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<h1 class="x_c-product-header__title x_u-word-wrap" data-test="series-title" style="margin: 0.67em 0px 0px; font-size: 1.875rem; line-height: 1.2; font-family: Georgia, Palatino, serif; word-break: break-word; background-color: rgb(255, 255, 255);">
<span style="margin:0px;outline:rgb(255, 204, 0) solid 4px"><u><a href="https://www.springer.com/series/17066" data-auth="NotApplicable" title="https://www.springer.com/series/17066" id="OWA35ca8a1d-8005-dccd-0feb-8c7b89541c01" class="x_ContentPasted1 OWAAutoLink ContentPasted1" style="margin:0px;cursor:pointer">Palgrave
Studies in Performance and Migration</a></u></span></h1>
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<span class="x_ContentPasted0 x_ContentPasted1" style="font-size: 18px; margin: 0px; color: rgb(51, 51, 51); background-color: rgb(252, 252, 252);"><b class="x_ContentPasted1 ContentPasted1">(Editors Yana Meerzon and S.E. Wilmer)</b><br class="x_ContentPasted1 ContentPasted1">
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<span class="x_ContentPasted0 x_ContentPasted1 ContentPasted1" style="font-size: 18px; margin: 0px; color: rgb(51, 51, 51); background-color: rgb(252, 252, 252);">With the arrival of over a million refugees into Europe in 2015 and millions of displaced Ukrainians
in 2022, the topic of migration has become a major source of public concern and discussion. However, migration is not a new or a local issue. From earliest recorded</span></div>
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<span class="x_ContentPasted0 x_ContentPasted1 ContentPasted1" style="margin:0px"><span class="x_ContentPasted0 x_ContentPasted1 ContentPasted1" style="margin:0px"> </span>time, individuals and populations all over the world have migrated to achieve a better
life or escape subjection and the threat of violence. The theatre has continually addressed this theme both in its dramaturgy and in its performance practices. Theatre artists have always striven to find new audiences, and the stories they have told have regularly
dealt with the theme of migration. Through the centuries peripatetic artists have taken their work on the road in a variety of forms and manifestations such as pageant wagons, commedia dell’arte, touring shows, puppetry, opera, circus, dance, legitimate theatre
and mixed media; while playwrights worldwide explored the pathos of the homeless, the excluded and the forcibly displaced to question the meaning of life. This series brings together a range of scholarship focusing on many eras of performance, as well as numerous
geographical and social conditions to offer an understanding of the complexities of theatre and migration.<span class="x_ContentPasted0 x_ContentPasted1 ContentPasted1" style="margin:0px"> </span></span></div>
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Possible topics for consideration include (among other)</div>
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<li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Human Rights<br class="x_ContentPasted1 ContentPasted1">
</span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Climate Change </span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Race</span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Citizenship</span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Activism</span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Digital Humanities </span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and War</span></li><li style="list-style-type: disc;"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px">Performance/Migration and Artistic Experiment</span></li><li style="list-style-type: disc;">
<div style="margin:0px"><span style="margin:0px" class="ContentPasted1">Performance/Migration and Language </span><br class="ContentPasted1">
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<div style="margin:0px"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px"><b>To send an inquiry
</b>contact the editors at<span class="ContentPasted1"><b> ymeerzon@uottawa.ca </b>
and/or</span><b class="ContentPasted1"> swilmer@tcd.ie</b></span></div>
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<div style="margin:0px"><span style="margin:0px"><span class="x_ContentPasted1 ContentPasted1" style="margin:0px"><b>To submit a formal book proposal</b>, consult Palgrave standard guidelines:<span class="x_x_x_Apple-converted-space ContentPasted1" style="margin:0px"> </span><a href="https://www.palgrave.com/gp/book-authors/publishing-guidelines/submit-a-proposal" data-auth="NotApplicable" class="x_OWAAutoLink ContentPasted1" id="OWAfda50864-2292-e67e-e5a6-4e04c0df3c57" style="margin:0px;cursor:pointer">https://www.palgrave.com/gp/book-authors/publishing-guidelines/submit-a-proposal</a></span></span></div>
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<p><b><span lang="FR" style="font-size:10.0pt;font-family:"Times New Roman",serif;mso-ansi-language:FR" class="ContentPasted0">Yana Meerzon<o:p class="ContentPasted0"></o:p></span></b></p>
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<span lang="FR" style="font-size:10.0pt;font-family:"Times New Roman",serif;mso-ansi-language:FR" class="ContentPasted0">Professeure ou professeur titulaire|Full Professor<o:p class="ContentPasted0"></o:p></span></p>
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<span lang="FR" style="font-size: 10pt; font-family: "Times New Roman", serif; border: 1pt none windowtext; padding: 0cm; color: black;" class="ContentPasted0">Directrice des études théâtrales | Director of Theatre Studies</span><o:p class="ContentPasted0"></o:p></p>
<p style="margin-bottom:0cm;margin-top:0cm;mso-margin-bottom-alt:8.0pt;mso-margin-top-alt:0cm;mso-add-space:auto">
<span lang="FR" style="font-size: 10pt; font-family: "Times New Roman", serif; border: 1pt none windowtext; padding: 0cm; color: black;" class="ContentPasted0">Département de théâtre | Department of Theatre<br class="ContentPasted0">
Université d’Ottawa | University of Ottawa<br class="ContentPasted0">
135 Séraphin-Marion, bureau 304B<br class="ContentPasted0">
Ottawa (ON), Canada, K1N 6N5</span><o:p class="ContentPasted0"></o:p></p>
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<span lang="FR" style="font-size: 10pt; font-family: "Times New Roman", serif; color: rgb(36, 36, 36);"><a href="https://uniweb.uottawa.ca/members/270" class="ContentPasted0 OWAAutoLink" id="OWA16601346-20a5-58e2-345d-08e734fa289e">https://uniweb.uottawa.ca/members/270</a></span><span lang="FR" style="font-size:10.0pt;font-family:"Times New Roman",serif;mso-ansi-language:FR"><o:p class="ContentPasted0"></o:p></span></p>
<p style="margin-bottom: 0cm; margin-top: 0cm; background: white;"><span style="font-size: 10pt; font-family: "Times New Roman", serif; border: 1pt none windowtext; padding: 0cm; color: rgb(32, 31, 30);"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" target="_blank" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" class="ContentPasted0 OWAAutoLink" id="OWA564896ff-466b-5bf6-31d7-da38418aa150"><span style="background: white;">Editor.
Critical Stages/Scènes critiques</span></a><br class="ContentPasted0">
<a href="https://www.springer.com/series/17066" target="_blank" title="https://www.springer.com/series/17066" class="ContentPasted0 OWAAutoLink" id="OWA67fc1989-27c9-ab8d-60bc-d4168133ea17"><span style="color: rgb(12, 100, 192);">Co-Editor. Palgrave Studies
in Performance and Migration (book series)</span></a><o:p class="ContentPasted0"></o:p></span></p>
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