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      <b>The S Word</b>, in partnership with <b>The School of Arts and
        Creative Industries at the University of East London,</b>
      presents the symposium:
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          <p class="MsoNormal"><b>The S Word: Stanislavsky & Actor
              Training for the Screen.</b></p>
          <p class="MsoNormal"><b>Friday 31st May 2024</b> </p>
          <p class="MsoNormal"><b>School of Arts and Creative Industries
              (ACI)</b></p>
          <p class="MsoNormal"><b>University of East London</b></p>
          <p class="MsoNormal"><b>University Square Stratford</b></p>
          <p class="MsoNormal"><b>1 Salway Place</b></p>
          <p class="MsoNormal"><b>London E15 1N</b></p>
          <p class="MsoNormal"><b>UK</b></p>
          <p class="MsoNormal">This Symposium invites teachers of screen
            acting to identify, investigate, articulate, document, and
            disseminate, through an edited volume that will follow the
            symposium, Stanislavsky-inspired practical tools for actor
            training for the screen. It also invites cinema scholars to
            consider how the actor’s craft affects cinematic processes
            and experiences.</p>
          <p class="MsoNormal">The symposium invites papers, practical
            workshops and panel presentations for the following: </p>
          <p class="MsoListParagraphCxSpFirst"
            style="text-indent:-18.0pt;mso-list:l0 level1 lfo1"><span
style="font-family:Symbol;mso-fareast-font-family:Symbol;mso-bidi-font-family:
Symbol"><span style="mso-list:Ignore">·<span
                  style="font:7.0pt "Times New Roman"">        
                </span></span></span>Papers (20 minutes) </p>
          <p class="MsoListParagraphCxSpMiddle"
            style="text-indent:-18.0pt;mso-list:l0 level1 lfo1"><span
style="font-family:Symbol;mso-fareast-font-family:Symbol;mso-bidi-font-family:
Symbol"><span style="mso-list:Ignore">·<span
                  style="font:7.0pt "Times New Roman"">        
                </span></span></span>Workshops/practical demonstrations
            (40 minutes) </p>
          <p class="MsoListParagraphCxSpMiddle"
            style="text-indent:-18.0pt;mso-list:l0 level1 lfo1"><span
style="font-family:Symbol;mso-fareast-font-family:Symbol;mso-bidi-font-family:
Symbol"><span style="mso-list:Ignore">·<span
                  style="font:7.0pt "Times New Roman"">        
                </span></span></span>Panels with a minimum of three
            speakers (60 minutes) </p>
          <p class="MsoNormal">Proposals of not more than 300 words
            should be accompanied by a brief biography, and emailed to <u>Professor
              Sharon Marie Carnicke</u> (<a
              class="moz-txt-link-abbreviated moz-txt-link-freetext"
              href="mailto:carnicke@usc.edu" moz-do-not-send="true">carnicke@usc.edu</a>)
            and <u>Dr Evi Stamatiou</u> (<a
              class="moz-txt-link-abbreviated moz-txt-link-freetext"
              href="mailto:e.stamatiou@uel.ac.uk" moz-do-not-send="true">e.stamatiou@uel.ac.uk</a>)
            to arrive no later than the <u>5<sup>th</sup> January 2024</u>.</p>
          <p class="MsoNormal">To prompt and inspire innovative
            adaptations and appropriations of Stanislavsky's system for
            the actor of today, the keynote address at the symposium
            will be a workshop led by Sharon Marie Carnicke, supported
            by Julian Alexander and Evi Stamatiou, exploring how Active
            Analysis can be applied during a screen acting class with a
            live camera feed. Sharon Marie Carnicke’s current research
            for her next book, <i>Acting Among Stars: The Material
              Poetry of Screen Performance</i>, builds upon her previous
            writings on film acting by focusing more squarely on how
            commonly taught acting techniques can be used to analyse and
            evaluate screen performances. Evi Stamatiou’s article <i>A
              screen actor prepares: Self-taping by reversing
              Stanislavsky’s Method of Physical Actions </i>(<a
href="https://www.tandfonline.com/doi/full/10.1080/20567790.2023.2196297"
              class="moz-txt-link-freetext" moz-do-not-send="true">https://www.tandfonline.com/doi/full/10.1080/20567790.2023.2196297</a>)
            offers a practical tool for reversing the Method of Physical
            Actions for self-taping.</p>
          <p class="MsoNormal">Successful proposals will be confirmed by
            the <u>5<sup>th</sup> of February 2024</u>. Presentations
            will be considered for publication through an edited volume
            which will be published as part of the <i>Stanislavsky
              And...</i> book series (Routledge, Taylor and Francis) </p>
          <p class="MsoNormal"><a
href="https://www.routledge.com/Stanislavsky-And/book-series/STAS"
              class="moz-txt-link-freetext" moz-do-not-send="true">https://www.routledge.com/Stanislavsky-And/book-series/STAS</a>.
          </p>
          <p class="MsoNormal">Online booking/registration for this
            event will be available in March 2024. Delegates are
            encouraged to also attend <b>The S Word: Stanislavsky &
              America</b> symposium that will take place the next day,
            June 1st, 2024, at Rose Bruford College in London, UK. A
            special registration rate will be offered for anyone who
            wants to attend both events.</p>
          <pre class="moz-signature" cols="72">-- 
Prof. Paul Fryer PhD, FRSA, FHEA.
Visiting Professor, School of Performance and Creative Industries, University of Leeds.
Visiting Professor, School of Arts and Creative Industries, London South Bank University.
Hon. Visiting Professor, School of Arts and Digital Industries, University of East London.
Co-Director, The Stanislavsky Research Centre.
Founding Editor, Stanislavski Studies and Series Editor, Stanislavsky And...(Routledge/Taylor & Francis).</pre>
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