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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<span lang="EN-GB" style="color:black">Dear Colleagues,<br>
<br>
The new issue of <i>Theatre Research International</i> Vol. 49 Issue 1 March 2024 is now available on Cambridge Core:
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">
https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a><br>
<br>
</span><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Editorial<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-on-collaboration/3ED371B0DC1C9884BA736D38C6F08841"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Editorial:
On Collaboration</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SILVIJA
JESTROVIC</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Article<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/queer-street-scenes-interruption-exception-orientation/D5BAEAA404D14FD4D323F234B5D4E500"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Queer
Street Scenes: Interruption, Exception, Orientation</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DAVID%20CALDER&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">DAVID
CALDER</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/looking-at-the-wider-world-global-engagement-political-activism-and-polemical-storytelling-in-watchlist-prima-facie-and-myth-propaganda-and-disaster-in-nazi-germany-and-contemporary-america/204A519E9F6E790EB12A5DB2F699F97A"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Looking
at the Wider World’: Global Engagement, Political Activism and Polemical Storytelling in </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Watchlist, Prima Facie</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> and </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Myth,
Propaganda and Disaster in Nazi Germany and Contemporary America</span></i></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ALEX%20VICKERY-HOWE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ALEX
VICKERY-HOWE</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=LISA%20HARPER%20CAMPBELL&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">LISA
HARPER CAMPBELL</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/why-were-our-yemenite-brothers-insulted-love-as-strong-as-death-as-a-prequel-to-mizrahi-presence-in-israeli-theatre/6D31CFB7714AF81D074DEB7B68C3CB0D"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Why
Were Our Yemenite Brothers Insulted?’: </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Love as Strong as Death</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> as
a Prequel to Mizrahi Presence in Israeli Theatre</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YAIR%20LIPSHITZ&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">YAIR
LIPSHITZ</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NAPHTALY%20SHEM-TOV&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">NAPHTALY
SHEM-TOV</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/scenography-of-the-unimaginable-exploring-trauma-of-others-in-872-days-voices-of-the-besieged-city/8E6B27E06C362C564F52A2AB3C74E6EA"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Scenography
of the Unimaginable: Exploring Trauma of Others in </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">872 days. Voices of the besieged city</span></i></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=OLGA%20NIKOLAEVA&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">OLGA
NIKOLAEVA</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Dossier<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/dossiernegotiating-urban-spaces-access-care-and-confinement-in-contemporary-gendered-performance/70C0D9EFF77FF94E51869B393DD8D92B"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Dossier—Negotiating
Urban Spaces: Access, Care and Confinement in Contemporary Gendered Performance</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=INDU%20JAIN&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">INDU
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NILEENA BANERJEE</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/viral-interstitiality-and-unlikely-resources-gender-and-labour-in-turkish-public-theatre-during-the-covid19-pandemic/1C73A1E54C144AF6DD38109338784088"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Viral
Interstitiality and Unlikely Resources: Gender and Labour in Turkish Public Theatre During the Covid-19 Pandemic</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=CHRISTINA%20BANALOPOULOU&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">CHRISTINA
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/reclaiming-public-spaces-in-postpandemic-india-kolkata-activist-theatre-gender-and-a-resurgence-of-the-marginal/084DC4C87155CFE2AFB6673A540957ED"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Reclaiming
Public Spaces in Post-pandemic India (Kolkata): Activist Theatre, Gender and a Resurgence of the Marginal</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=AHVANA%20PAUL&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">AHVANA
PAUL</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TAMALIKA%20ROY&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">TAMALIKA
ROY</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SUMIT%20MONDAL&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SUMIT
MONDAL</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SHRINJITA%20BISWAS&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SHRINJITA
BISWAS</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/we-will-teach-them-how-to-use-this-building-acts-of-accountability-from-south-african-artists/4438DF8681500EF36688C94F109475E1"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘We
Will Teach Them How to Use This Building’: Acts of Accountability from South African Artists</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=CARLA%20LEVER&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">CARLA
LEVER</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Book Review<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/gender-sex-and-sexuality-in-musical-theatre-heshethey-could-have-danced-all-night-edited-by-kelly-kessler-bristol-intellect-2023-pp-xxvii-323-999513495-hb/6012D16B73279E847923C5A7B8F4AC75"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Gender,
Sex, and Sexuality in Musical Theatre: He/She/They Could Have Danced All Night</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Kelly Kessler. Bristol: Intellect, 2023. Pp. xxvii + 323.
£99.95/$134.95 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Laura%20MacDonald&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Laura
MacDonald</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/performing-the-ramayana-tradition-enactments-interpretations-and-arguments-edited-by-paula-richman-and-rustom-bharucha-new-york-oxford-university-press-2021-pp-xviii-357-16-illus-74110-hb-34494899-pb/60DA4558C6F96310742C9D8E632F1A9A"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Performing
the Ramayana Tradition: Enactments, Interpretations, and Arguments</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Paula Richman and Rustom Bharucha. New York: Oxford University Press,
2021. Pp. xviii + 357 + 16 illus. £74/$110 Hb; £34.49/$48.99 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Marcus%20Tan&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Marcus
Tan</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/feeling-the-gaze-image-and-affect-in-contemporary-argentine-and-chilean-performance-by-gail-a-bulman-chapel-hill-nc-university-of-north-carolina-press-2022-pp-354-13-illus-4786-pb-2999-ebook/495DF1966195052EAF60D1C05E1F0D36"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Feeling
the Gaze: Image and Affect in Contemporary Argentine and Chilean Performance</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> </span><i><span style="font-size:10.0pt;font-family:"inherit",serif;color:#333333;border:none windowtext 1.0pt;padding:0in;text-decoration:none">.</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> By
Gail A. Bulman. Chapel Hill, NC: University of North Carolina Press, 2022. Pp. 354 + 13 illus. $47.86 Pb; $29.99 E-book.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Brenda%20Werth&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Brenda
Werth</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/transcultural-theater-by-gunther-heeg-london-routledge-2023-pp-178-16-illus-120160-hb/2838CC0B0328DAB80D24929F399FA89F"><i><span style="font-size:10.0pt;font-family:"inherit",serif;color:#333333;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Transcultural
Theater</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Günther Heeg. London: Routledge, 2023. Pp. 178 + 16 illus. £120/$160 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Zilong%20Zhong&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Zilong
Zhong</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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Best regards,<br>
Marcus</span><span lang="EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB"><o:p> </o:p></span></p>
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<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Associate Professor
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Chair,
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#0070C0">NIE Visiting Artist Programme</span></a> </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Online Content Editor,
<a href="https://www.cambridge.org/core/journals/theatre-research-international">
<i><span style="color:#0563C1">Theatre Research International</span></i></a><i> </i>
(Cambridge) </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#2F5597">|
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#0070C0">Secretary-General (Communications)</span></a></span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"><br>
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 <br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b>: <a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#0563C1">marcus.tan@nie.edu.sg</span></a>
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
<a href="https://dr.ntu.edu.sg/cris/rp/rp01583"><span style="color:blue">Profile</span></a>
</span><b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="color:black"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="font-size:10.5pt;font-family:initial;color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_11" src="cid:image001.png@01DA6993.4A4BC6C0"></span><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
<p class="MsoNormal"><img border="0" width="256" height="99" style="width:2.6666in;height:1.0333in" id="Picture_x0020_2" src="cid:image002.png@01DA6993.4A4BC6C0"><o:p></o:p></p>
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