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<div>On Jan 30, 2024, at 12:12 PM, Peter P Reed <<a href="mailto:preed@olemiss.edu" class="">preed@olemiss.edu</a>> wrote:<br class="">
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</span></font><b class="">With apologies for cross-posting, please note the extended deadline (now February 15) for
<i class="">Theatre Annual</i>’s 2024 issue! </b><br class="">
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</span></font>Dr. Peter Reed (he/him/his)<br class="">
Associate Professor, Department of English<br class="">
University of Mississippi<br class="">
University, MS 38677<br class="">
<a href="https://english.olemiss.edu/peter-reed/" target="_blank" rel="noopener noreferrer" class="x_x_OWAAutoLink x_x_ContentPasted0" id="OWAce721d3f-5f31-0c19-3a8e-70a009e6b58f">https://english.olemiss.edu/peter-reed/</a><br class="">
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</span></font><span class="" style="background-color:rgb(255,255,255)">Editor, </span><i class="">Theatre Annual: A Journal of Theatre and Performance of the Americas </i><a href="https://theatreannual.atds.org/" class="">https://theatreannual.atds.org/</a><br class="">
<a href="https://link.springer.com/book/10.1057/9780230622715" title="https://link.springer.com/book/10.1057/9780230622715" class="">Peter Reed, <i class="">Rogue Performances: Staging the Underclasses in Early American Theatre Culture</i> (Palgrave, 2009)</a><br class="">
<a href="https://www.cambridge.org/us/academic/subjects/arts-theatre-culture/american-theatre/staging-haiti-nineteenth-century-america-revolution-race-and-popular-performance?format=HB&isbn=9781009100526#bookPeople" title="https://www.cambridge.org/us/academic/subjects/arts-theatre-culture/american-theatre/staging-haiti-nineteenth-century-america-revolution-race-and-popular-performance?format=HB&isbn=9781009100526#bookPeople" class="">Peter
Reed, <i class="">Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance</i> (Cambridge UP, 2022)</a></div>
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<div class="" style="word-wrap:break-word; line-break:after-white-space">Dear Colleagues,
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<div class="" style="font-weight:400">Pleased share the following CFP with colleagues and graduate students! As incoming editor of<span class="x_x_Apple-converted-space"> </span><i class="">Theatre Annual</i><span class="x_x_Apple-converted-space"> </span>in
2024, I am very excited for another year of excellent essays and creative, challenging, and inspiring work!</div>
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<div class="" style="font-weight:400">Best,</div>
<div class="" style="font-weight:400">Peter Reed</div>
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<b class=""><span class="" style="font-size:16px">THEATRE ANNUAL (extended) </span><span class="" style="font-size:16px">Deadline: NOW February 15, 2024</span></b></div>
<div class=""><span class="" style="font-size:14px"><b class="">A Journal of Theatre and Performance of the Americas</b></span></div>
<div class="" style="margin:0px; font-stretch:normal; line-height:normal"><b class="">Call for Articles, 2024 Issue</b></div>
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Theatre Annual is the oldest theatre periodical continuously published in the United States. It is</div>
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dedicated to examining theatre and performance of the Americas. We construe “America” broadly</div>
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to include North, Central, and South America and the Caribbean Islands. Articles may treat work</div>
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in these geographic areas or work from these areas that is presented elsewhere in the world. We</div>
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welcome articles on the history and ethnography of performance, drawing from such areas as</div>
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theatre studies, performance studies, popular culture, music, anthropology, dance, communication,</div>
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philosophy, folklore, history, and areas of interest that cross disciplinary lines.</div>
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Submissions should follow the guidelines in The Chicago Manual of Style, 17<span class="" style="font-stretch:normal; font-size:8px; line-height:normal">th<span class="x_x_Apple-converted-space"> </span></span>edition</div>
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(endnotes, no Works Cited list). Authors should submit articles as Word attachments to the</div>
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editor, Peter Reed, Department of English, University of Mississippi (<a href="mailto:preed@olemiss.edu" class="">preed@olemiss.edu</a>). In</div>
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order to assist in the anonymous peer review process, the author’s identity should not be revealed</div>
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in the manuscript except on a separate title page that should also include full contact information</div>
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(academic affiliation, mailing address, home, cell, and work telephone numbers, and email</div>
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address). Articles should be 5,000 to 6,500 words long including notes. Illustrations are highly</div>
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desirable; authors are responsible for securing rights. Submission deadline is January 15,</div>
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2024. Please allow at least eight weeks after the deadline for a response.</div>
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Scholars wishing to write book reviews for Theatre Annual are invited to send an inquiry to the</div>
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book review editor, Michael Lueger (<a href="mailto:mlueger@gmail.com" class="">mlueger@gmail.com</a>). If accepted, reviewers are asked</div>
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to prepare their manuscripts in conformity with the guidelines in The Chicago Manual of Style</div>
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without footnotes and submit them as a Word attachment. Reviews should be 750 to 800 words</div>
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for a review of a single book, 1,000 to 1,200 words for a two-book review, and 2,500 words for a</div>
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five- or six-book review essay. Submission deadline is April 1, 2024. If publishers would like</div>
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to send review copies, they should contact the book review editor via email to make</div>
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arrangements.</div>
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Theatre Annual, founded in 1942 by the Theatre Library Association, is now published in the fall</div>
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of each year by The College of William and Mary in Virginia, in association with the American</div>
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Theatre and Drama Society. For more information on TA, see<span class="x_x_Apple-converted-space"> </span><span class="" style="color:rgb(5,99,194)"><a href="http://theatreannual.atds.org/" class="">http://theatreannual.atds.org/</a></span></div>
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