<div dir="ltr"><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Dear all</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">The May 2023 issue of </span><a href="https://www.tandfonline.com/journals/rfst20" target="_blank" style="color:rgb(5,99,193)"><i><span style="font-size:14pt;font-family:"Times New Roman",serif">Stanislavski Studies</span></i></a><span style="font-size:14pt;font-family:"Times New Roman",serif">, Volume 11, No. 1 is now available and essays can be accessed </span><a href="https://www.tandfonline.com/toc/rfst20/current" target="_blank" style="color:rgb(5,99,193)"><span style="font-size:14pt;font-family:"Times New Roman",serif">here</span></a><span style="font-size:14pt;font-family:"Times New Roman",serif">. As always, it is an issue packed with essays that contribute to our understanding of Stanislavsky, as well as broader issues related to contemporary theatre and performance. Essays featured in this issue are:</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-US" style="font-size:14pt;font-family:"Times New Roman",serif">“Music, Singing, Word, Action”: The Opera-Dramatic Studio 1935–1938</span></b></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:14pt;font-family:"Times New Roman",serif">Maria Shevtsova</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-US" style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">Belief through Knowledge: The Relationship of Knebel’s Active Analysis to Stanislavsky’s System</span></b></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Sharon Marie Carnicke </span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">Vladimír Gamza: The Comedian’s System</span></b></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Martina Musilov</span><em style="font-size:14.6667px"><span style="font-size:14pt;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-style:normal">á</span></em><br></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p><p style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><b><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif">The Stanislavsky-Grotowski Lineage: Part I</span></b></p><p style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif">Virginie Magnat</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p><p style="margin:0cm 0cm 0.0001pt;font-size:16pt;font-family:"Times New Roman",serif;letter-spacing:-0.5pt;font-weight:bold"><span style="font-size:14pt">A screen actor prepares: Self-taping by reversing Stanislavsky’s Method of Physical Actions</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",s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mes New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Best regards,</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> </span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Stefan</span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"><br></span></p><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div><div style="font-size:12.8px"><font face="arial, helvetica, sans-serif" size="2"><div><font face="arial, helvetica, sans-serif" size="2"><a href="https://www.um.edu.mt/profile/stefanaquilina" target="_blank">Prof. Stefan Aquilina </a></font></div><div>Associate Professor in <a href="https://www.um.edu.mt/performingarts/theatre" target="_blank">Theatre Studies</a></div><div><font face="arial, helvetica, sans-serif" size="2">Director, <a href="https://www.um.edu.mt/performingarts" target="_blank">School of Performing Arts</a></font></div><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div>University of Malta<br></div><font face="arial, helvetica, sans-serif" size="2"></font></div></div></div></div></div></div></div></div></div></div></font></div></div><font face="arial, helvetica, sans-serif" size="2"></font></div><div dir="ltr"><br></div><div>Editor-in-Chief, <a href="https://www.tandfonline.com/journals/rfst20" target="_blank"><i>Stanislavski Studies </i>(Routledge)</a><br></div><div dir="ltr"><div>Co-Director, <a href="https://stanislavsky-research.leeds.ac.uk/" target="_blank">Stanislavsky Research Centre</a></div><div>Director, <a href="http://www.ctatt.org/" target="_blank">CTATT Research Project</a></div><div><br></div><div><font face="arial, helvetica, sans-serif" size="2"><font face="arial, helvetica, sans-serif" size="2">Book Publications: </font></font></div><div><font face="arial, helvetica, sans-serif"><i><a href="https://www.routledge.com/Stanislavsky-and-Pedagogy/Aquilina/p/book/9781032367521" target="_blank">Stanislavsky and Pedagogy</a> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><a href="https://www.routledge.com/The-Routledge-Companion-to-Vsevolod-Meyerhold/Pitches-Aquilina/p/book/9780367627843" style="font-style:italic" target="_blank">The Routledge Companion to Vsevolod Meyerhold</a><i> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px"><b>│</b></span><i style="font-family:arial,helvetica,sans-serif"> </i><i><span style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-repeat:initial"><a href="https://www.bloomsbury.com/uk/amateur-and-proletarian-theatre-in-post-revolutionary-russia-9781350170971/" target="_blank">Amateur and Proletarian Theatre in Post-Revolutionary Russia: Primary Sources</a></span></i><font face="arial, helvetica, sans-serif" size="2"><font face="arial, helvetica, sans-serif" size="2"> </font></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><i><a href="https://www.bloomsbury.com/uk/modern-theatre-in-russia-9781350066106/" target="_blank">Modern Theatre in Russia: Tradition Building and Transmission Processes</a> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><i><a href="https://www.um.edu.mt/mup/onlinebookstore" target="_blank">Interdisciplinarity in the Performing Arts: Contemporary Perspectives </a></i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><i style="font-family:arial,helvetica,sans-serif"><a href="https://www.bloomsbury.com/uk/stanislavsky-in-the-world-9781472587886/" target="_blank">Stanislavsky in the World: The System and its Transformations across Continents</a> </i></div></div></div><div dir="ltr"><div><font face="arial, helvetica, sans-serif"><i><br></i></font></div><div><br></div><div dir="ltr"><br></div><div dir="ltr"><div dir="ltr"></div></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div><font size="2"><font color="#000000" face="Times New Roman" size="3">

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