<div dir="ltr"><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Dear all</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">The May 2024 issue of <i><a href="https://www.tandfonline.com/journals/rfst20" style="color:rgb(5,99,193)"><span style="line-height:150%">Stanislavski Studies</span></a></i>,

Volume 12, No. 1 is now available and essays can be accessed <a href="https://www.tandfonline.com/toc/rfst20/12/1" style="color:rgb(5,99,193)"><span style="line-height:150%">here</span></a>. As always, it is an issue packed with

contributions that add to our understanding of Stanislavsky, as well as broader

issues related to contemporary theatre and performance. <i>Stanislavski Studies </i>is produced in association with the

Stanislavsky Research Centre (co-hosted by the University of Leeds and the University

of Malta) and the international research project The S Word: Stanislavsky and

Contemporary Theatre.</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">The contents of the issue are as follows:</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><i><span style="font-weight:normal">Essays</span></i></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><i><span style="font-weight:normal"> </span></i></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">Editorial</p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Stefan Aquilina, </span><span style="font-weight:normal">School of Performing Arts, University of

Malta</span><span style="font-weight:normal"></span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">Stanislavsky

and Voice Training </p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Marie-Christine Autant-Mathieu, CNRS, Paris</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">The Studio on Povarskaia 1905: “Young Theatre

of Searching”</p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Rose Whyman, University of

Birmingham </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="color:black;font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="color:black">Enhancing Young Violinists’ Musical

Identities Using a Dialectical Approach Drawn from the Stanislavsky System</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="color:black;font-weight:normal">Konstantinos

Demirtzoglou, </span><span lang="EN-US" style="font-weight:normal">Music Department, European University of Cyprus</span><span style="color:black;font-weight:normal"> and Maria

Papazachariou–Christophorou, Department of Education Science, European

University Cyprus<sup></sup></span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="color:black">Creating a Role for Light: A Lighting

Design Teaching Method Based on Stanislavsky</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="color:black;font-weight:normal">Valentina

Tamiolaki, </span><span style="font-weight:normal">National and Kapodistrian

University of Athens<span style="color:black"></span></span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">On the

Hidden Potential of Public Solitude,

Part I: Ivan Vyskočil’s <i>Theatre as

Encounter</i></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Markéta Machková and Mish Rais, University of

Neuchâtel (UniNe), Switzerland and Academy of Performing Arts in Prague (DAMU),

Czechia</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">Active Analysis for Beginning Acting

Students: A Class Blueprint</p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Joelle Ré Arp-Dunham, <span style="border:1pt none windowtext;padding:0cm">School of Music, Theatre and

Dance, Kansas State University</span></span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><i><span style="font-weight:normal">Book

Reviews<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> <p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">Stanislavsky and Pedagogy<p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Edited by Stefan Aquilina,

London and New York, Routledge, 2023</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold">Stanislavsky and Race: Questioning the

“System” in the 21st Century</p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="font-weight:normal">Edited by Siiri Scott and Jay Paul Skelton, London

and New York, Routledge, 2023</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><i><span style="font-weight:normal"> </span></i></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-weight:normal">Kindly consider

submitting your work to <i>Stanislavski Studies</i>. We have a

“rolling” submission process, with no fixed deadlines, and papers are published

online first and then in print with two issues a year. Typical essays range

between 5-7000 words. Do get in touch directly with me on </span><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-weight:normal"><a href="mailto:stefan.aquilina@um.edu.mt" style="color:rgb(5,99,193)"><span style="line-height:150%">stefan.aquilina@um.edu.mt</span></a>

to discuss any aspect of the journal.</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-weight:normal">Best regards,</span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-weight:normal"> </span></p><p class="gmail-Articletitle" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:14pt;font-family:"Times New Roman",serif;font-weight:bold"><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-weight:normal">Stefan</span><span style="font-weight:normal"></span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;line-height:150%;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:14pt;line-height:150%;font-family:"Times New Roman",serif"> </span><span style="font-family:"Times New Roman",serif;font-size:14pt"> </span></p><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div><div style="font-size:12.8px"><font face="arial, helvetica, sans-serif" size="2"><div><font face="arial, helvetica, sans-serif" size="2"><a href="https://www.um.edu.mt/profile/stefanaquilina" target="_blank">Prof. Stefan Aquilina </a></font></div><div>Associate Professor in <a href="https://www.um.edu.mt/performingarts/theatre" target="_blank">Theatre Studies</a></div><div><font face="arial, helvetica, sans-serif" size="2"><a href="https://www.um.edu.mt/performingarts" target="_blank">School of Performing Arts</a></font></div><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div>University of Malta<br></div><font face="arial, helvetica, sans-serif" size="2"></font></div></div></div></div></div></div></div></div></div></div></font></div></div><font face="arial, helvetica, sans-serif" size="2"></font></div><div dir="ltr"><a href="https://www.um.edu.mt/" style="font-family:"Times New Roman";font-size:medium" target="_blank"><img src="https://www.um.edu.mt/media/um/images/directorates/marketingcommunications/logos/UMLogo-Signature.png" width="165" height="59"></a><br></div><div>Editor-in-Chief, <a href="https://www.tandfonline.com/journals/rfst20" target="_blank"><i>Stanislavski Studies </i>(Routledge)</a><br></div><div dir="ltr"><div>Co-Director, <a href="https://stanislavsky-research.leeds.ac.uk/" target="_blank">Stanislavsky Research Centre</a></div><div><br></div><div><font face="arial, helvetica, sans-serif" size="2"><font face="arial, helvetica, sans-serif" size="2">Book Publications: </font></font></div><div><font face="arial, helvetica, sans-serif"><i><a href="https://www.routledge.com/Stanislavsky-and-Pedagogy/Aquilina/p/book/9781032367521" target="_blank">Stanislavsky and Pedagogy</a> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px">│</span><font face="arial, helvetica, sans-serif"><a href="https://www.routledge.com/The-Routledge-Companion-to-Vsevolod-Meyerhold/Pitches-Aquilina/p/book/9780367627843" style="font-style:italic" target="_blank">The Routledge Companion to Vsevolod Meyerhold</a><i> </i></font><span style="color:rgb(77,81,86);font-family:arial,sans-serif;font-size:14px"><b>│</b></span><i style="font-family:arial,helvetica,sans-serif"> </i><i><span style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-repeat:initial"><a href="https://www.bloomsbury.com/uk/amateur-and-proletarian-theatre-in-post-revolutionary-russia-9781350170971/" target="_blank">Amateur and Proletarian Theatre in Post-Revolutionary Russia: Primary Sources</a></span></i><font face="arial, helvetica, sans-serif" size="2"><font face="arial, helvetica, sans-serif" size="2"> </font></font><span style="color:rgb(77,81,8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