<html>
  <head>

    <meta http-equiv="content-type" content="text/html; charset=UTF-8">
  </head>
  <body style="word-wrap:break-word" vlink="#954F72" link="#0563C1"
    lang="EN-AU">
    <div class="moz-forward-container">
      <div class="moz-forward-container">
        <meta http-equiv="content-type" content="text/html;
          charset=UTF-8">
                                                                       
                        <b><span
            style="font-family:"Arial",sans-serif">The S-Word:
            STAND IN PLACE / STANISLAVSKY AND PLACE</span></b><o:p></o:p>
        <div class="moz-forward-container">
          <div class="moz-forward-container">
            <div class="WordSection1">
              <p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center"
                align="center"> <b><span
                    style="font-family:"Arial",sans-serif">4-6
                    APRIL 2024</span></b><o:p></o:p></p>
              <p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center"
                align="center"> <b><span
                    style="font-family:"Arial",sans-serif">WAAPA,
                    EDITH COWAN UNIVERSITY</span></b><o:p></o:p></p>
              <p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;text-align:center"
                align="center"> <b><span
                    style="font-family:"Arial",sans-serif">PERTH/BOORLOO,
                    WESTERN AUSTRALIA</span></b><o:p></o:p></p>
              <p class="MsoCommentText"><span
                  style="font-family:"Arial",sans-serif">Stanislavsky
                  was clear that the actor must <i>take their place</i>
                  in the theatre. His writings are full of injunctions
                  to reflexively situate oneself with respect to the
                  stage, set, actors, objectives, and so on. Echoing
                  Stanislavski’s conceptual and physical praxis,
                  modernist performance makers such as Meyerhold and
                  Schlemmer went on to postulate that the <i>actor
                    brought their own sense of place onto the stage</i>,
                  shaping the performance space and enabling performers
                  to align themselves, their attention, and their
                  movements to a range of axial placements and
                  combinations, as in Laban’s kinesphere. Later theatre
                  makers as varied as Declan Donnellan and Suzuki
                  Tadashi have suggested that the theatre is a <i>place
                    of life-and-death struggle</i>, a site where a
                  battle for survival is conducted by both characters
                  and the actors themselves.</span><o:p></o:p></p>
              <p class="MsoCommentText"><span
                  style="font-family:"Arial",sans-serif">The
                  act of the performer <i>taking their place</i> in
                  their body in the theatre developed in parallel to the
                  importance of ‘place’ in the world of the playwright
                  and in the places represented on stage. Stanislavski’s
                  not always happy peer, Anton Chekhov, has been
                  described as the “first <i>environmental playwright</i>,”
                  with scripts such as <i>Uncle Vanya</i> (1898) and <i>The
                    Cherry Orchard</i> (1904) being concerned with the
                  places wherein they are set, with the environmental
                  and socio-political conditions and<i> </i>histories
                  etched across their landscapes. Interestingly, there
                  is a rich tradition of Australian plays which are
                  strongly connected to place, <i>No Sugar</i> (Jack
                  Davis, 1985), <i>Cloudstreet </i>(<span
                    style="color:black;background:white">Nick Enright
                    and Justin Monjo, 1998, </span>after the novel by
                  Tim Winton), <i>When the Rain Stops Falling</i>
                  (Andrew Bovell, 2008), and more recently, <i>City of
                    Gold </i>(Meyne Wyatt, 2019). </span><o:p></o:p></p>
              <p class="MsoNormal"
                style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
                  style="font-family:"Arial",sans-serif">For
                  the forthcoming <i>Stanislavsky and Place</i>
                  symposium, we call for submissions for academic
                  papers, artist presentations, and panels, which
                  consider the <i>places of theatre arising from or
                    existing alongside Stanislavskian performance and
                    acting praxis.</i> We invite you to Stand in Place
                  with us, on Whadjuk Noongar Boodja/Country, here at
                  the Western Australian Academy of Performing Arts,
                  Edith Cowan University, Perth/Boorloo, and interact
                  with this place, as you tell us about your places.<o:p></o:p></span></p>
              <p class="MsoNormal"
                style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
                  style="font-family:"Arial",sans-serif">Papers
                  will be 20 minutes in length, workshop/artistic
                  presentations 40 minutes and panels a combined total
                  of 60 minutes in length. <br>
                </span></p>
              <p class="MsoNormal"
                style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
                  style="font-family:"Arial",sans-serif">Selected
                  papers will be considered for publication in our
                  journal, <i>Stanislavski Studies, </i>and material
                  generated by this event will form the basis of a title
                  in the book series, <i>Stanislavsky And..</i>.
                  (published by Routledge, Taylor & Francis).<br>
                  <o:p></o:p></span></p>
              <p class="MsoNormal"
                style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
                  style="font-family:"Arial",sans-serif">Topic
                  areas could include (but are not limited to):</span><o:p></o:p></p>
              <ol type="1" start="1">
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Performance
                    and theatre in relation to ideas of being in place
                    and being out of place</span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Stanislavskian
                    performance in <i>your </i>place (what changes
                    with/in it?) </span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Placemaking
                    and theatre making </span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Futures
                    of Eco dramaturgy and theatre form</span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Decolonisation
                    strategies and First Nation knowledge of place and
                    performance </span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Beyond
                    Stanislavski, extending his ideas in concepts of
                    place/space </span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Training
                    in relation to ideas of place including but not
                    limited to intercultural/transcultural form and
                    practice</span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Site
                    specific and place specific performance modes in
                    relationship to realism, Stanislavsky and actor and
                    audience relationship</span><o:p></o:p></li>
                <li class="MsoListParagraph"
                  style="text-align:justify;mso-list:l0 level1 lfo1"><span
                    style="font-family:"Arial",sans-serif">Movement,
                    body weather and other performance modalities and
                    training methodologies</span><o:p></o:p></li>
              </ol>
              <p class="MsoNormal"><span
                  style="font-family:"Arial",sans-serif">We
                  are very excited to announce that <b>Professor
                    Jonathan Pitches</b> from the University of Leeds
                  (UK) will be a keynote speaker presenting on <i>mountainous
                    opportunities: interrogating place in ritual,
                    theatre, and performance training. </i>More
                  announcements on additional keynote presenters to
                  follow</span><o:p></o:p></p>
              <p class="MsoNormal"><span
                  style="font-family:"Arial",sans-serif">Please
                  send an abstract of no more than 250 words, with
                  presentation type, to </span><a
                  href="mailto:s-word2024@ecu.edu.au"
                  moz-do-not-send="true"><span
                    style="font-family:"Arial",sans-serif">s-word2024@ecu.edu.au</span></a><span
                  style="font-family:"Arial",sans-serif"> by <b>15<sup>th</sup>
                    September, 2023</b>. <o:p></o:p></span></p>
              <p class="MsoNormal"><span
                  style="font-family:"Arial",sans-serif">Notification
                  of acceptance will be in late October. <o:p></o:p></span></p>
              <p class="MsoNormal"><b><span
                    style="font-family:"Arial",sans-serif">Early
                    bird registration will be in December 2023 and
                    follow up registration in January 2024</span></b><span
                  style="font-family:"Arial",sans-serif">.</span><o:p></o:p></p>
              <p class="MsoNormal"
                style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
                  style="font-family:"Arial",sans-serif">All
                  enquiries to Renee Newman </span><a
                  href="mailto:r.newman@ecu.edu.au"
                  moz-do-not-send="true"><span
                    style="font-family:"Arial",sans-serif">r.newman@ecu.edu.au</span></a><span
                  style="font-family:"Arial",sans-serif"> or
                  Jonathan W Marshall </span><a
                  href="mailto:jonathan.marshall@ecu.edu.au"
                  moz-do-not-send="true"><span
                    style="font-family:"Arial",sans-serif">jonathan.marshall@ecu.edu.au</span></a><o:p></o:p></p>
              <p class="MsoNormal"><o:p> </o:p></p>
              <p class="MsoNormal"><o:p> </o:p></p>
              <br>
              <font size="1" face="Arial" color="Gray"> </font> </div>
          </div>
        </div>
      </div>
    </div>
  </body>
</html>