<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<!--[if !mso]><style>v\:* {behavior:url(#default#VML);}
o\:* {behavior:url(#default#VML);}
w\:* {behavior:url(#default#VML);}
.shape {behavior:url(#default#VML);}
</style><![endif]--><style><!--
/* Font Definitions */
@font-face
{font-family:Helvetica;
panose-1:2 11 6 4 2 2 2 2 2 4;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:initial;}
@font-face
{font-family:inherit;
panose-1:0 0 0 0 0 0 0 0 0 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
span.EmailStyle17
{mso-style-type:personal-compose;
font-family:"Calibri",sans-serif;
color:windowtext;}
.MsoChpDefault
{mso-style-type:export-only;
font-family:"Calibri",sans-serif;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang="EN-US" link="#0563C1" vlink="#954F72" style="word-wrap:break-word">
<div class="WordSection1">
<p class="MsoNormal"><span lang="EN-GB">Dear Colleagues,<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB">The latest issue of Theatre Research International Vol. 48 Issue 3 (October 2023) is now available on
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">
Cambridge Core</a>. <br>
<br>
</span><b><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959">Theatre Research International
<br>
Volume 48 – Issue 3 – October 2023</span></b><span lang="EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959">Editorial<o:p></o:p></span></i></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-on-stormy-contextual-seas/B63C271DAFF11BDB53BA5C3A06E79323"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Editorial:
On Stormy Contextual Seas</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SILVIJA
JESTROVIC</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959"><br>
Article</span></i></b><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959"><br>
</span></i><span lang="EN-GB" style="font-size:12.0pt;font-family:"inherit",serif;border:none windowtext 1.0pt;padding:0in"><br>
</span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/circles-of-women-feminist-movements-in-the-choreography-of-oona-doherty/ACA98109AB6A8902EB0CAF456A076D9F"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Circles
of Women’: Feminist Movements in the Choreography of Oona Doherty</span></a></span></b><span lang="EN-GB" style="font-size:12.0pt;font-family:"inherit",serif"><br>
</span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SHONAGH%20HILL&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SHONAGH
HILL</span></a></span><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/staging-theatre-historiography-the-afterlives-of-ottoman-armenian-drama-in-contemporary-turkish-public-theatre/9298A1F4246F48335ABC8BB78A12CEF6"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Staging
Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=%C5%9EEYDA%20NUR%20YILDIRIM&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ŞEYDA
NUR YILDIRIM</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/forgotten-history-of-our-times-revisiting-utpal-dutts-titu-mir-in-contemporary-india/BB41E27FCCB8D29D92B9AFD2C0908E02"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">The
Forgotten History of Our Times: Revisiting Utpal Dutt's </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Titu Mir</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> in
Contemporary India</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MALLARIKA%20SINHA%20ROY&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">MALLARIKA
SINHA ROY</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/abhilash-pillais-midnights-children-performing-politics-through-optics/F8F899B8CFE7D1B88446A76D7E6D2C42"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Abhilash
Pillai's </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Midnight's Children</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">:
Performing Politics through Optics</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ASHIS%20SENGUPTA&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ASHIS
SENGUPTA</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="vertical-align:baseline"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<p class="MsoNormal" style="vertical-align:baseline"><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/in-the-display-case-capitalist-realism-and-simon-stones-zoological-ibsen/C3BAE165EDFB929A761DD9EE1F0470CC"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">In
the ‘Display Case’: (Capitalist) Realism and Simon Stone's ‘Zoological’ Ibsen</span></a></span></b><span lang="EN-GB" style="font-size:12.0pt;font-family:"inherit",serif"><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:13.5pt;vertical-align:baseline"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARGARET%20HAMILTON&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">MARGARET
HAMILTON</span></a><br>
<br>
</span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Helvetica",sans-serif;color:#595959">Book Review<o:p></o:p></span></i></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/plays-by-women-in-ireland-192633-feminist-theatres-of-freedom-and-resistance-edited-by-lisa-fitzpatrick-and-shonagh-hill-london-methuen-drama-2022-pp-vii-254-6-illus-75-hb-2499-pb/9539C97D2322D0A4E54F29A57F131B29"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Plays
by Women in Ireland (1926–33): Feminist Theatres of Freedom and Resistance</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Lisa Fitzpatrick and Shonagh Hill. London: Methuen Drama, 2022.
Pp. vii + 254 + 6 illus. £75 Hb; £24.99 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Alinne%20Balduino%20P.%20Fernandes&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Alinne
Balduino P. Fernandes</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/performing-silence-women-in-the-group-theatre-movement-in-bengal-by-trina-nileena-bannerjee-new-delhi-oxford-university-press-2021-pp-xxv-354-1795-hb/332B029E0B3B48EFAF82F3CFA749B07D"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Performing
Silence: Women in the Group Theatre Movement in Bengal</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Trina Nileena Bannerjee. New Delhi: Oxford University Press, 2021. Pp. xxv + 354. ₹1795 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Gargi%20Bharadwaj&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Gargi
Bharadwaj</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-left:.5in;line-height:13.5pt;vertical-align:baseline">
<span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p> </o:p></span></p>
<p class="MsoNormal" style="vertical-align:baseline"><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/masculinities-and-manhood-in-contemporary-irish-drama-acting-the-man-by-cormac-obrien-london-palgrave-macmillan-2021-pp-vii-292-10999-hb-8499-ebook/31DF075CB8D29A6AAB4D324E2B6D152E"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Masculinities
and Manhood in Contemporary Irish Drama: Acting the Man</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Cormac O'Brien. London: Palgrave Macmillan, 2021. Pp. vii + 292. $109.99 Hb; $84.99 Ebook.</span></a></span></b><span lang="EN-GB" style="font-size:12.0pt;font-family:"inherit",serif"><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:13.5pt;vertical-align:baseline"><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=David%20Cregan&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">David
Cregan</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/madeup-asians-yellowface-during-the-exclusion-era-by-esther-kim-lee-ann-arbor-university-of-michigan-press-2022-pp-262-23-figs-85-hb-3495-pb/81E3F34D302BA1103FCDE526238C037B"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Made-Up
Asians: Yellowface during the Exclusion Era</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Esther Kim Lee. Ann Arbor: University of Michigan Press, 2022. Pp. 262 + 23 figs. $85 Hb; $34.95 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Ruijiao%20Dong&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Ruijiao
Dong</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/cambridge-companion-to-the-circus-by-gillian-arrighi-and-jim-davis-cambridge-cambridge-university-press-2021-pp-xxxv-292-7580577165-hb-229929992312-pb/C9AF158853E44CC9FF3A8B56C4142470"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Cambridge Companion to the Circus</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Gillian Arrighi and Jim Davis. Cambridge: Cambridge University Press, 2021. Pp. xxxv + 292. £75/$80.57/₹7165 Hb;
£22.99/$29.99/₹2312 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Aastha%20Gandhi&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Aastha
Gandhi</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/samuel-beckett-and-the-theatre-of-the-witness-pain-in-postwar-francophone-drama-by-hannah-simpson-new-york-oxford-university-press-2022-pp-xi-188-80-hb/B59122546E225F474563AFCD02C04D4A"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Samuel
Beckett and the Theatre of the Witness: Pain in Postwar Francophone Drama</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Hannah Simpson. New York: Oxford University Press, 2022. Pp. xi + 188.
$80 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Swati%20Joshi&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Swati
Joshi</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatres-of-contagion-transmitting-early-modern-to-contemporary-performance-edited-by-fintan-walsh-london-bloomsbury-publishing-2020-pp-xii-216-7-illus-2699-pb/E0E7DDD485D260C249A4AE392EDD8B5E"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Theatres
of Contagion: Transmitting Early Modern to Contemporary Performance</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Fintan Walsh. London: Bloomsbury Publishing, 2020. Pp. xii + 216 + 7
illus. £26.99 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=anna%20six&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">anna
six</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/black-shakespeare-reading-and-misreading-race-by-ian-smith-cambridge-cambridge-university-press-2022-pp-218-2999-hb/D4850B2C16A7FFC7443A8D2AB187130D"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Black
Shakespeare: Reading and Misreading Race</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Ian Smith. Cambridge: Cambridge University Press, 2022. Pp. 218. £29.99 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Tom%20Six&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Tom
Six</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/feeling-the-gaze-image-and-affect-in-contemporary-argentine-and-chilean-performance-by-gail-bulman-university-of-north-carolina-press-2022-pp-354-13-figs-4786-pb-2999-ebook/4B8AEB9764EEB7B571B1AF90742A994C"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Feeling
the Gaze: Image and Affect in Contemporary Argentine and Chilean Performance</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Gail Bulman. University of North Carolina Press, 2022. Pp. 354 + 13
figs. $47.86 Pb; $29.99 Ebook.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Helvetica",sans-serif;color:#595959"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Brenda%20Werth&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Brenda
Werth</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#333333"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)</span></b><b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span></b><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red"><br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Associate Professor
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Nanyang Technological University
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"><br>
Chair,</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#2F5496">NIE Visiting Artist Programme</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">Online Content Editor,
</span><i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.cambridge.org/core/journals/theatre-research-international"><span style="color:#2F5496">Theatre Research International</span></a>
</span></i><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">(Cambridge)
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5597">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#2F5496">Secretary-General (Communications)</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|<br>
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
<br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496">:
<a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#2F5496">marcus.tan@nie.edu.sg</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#2F5496"><a href="https://dr.ntu.edu.sg/cris/rp/rp01583"><span style="color:#2F5496">Profile</span></a></span><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:10.5pt;font-family:initial;color:blue"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_2" src="cid:image001.png@01DA161D.8AD098C0"></span><span style="font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
<p class="MsoNormal"><img border="0" width="320" height="124" style="width:3.3333in;height:1.2916in" id="Picture_x0020_1" src="cid:image002.png@01DA161D.8AD098C0"><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
</div>
<hr>
<p style="font-size:10pt; color:#808080;font-family: 'Arial';">CONFIDENTIALITY: This email is intended solely for the person(s) named and may be confidential and/or privileged. If you are not the intended recipient, please delete it, notify us and do not copy,
use, or disclose its contents. <br>
Towards a sustainable earth: Print only when necessary. Thank you. </p>
</body>
</html>