<div dir="ltr"><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Dear
all</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">The November
2023 issue of </span><span style="font-size:14pt"><a href="https://www.tandfonline.com/journals/rfst20" style="color:rgb(5,99,193)"><i><span style="font-family:"Times New Roman",serif">Stanislavski Studies</span></i></a></span><span style="font-size:14pt;font-family:"Times New Roman",serif">, Volume 11, No. 2
is now available and essays can be accessed <a href="https://www.tandfonline.com/toc/rfst20/current" style="color:rgb(5,99,193)">here</a>. As always, it
is an issue packed with contributions that add to our understanding of Stanislavsky,
as well as broader issues related to contemporary theatre and performance. The
contents of the issue are as follows:</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><i><span style="font-size:14pt;font-family:"Times New Roman",serif">Essays</span></i></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><i><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></i></p>
<p class="gmail-Default" style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><b><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif">Editorial</span></b></p>
<p class="gmail-Default" style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif">Stefan Aquilina, School of Performing Arts,
University of Malta</span></p>
<p class="gmail-Default" style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><b><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-US" style="font-size:14pt;font-family:"Times New Roman",serif">“Grand little lady of the stage and screen”: The role of Maria
Ouspenskaya in the dissemination of the Stanislavsky system in the US</span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-US" style="font-size:14pt;font-family:"Times New Roman",serif">Ewa Danuta Godziszewska, </span><span style="font-size:14pt;font-family:"Times New Roman",serif;color:rgb(14,16,26);background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">SWPS University of Social Sciences and Humanities in Warsaw,
Poland</span><span lang="EN-US" style="font-size:14pt;font-family:"Times New Roman",serif"></span></p>
<p class="gmail-Default" style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><b><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p>
<p class="gmail-Default" style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:Garamond,serif;color:black"><b><span lang="EN-CA" style="font-size:14pt;font-family:"Times New Roman",serif">The
Stanislavsky-Grotowski Lineage - Part II</span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Virginie Magnat, </span><span style="font-size:14pt;font-family:"Times New Roman",serif">University of
British Columbia, Canada</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">Radovan Lukavský and the <i>Stanislavsky’s Method of an Actor’s Work</i></span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Zuzana
Sílová, </span><span style="font-size:14pt;font-family:"Times New Roman",serif">Academy of Performing Arts in Prague, Theatre Faculty
(DAMU)</span><span style="font-size:14pt;font-family:"Times New Roman",serif"></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">Stanislavsky
and the Russian Acting and Directing Tradition in Twenty-first Century Greece:
The work of Stathis Livathinos</span></b></p>
<p class="MsoNormal" style="margin:0cm 1.3pt 8pt 0cm;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Michaela Antoniou,
National and Kapodistrian University of Athens</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">The Secret of Action: A Cognitive
Exploration of Eyewitness Accounts of Stanislavsky’s Active Analysis</span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Richard
J. Kemp, Indiana University of Pennsylvania, USA</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p>
<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">Active Analysis in
the Beginning Acting Classroom</p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif">Michael
Shipley, Caine College of the Arts, Utah State University</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><i><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></i></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><i><span style="font-size:14pt;font-family:"Times New Roman",serif">Book Reviews</span></i></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">The Routledge Companion to Vsevolod Meyerhold</span></b><span style="font-size:14pt;font-family:"Times New Roman",serif">,<i> </i></span><span style="font-size:14pt;font-family:"Times New Roman",serif">edited by
Jonathan Pitches and Stefan Aquilina, </span><span style="font-size:14pt;font-family:"Times New Roman",serif">Oxford and New York, Routledge, 2023. </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">Dynamic
Acting through Active Analysis: Konstantin Stanislavsky, Maria Knebel, and
their Legacy </span></b><span style="font-size:14pt;font-family:"Times New Roman",serif">by
Sharon Marie Carnicke, London: Methuen Drama, 2023</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></b></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif">Clive Barker and his Legacy: Theatre
Workshop and Theatre Games</span></b><span style="font-size:14pt;font-family:"Times New Roman",serif">, edited by Paul Fryer & Nesta Jones, London:
Bloomsbury, 2022</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><i><span style="font-size:14pt;font-family:"Times New Roman",serif">Announcements</span></i></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><i><span style="font-size:14pt;font-family:"Times New Roman",serif"> </span></i></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;font-family:"Times New Roman",serif;color:black">Stanislavsky and Race</span></b><span style="font-size:14pt;font-family:"Times New Roman",serif;color:black">,
Co-edited by: Siiri Scott and Jay Paul Skelton</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;color:black"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:14pt;line-height:107%;font-family:"Times New Roman",serif">Stanislavsky and Intimacy</span></b><span style="font-size:14pt;line-height:107%;font-family:"Times New Roman",serif">,
Edited by: Dr. Joelle Ré Arp-Dunham<b></b></span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Kindly consider submitting your work to <i>Stanislavski
Studies</i>. We have a “rolling” submission process, with no fixed
deadlines, and papers are published online first and then in print with two
issues a year. Typical essays range between 5-7000 words. Do get in touch
directly with me on </span><span style="font-size:14pt"><a href="mailto:stefan.aquilina@um.edu.mt" style="color:rgb(5,99,193)"><span style="font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">stefan.aquilina@um.edu.mt</span></a></span><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> to discuss any aspect of the journal.</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Best regards,</span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> </span></p>
<p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;font-family:"Times New Roman",serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Stefan</span><span style="font-size:14pt;font-family:"Times New Roman",serif"></span></p><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div><div style="font-size:12.8px"><font face="arial, helvetica, sans-serif" size="2"><div><font face="arial, helvetica, sans-serif" size="2"><a href="https://www.um.edu.mt/profile/stefanaquilina" target="_blank">Prof. Stefan Aquilina </a></font></div><div>Associate Professor in <a href="https://www.um.edu.mt/performingarts/theatre" target="_blank">Theatre Studies</a></div><div><font face="arial, helvetica, sans-serif" size="2"><a href="https://www.um.edu.mt/performingarts" target="_blank">School of Performing Arts</a></font></div><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div>University of Malta<br></div><font face="arial, helvetica, sans-serif" size="2"></font></div></div></div></div></div></div></div></div></div></div></font></div></div><font face="arial, helvetica, sans-serif" size="2"></font></div><div dir="ltr"><a href="https://www.um.edu.mt/" style="font-family:"Times New Roman";font-size:medium" target="_blank"><img src="https://www.um.edu.mt/media/um/images/directorates/marketingcommunications/logos/UMLogo-Signature.png" width="165" height="59"></a><br></div><div>Editor-in-Chief, <a href="https://www.tandfonline.com/journals/rfst20" target="_blank"><i>Stanislavski Studies </i>(Routledge)</a><br></div><div dir="ltr"><div>Co-Director, <a href="https://stanislavsky-research.leeds.ac.uk/" target="_blank">Stanislavsky Research Centre</a></div><div>Director, <a href="http://www.ctatt.org/" target="_blank">CTATT Research Project</a></div><div><br></div><div><font face="arial, helvetica, sans-serif" size="2"><font face="arial, helvetica, sans-serif" size="2">Book Publications: </font></font></div><div><font face="arial, helvetica, sans-serif"><i><a href="https://www.routledge.com/Stanislavsky-and-Pedagogy/Aquilina/p/book/9781032367521" target="_blank">Stanislavsky and Pedagogy</a> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><a href="https://www.routledge.com/The-Routledge-Companion-to-Vsevolod-Meyerhold/Pitches-Aquilina/p/book/9780367627843" style="font-style:italic" target="_blank">The Routledge Companion to Vsevolod Meyerhold</a><i> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px"><b>│</b></span><i style="font-family:arial,helvetica,sans-serif"> </i><i><span style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-repeat:initial"><a href="https://www.bloomsbury.com/uk/amateur-and-proletarian-theatre-in-post-revolutionary-russia-9781350170971/" target="_blank">Amateur and Proletarian Theatre in Post-Revolutionary Russia: Primary Sources</a></span></i><font face="arial, helvetica, sans-serif" size="2"><font face="arial, helvetica, sans-serif" size="2"> </font></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><i><a href="https://www.bloomsbury.com/uk/modern-theatre-in-russia-9781350066106/" target="_blank">Modern Theatre in Russia: Tradition Building and Transmission Processes</a> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><i><a href="https://www.um.edu.mt/mup/onlinebookstore" target="_blank">Interdisciplinarity in the Performing Arts: Contemporary Perspectives </a></i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><i style="font-family:arial,helvetica,sans-serif"><a href="https://www.bloomsbury.com/uk/stanislavsky-in-the-world-9781472587886/" target="_blank">Stanislavsky in the World: The System and its Transformations across Continents</a> </i></div></div></div><div dir="ltr"><div><font face="arial, helvetica, sans-serif"><i><br></i></font></div><div><br></div><div dir="ltr"><br></div><div dir="ltr"><div dir="ltr"></div></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div><font size="2"><font color="#000000" face="Times New Roman" size="3">
<span style="color:rgb(34,34,34);line-height:107%;font-family:Arial,sans-serif;font-size:10pt"><span style="color:rgb(51,51,51);font-size:12px"><span style="color:rgb(51,51,51);font-size:12px"><br></span></span></span></font></font></div></div><div dir="ltr"><font face="arial, helvetica, sans-serif" size="2"><br></font></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>
<br>
<i>The contents of this email are subject to <b><a href="https://www.um.edu.mt/disclaimer/email/" target="_blank">these terms</a>.</b></i><br>