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Dear Colleagues,
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<div>The latest issue of <i>Performance Matters</i> (10.1), guest-edited by Gretchen Jude and Lynette Hunter, is available. A description of the issue, along with links to articles, is included below. The full issue can also be accessed here: <a href="https://performancematters-thejournal.com/index.php/pm/issue/view/27">https://performancematters-thejournal.com/index.php/pm/issue/view/27</a>.</div>
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<div><span style="color: rgba(0, 0, 0, 0.87); font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-size: 1.714rem; orphans: 2; widows: 2; background-color: rgb(255, 255, 255);">Vol.
 10 No. 1 (2024): (Re)sounding Bodies East and West: Embodied Engagements with Japanese Traditions</span></div>
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<div class="heading" style="box-sizing: border-box;"><a class="cover" href="https://performancematters-thejournal.com/index.php/pm/issue/view/27" style="box-sizing: border-box; color: rgb(75, 125, 146); display: block; margin-bottom: 2.143rem; float: left; width: 148px; height: auto; max-height: none; margin-right: 2.143rem;"><img src="https://performancematters-thejournal.com/public/journals/1/cover_issue_27_en_US.jpg" alt="                                   View Vol. 10 No. 1 (2024): (Re)sounding Bodies East and West: Embodied Engagements with Japanese Traditions
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<em style="box-sizing: border-box;">Image Caption</em>: Yuriko Doi, founder of San Francisco's Theatre of Yugen, demonstrating movement from a kyōgen play, <em style="box-sizing: border-box;">Uri Nusubito</em> [<em style="box-sizing: border-box;">The Melon
 Thief</em>]. Photo credit: Robert Isaacs/Theatre of Yugen (used by permission).</p>
<p style="box-sizing: border-box; line-height: 1.785rem; margin: 1.43rem 0px;"><span style="box-sizing: border-box;">Issue Editors: Gretchen Jude and Lynette Hunter</span></p>
<p style="box-sizing: border-box; line-height: 1.785rem; margin: 1.43rem 0px;">This special issue traces the profound shifts in “Western” performance practices that occur when engagement with works from “the East” breaks down previous distinctions and generates
 new priorities and frameworks for understanding. In their focus on transcultural and intermodal ways of knowing, the scholar-practitioners contributing to the issue actively engage with Japanese performance traditions. Their articles offer critical perspectives
 on performance theory informed by ethnographic, anthropological, and historical methodologies, using approaches that open up the body as a site of profound importance for enacting transcultural understanding.</p>
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<span class="label" style="box-sizing: border-box; font-weight: 700; color: rgba(0, 0, 0, 0.54); text-transform: uppercase;">PUBLISHED: </span><span class="value" style="box-sizing: border-box; margin-left: 0.5em;">2024-03-11</span></div>
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FULL ISSUE</h2>
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<a class="obj_galley_link pdf" href="https://performancematters-thejournal.com/index.php/pm/issue/view/27/65" aria-labelledby="issueTocGalleyLabel" style="box-sizing: border-box; background: rgb(30, 98, 146); color: rgb(255, 255, 255); display: inline-block; padding: 0px 1em; border: medium; border-radius: 3px; font-size: 0.93rem; line-height: calc(-2px + 2.143rem); text-decoration: none; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-weight: 700; text-transform: uppercase;"> PDF</a></li></ul>
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INTRODUCTION</h2>
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<a id="article-481" href="https://performancematters-thejournal.com/index.php/pm/article/view/481" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">Introduction</a></h3>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Gretchen Jude, Lynette Hunter</div>
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<a class="obj_galley_link pdf" href="https://performancematters-thejournal.com/index.php/pm/article/view/481/547" aria-labelledby="article-481" style="box-sizing: border-box; background: rgb(30, 98, 146); color: rgb(255, 255, 255); display: inline-block; padding: 0px 1em; border: medium; border-radius: 3px; font-size: 0.93rem; line-height: calc(-2px + 2.143rem); text-decoration: none; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-weight: 700; text-transform: uppercase;"> PDF</a></li></ul>
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ARTICLES</h2>
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<a id="article-487" href="https://performancematters-thejournal.com/index.php/pm/article/view/487" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">Yuriko Doi’s Teaching and Transmission of Noh and Kyōgen in San Francisco</a></h3>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Judith Halebsky</div>
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8-21</div>
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<h3 class="title" style="box-sizing: border-box; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-size: 1rem; line-height: 1.43rem; margin: 0px; border-bottom-width: medium; border-bottom-style: none; border-bottom-color: currentcolor;">
<a id="article-497" href="https://performancematters-thejournal.com/index.php/pm/article/view/497" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">Performing Everyday Things: Ecosomatic Threads of Butoh, Phenomenology, and Zen</a></h3>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Sondra Fraleigh</div>
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22-44</div>
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<a class="obj_galley_link pdf" href="https://performancematters-thejournal.com/index.php/pm/article/view/497/551" aria-labelledby="article-497" style="box-sizing: border-box; background: rgb(30, 98, 146); color: rgb(255, 255, 255); display: inline-block; padding: 0px 1em; border: medium; border-radius: 3px; font-size: 0.93rem; line-height: calc(-2px + 2.143rem); text-decoration: none; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-weight: 700; text-transform: uppercase;"> PDF</a></li></ul>
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<h3 class="title" style="box-sizing: border-box; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-size: 1rem; line-height: 1.43rem; margin: 0px; border-bottom-width: medium; border-bottom-style: none; border-bottom-color: currentcolor;">
<a id="article-489" href="https://performancematters-thejournal.com/index.php/pm/article/view/489" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">Anatomy of Conflict</a></h3>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Naoko Maeshiba</div>
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45-60</div>
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<a class="obj_galley_link pdf" href="https://performancematters-thejournal.com/index.php/pm/article/view/489/553" aria-labelledby="article-489" style="box-sizing: border-box; background: rgb(30, 98, 146); color: rgb(255, 255, 255); display: inline-block; padding: 0px 1em; border: medium; border-radius: 3px; font-size: 0.93rem; line-height: calc(-2px + 2.143rem); text-decoration: none; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-weight: 700; text-transform: uppercase;"> PDF</a></li></ul>
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<h3 class="title" style="box-sizing: border-box; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-size: 1rem; line-height: 1.43rem; margin: 0px; border-bottom-width: medium; border-bottom-style: none; border-bottom-color: currentcolor;">
<a id="article-483" href="https://performancematters-thejournal.com/index.php/pm/article/view/483" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">On the Path of No-Character: Zeami’s Traces Walked Back and Forward</a></h3>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Álvaro Iván Hernández Rodríguez</div>
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61-71</div>
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<a class="obj_galley_link pdf" href="https://performancematters-thejournal.com/index.php/pm/article/view/483/555" aria-labelledby="article-483" style="box-sizing: border-box; background: rgb(30, 98, 146); color: rgb(255, 255, 255); display: inline-block; padding: 0px 1em; border: medium; border-radius: 3px; font-size: 0.93rem; line-height: calc(-2px + 2.143rem); text-decoration: none; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-weight: 700; text-transform: uppercase;"> PDF</a></li></ul>
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<a id="article-493" href="https://performancematters-thejournal.com/index.php/pm/article/view/493" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">]MA[ – The Space between the Interval</a></h3>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Dylan Bolles, Keith Evans, Suki O'Kane, Edward Schocker</div>
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72-80</div>
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<a id="article-485" href="https://performancematters-thejournal.com/index.php/pm/article/view/485" style="box-sizing: border-box; color: rgb(75, 125, 146); text-decoration: none;">Yoshida Ami’s Onkyō and the Persistently "Japanese" Body: Making (Electro)voice
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Gretchen Jude</div>
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81-93</div>
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<h3 class="title" style="box-sizing: border-box; font-family: Montserrat, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif; font-size: 1rem; line-height: 1.43rem; margin: 0px; border-bottom-width: medium; border-bottom-style: none; border-bottom-color: currentcolor;">
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">duskin drum</div>
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94-106</div>
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<div class="authors" style="box-sizing: border-box; padding-right: 5em;">Steven Ridgely</div>
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107-114</div>
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115-130</div>
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<div>___________________<br>
<b>Peter Dickinson, PhD</b><br>
Professor, School for the Contemporary Arts | SFU<br>
Director, Institute for Performance Studies | SFU<br>
T:  604-908-0993<br>
W: http://www.sfu.ca/~ped</div>
<div><b>ON LEAVE: Sept 1, 2023-Aug 31, 2024</b><br>
<br>
At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.</div>
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