
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<span lang="EN-US"><a href="https://ricepapermagazine.ca/2023/03/17128" class="FluidPluginCopy">https://ricepapermagazine.ca/2023/03/17128</a><o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">Sincerely,<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<strong><span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US">Dr. Robin C. Whittaker</span></strong><span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US"><br>
CATR President<br>
Associate Professor, Drama, Department of English<br>
St. Thomas University, Fredericton, New Brunswick, Canada<br>
</span><span lang="EN-US"><a class="FluidPluginCopy"><span style="mso-fareast-font-family:"Times New Roman"">rwhit@stu.ca</span></a></span><span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US">
<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">Select publications by Eury include:<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">Chang, Eury Colin. “Bouffon: The Roots of ‘Critical Clowning’ in Canada.”
<i>Canadian Theatre Review</i>, vol. 183, 2020, pp. 25–29, <a href="https://can01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.3138%2Fctr.183.005&data=05%7C01%7Crwhit%40stu.ca%7Cb152cbfd3ebf49bb3bab08db32052083%7C6130d5d03b284aacb7f4eb346dcfa0b2%7C0%7C0%7C638158769836900874%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=e4vd1aQHDksW2A6o7XX3Od%2BtP7uQxNl39sDf6bZkTZ8%3D&reserved=0" class="FluidPluginCopy">
https://doi.org/10.3138/ctr.183.005</a>.<o:p> </o:p></span></p>
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<span lang="EN-US"><a href="https://can01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fctr.utpjournals.press%2Fdoi%2Fabs%2F10.3138%2Fctr.183.005%3FjournalCode%3Dctr&data=05%7C01%7Crwhit%40stu.ca%7Cb152cbfd3ebf49bb3bab08db32052083%7C6130d5d03b284aacb7f4eb346dcfa0b2%7C0%7C0%7C638158769836900874%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=K0hw%2F%2FQeAwKeFguRKUo81Xi5b%2BzwZpGWXksiNFRa72k%3D&reserved=0" class="FluidPluginCopy">https://ctr.utpjournals.press/doi/abs/10.3138/ctr.183.005?journalCode=ctr</a><o:p> </o:p></span></p>
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<span lang="EN-US"> <o:p> </o:p></span></p>
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<span lang="EN-US">Chang, Eury Colin. “Towards Reconciliation: Immigration in Marty Chan’s The Forbidden Phoenix and David Yee’s Lady in the Red Dress.”
<i>Theatre Research in Canada</i>, vol. 36, no. 2, 2015, pp. 196–215, https://doi.org/10.3138/tric.36.2.196.<o:p> </o:p></span></p>
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<span lang="EN-US"><a href="https://can01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fjournals.lib.unb.ca%2Findex.php%2FTRIC%2Farticle%2Fdownload%2F24304%2F28115%3Finline%3D1&data=05%7C01%7Crwhit%40stu.ca%7Cb152cbfd3ebf49bb3bab08db32052083%7C6130d5d03b284aacb7f4eb346dcfa0b2%7C0%7C0%7C638158769836900874%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=L7LByx9tzmX%2F7lSr7Ww25yvxM1%2FpRtqgTqsHZ5vXJY8%3D&reserved=0" class="FluidPluginCopy">https://journals.lib.unb.ca/index.php/TRIC/article/download/24304/28115?inline=1</a><o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">Chang, Eury Colin. "Asian Canadian Dance: Cross-Cultural Currents in Vancouver’s Kokoro Dance and Co. ERASGA Dance" <i>Contemporary Directions in Asian American Dance</i>. Edited by Yutian Wong, The University of Wisconsin Press, 2016.
<a href="https://can01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.euppublishing.com%2Fdoi%2Ffull%2F10.3366%2Fdrs.2018.0226&data=05%7C01%7Crwhit%40stu.ca%7Cb152cbfd3ebf49bb3bab08db32052083%7C6130d5d03b284aacb7f4eb346dcfa0b2%7C0%7C0%7C638158769836900874%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=7w6pLHcWIR8rsxmVNWqN9tbGJpV46Z1r7vaHBCWLMrs%3D&reserved=0" class="FluidPluginCopy">
https://www.euppublishing.com/doi/full/10.3366/drs.2018.0226</a><o:p> </o:p></span></p>
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<span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US"><o:p> </o:p></span></p>
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<span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US">==<br>
<em>Keep up-to-date on all things CATR!</em><br>
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<span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US"><o:p> </o:p></span></p>
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<span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US">**<o:p> </o:p></span></p>
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<span style="mso-fareast-font-family:"Times New Roman"" lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US">Chers collègues de l’ACRT,<o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">C’est avec tristesse que le conseil d’administration a appris récemment le décès de notre collègue, ami et représentant de la Colombie-Britannique, Eury Chang (PhD), à la suite d’une longue maladie.<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">En tant que membre du conseil d’administration de l’ACRT, Eury a fait partie du comité sur l’antiracisme et l’anti-oppression et du comité sur les archives, en plus d’assurer la liaison avec les groupes de
travail du conseil d’administration. <o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">La recherche d’Eury portant sur le théâtre canadien d’origine asiatique était innovatrice, notamment ses publications sur le bouffon, l’immigration, la performance interculturelle et la danse canadienne d’origine
asiatique. Il était aussi un des rédacteurs de <i>Ricepaper Magazine</i>.<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Pour celles et ceux qui l’ont connu, Eury était un précieux collègue, toujours prêt à discuter de théâtre lors des multiples conférences auxquelles il participait partout au pays, particulièrement lorsqu’il
bouquinait. Il savait écouter avec gentillesse, curiosité et empathie lorsqu’il échangeait avec des collègues professeurs ainsi qu’avec des étudiantes et des étudiants des cycles supérieurs, toujours intéressé à entendre ce qu’ils pensaient sur des tas de
sujets, quelle que soit leur importance. Peut-être savait-il que nous sommes toutes et tous à la recherche de réponses, même celles qui sont impossibles à trouver, et que c'est l’excitation de cette quête qui nous pousse à nous investir dans le monde universitaire
et dans la vie.<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Le conseil d’administration de l’ACRT et le comité organisateur du colloque 2023 donneront l’occasion d’honorer la mémoire d’Eury lors du colloque et sur le site Web de l’Association (</span><span lang="EN-US"><a href="https://catracrt.ca" class="FluidPluginCopy" data-loopstyle="link"><span style="mso-ansi-language:FR-CA" lang="FR-CA">https://catracrt.ca</span></a></span><span style="mso-ansi-language:FR-CA" lang="FR-CA">).
Pour l’instant, nous voulons dire à sa famille, à ses camarades et à ses collègues que nous pensons chaleureusement à eux en ces moments difficiles.<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Le Département de théâtre et de cinéma de l’Université de la Colombie-Britannique a publié cet hommage :<o:p> </o:p></span></p>
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<span lang="EN-US"><a href="https://theatrefilm.ubc.ca/news/in-memoriam-dr-eury-chang" class="FluidPluginCopy"><span style="mso-ansi-language:FR-CA" lang="FR-CA">https://theatrefilm.ubc.ca/news/in-memoriam-dr-eury-chang</span></a></span><span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<i><span style="mso-ansi-language:FR-CA" lang="FR-CA">Ricepaper Magazine</span></i><span style="mso-ansi-language:FR-CA" lang="FR-CA"> a publié cet hommage :<o:p> </o:p></span></p>
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<span lang="EN-US"><a href="https://ricepapermagazine.ca/2023/03/17128" class="FluidPluginCopy"><span style="mso-ansi-language:FR-CA" lang="FR-CA">https://ricepapermagazine.ca/2023/03/17128</span></a></span><span style="mso-ansi-language:FR-CA" lang="FR-CA">
<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Salutations,<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<strong><span style="mso-fareast-font-family:"Times New Roman";mso-ansi-language:FR-CA" lang="FR-CA">Robin C. Whittaker, PhD</span></strong><span style="mso-fareast-font-family:"Times New Roman";mso-ansi-language:FR-CA" lang="FR-CA"><br>
Président de l’ACRT<o:p> </o:p></span></p>
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<span style="mso-fareast-font-family:"Times New Roman";mso-ansi-language:FR-CA" lang="FR-CA">Professeur agrégé, Théâtre, Département d’anglais<br>
Université St-Thomas, Frédéricton, Nouveau-Brunswick, Canada<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Voici quelques publications d’Eury :<o:p> </o:p></span></p>
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<span style="mso-ansi-language:EN-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Chang, Eury Colin. “Bouffon: The Roots of ‘Critical Clowning’ in Canada.” Canadian Theatre Review, vol. 183, 2020, pp. 25–29, https://doi.org/10.3138/ctr.183.005.<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">https://ctr.utpjournals.press/doi/abs/10.3138/ctr.183.005?journalCode=ctr<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><span style="mso-spacerun:yes">
</span><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Chang, Eury Colin. “Towards Reconciliation: Immigration in Marty Chan’s The Forbidden Phoenix and David Yee’s Lady in the Red Dress.” Theatre Research in Canada, vol. 36, no. 2, 2015, pp. 196–215, https://doi.org/10.3138/tric.36.2.196.<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">https://journals.lib.unb.ca/index.php/TRIC/article/download/24304/28115?inline=1<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Chang, Eury Colin. "Asian Canadian Dance: Cross-Cultural Currents in Vancouver’s Kokoro Dance and Co. ERASGA Dance" Contemporary Directions in Asian American Dance. Edited by Yutian Wong, The University of
Wisconsin Press, 2016. https://www.euppublishing.com/doi/full/10.3366/drs.2018.0226<o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">==<o:p> </o:p></span></p>
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<i><span style="mso-ansi-language:FR-CA" lang="FR-CA">Pour tout savoir sur l’ACRT !<br>
</span></i><span class="MsoHyperlink" style="text-decoration: underline; color: blue;"><span style="mso-ansi-language:FR-CA;text-decoration:none;text-underline:none" lang="FR-CA">Site Web de l’ACRT</span></span><span style="mso-ansi-language:FR-CA" lang="FR-CA"> :
</span><span lang="EN-US"><a href="https://catracrt.ca" class="FluidPluginCopy" data-loopstyle="link"><span style="mso-ansi-language:FR-CA" lang="FR-CA">https://catracrt.ca</span></a></span><span class="MsoHyperlink" style="text-decoration: underline; color: blue;"><span style="mso-ansi-language:FR-CA;text-decoration:none;text-underline:none" lang="FR-CA"><o:p> </o:p></span></span></p>
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<span class="MsoHyperlink" style="text-decoration: underline; color: blue;"><span style="mso-ansi-language:FR-CA" lang="FR-CA">Liste Candrama :</span></span><span class="MsoHyperlink" style="text-decoration: underline; color: blue;"><span style="mso-ansi-language:FR-CA" lang="FR-CA">
</span></span><span lang="EN-US"><a href="https://artsservices.uwaterloo.ca/mailman/listinfo/candrama" class="FluidPluginCopy"><span style="mso-ansi-language:FR-CA" lang="FR-CA">https://artsservices.uwaterloo.ca/mailman/listinfo/candrama</span></a></span><span style="mso-ansi-language:FR-CA" lang="FR-CA">
<o:p> </o:p></span></p>
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<span style="mso-ansi-language:EN-CA">Facebook : </span><span lang="EN-US"><a href="https://www.facebook.com/groups/CanadianTheatreResearch" class="FluidPluginCopy"><span style="mso-ansi-language:EN-CA" lang="EN-US"><span lang="EN-US">https://www.facebook.com/groups/CanadianTheatreResearch</span></span></a></span><span style="mso-ansi-language:EN-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:FR-CA" lang="FR-CA">Étudiantes et étudiants aux études supérieures :
</span><span lang="EN-US"><a href="https://www.facebook.com/groups/691959444232788" class="FluidPluginCopy"><span style="mso-ansi-language:FR-CA" lang="FR-CA">https://www.facebook.com/groups/691959444232788</span></a></span><span style="mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
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<span style="mso-ansi-language:EN-CA">Twitter : </span><span lang="EN-US"><a href="https://twitter.com/catr_acrt" class="FluidPluginCopy"><span style="mso-ansi-language:EN-CA" lang="EN-US"><span lang="EN-US">https://twitter.com/catr_acrt</span></span></a></span><span class="MsoHyperlink" style="text-decoration: underline; color: blue;"><span style="mso-ansi-language:EN-CA"><o:p> </o:p></span></span></p>
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<span style="mso-ansi-language:EN-CA"><o:p> </o:p></span></p>
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<span lang="EN-US"><o:p> </o:p></span></p>
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<div><span style="font-size: 10.5pt; font-family: "Times New Roman", serif; color: black;"><i>St. Thomas University is situated on the traditional territory of the Wolastoqiyik, Wəlastəkewiyik / Maliseet whose ancestors along with the Mi’Kmaq / Mi’kmaw and Passamaquoddy
/ Peskotomuhkati Tribes / Nations signed Peace and Friendship Treaties with the British Crown in the 1700s.</i><br>
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