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<span style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt;"> </span><b>European Journal of Theatre and Performance (EJTP)</b></div>
<p align="center" style="margin: 0cm; min-height: 13.8px;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b> </b></span></p>
<p align="center" style="margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 10.5pt;"><b>Call for Proposals</b></span></p>
<p align="center" style="margin: 0cm; min-height: 16.1px;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 10.5pt;"><b> </b></span></p>
<p align="center" style="margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldItalicMT, serif; font-size: 13.5pt;"><b><i>Exile and (Neo)Nationalism</i></b></span></p>
<p align="center" style="margin: 0cm; min-height: 16.1px;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 10.5pt;"><b> </b></span></p>
<p align="center" style="margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 10.5pt;"><b>Guest editors: Yana Meerzon and Pieter Verstraete</b></span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p align="center" style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">(Extended proposal deadline: 1 September 2024)</span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">In the last few decades, we have seen an increase of migration waves testing the border policies of (Fortress) Europe whilst impacting cultural
debates and artistic expressions around asylum, exile, and (forced) displacement. The latter has also caused an increase of supportive cultural programs dedicated to art in exile. In literary, cultural, and theatre scholarship, diaspora has emerged as a critical
concept for reflecting on contemporary politics, the state of our democracies, and established definitions of societies and communities, calling into question deep-rooted nation-state models. In fact, as Meerzon (2012) has suggested, diasporic and exilic communities
pose a direct counter-arrangement to Benedict Anderson’s ‘imagined communities’ (1983), as a product of their own collective imagination and practices of integration. The exilic community, on the contrary, is based on rupture, disparateness, and bifurcation,
but also on a shared experience of displacement, which defines newly forming transnational communities. It was Brecht who already referred in his exilic poem ‘Über die Bezeichnung Emigranten’ (‘On the Term Emigrants’, 1937) to the exiles as ‘us’ against ‘them’,
those who expelled.</span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Underneath these new communities lie deeper tragedies of escape from armed conflict, economic crisis, tyrannical rulers, or dictatorial governments
over which the present rise of ultra-right-wing and nationalist groups looms its long shadows. In this context, nostalgic narratives for a pre-globalisation nationalism feed into exclusionary forces. Yet the exiled roam also with a sense of territory or country
with them, and a ‘shame that stains our country’, as Brecht would write in his poem (1937: 718; our translation). Hence, in this EJTP theme issue, we want to examine how exilic life as a significant expression of contemporary human experience is entangled
with pressing questions of (neo)nationalism and associated subjects like war, humanitarian devastation, and (post)colonialism.</span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Exile is of course not a phenomenon only of the last decades. Many have designated the twentieth century as the ‘age of exile’ (Aprile 2010), even
if exilic histories stretch much further back in time and extend well into our own contemporaneity under the cosmopolitanism of late capitalism. However, our current refugee crises beg the question of differentiating and comparing exilic communities and their
cultural expressions. Theatre and the performing arts have played an important role in the imaginations of the exiled, the obliqueness of the exilic experience, as well as the collective and individual traumas of ostracism in the face of democracies and institutions
that have become fragile, instable, or dysfunctional. Fictionalization of the exilic position in creative (play)writing has not only been done by exiled artists but also by those who have witnessed the new waves of immigrants. Thus, we can ask ourselves the
following questions: What are the accepted stories of exile that make it to the stage and institutions; and what are the counternarratives of exile to our present nation-states? In this context, theatre and the performing arts are crucial for redefining the
difficult nexus between exile and (neo)nationalism.</span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">The recent rise of the political far right and populism both in Europe and across the globe is demonstrated by a range of phenomena, including
the Brexit movement in the UK, the Front National (FN) in France, the Alternative for Germany (AFD), the successes of the extreme right-wing Jobbik party and Viktor Orbán’s national-conservative Fidesz party in Hungary, the recent electoral victory of Geert
Wilders’ Forum for Democracy (FvD) in the Netherlands, Vladimir Putin’s recent turn to militarization and fascism, and various others can be added. These political and societal changes position theatre and performance arts at the forefront of cultural resistance,
resilience, and mediation. In times of often government-endorsed xenophobia, racism, and nationalist sentiments, theatre and performing artists are increasingly urged to address this ‘political turn’ and examine alternatives of ethical, political, and artistic
response-ability. Through different aesthetic ways, one could say, they react to the ‘biopower’ (Foucault 1978) that connects the brutality of the nation-state with the infatuation for racism.</span></p>
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<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Nevertheless, many European theatre companies and institutions find themselves at the slippery crossroads between the state funding they receive,
the political mandate they must carry, and the ethical, political, and artistic positions put forward by their government-appointed artistic directors and/or teams. These complicities have recently become even more difficult to navigate when funding is cut
because of ideological disputes against the hegemony of a state apparatus.</span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Following these observations and thoughts, we invite essays (max. 9.000 words) along the next four lines of inquiry:</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<ol start="1" style="margin-top: 0cm; margin-bottom: 0cm;">
<li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">What constitutes the complicity and/or ‘response-ability’ of art institutions in the triangle between ideological
pluralism, funding structures, and works of exilic or migrant theatre practitioners? Who is privileged? How can one ‘play (within) the system’?</span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">How do theatre and the performing arts play a role in representative claim-making of artists in exile vis-à-vis their
home countries, ‘Europe’, and/or their newly receiving localities? How has the idea of a collective identity as a form of nationhood changed over the last fifty years in Europe and beyond, and how does theatre help to imagine, remember, commemorate, rebuild,
or deconstruct these identities?</span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">How does the exilic position help to question the nexus of cosmopolitanism and migration versus debates on postcolonialism,
decoloniality, and imperialism?</span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">How does the aesthetics of the ‘exilic performative’ expose, resist, resignify, or perhaps reproduce rhetorical devices
of populism, (micro)nationalism, and nationhood?</span></li></ol>
<p style="text-align: justify; margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Submissions may include but are not limited to these questions. Please indicate one or two theoretical frameworks from which you want to develop
your line of argument. We welcome submissions on the current situation which may include comparative, post- and decolonial, and intersectionalist approaches, possibly building further on concepts from political sociology, cultural studies, cultural heritage,
migration and exile studies. We are also interested in theatre-historical analyses since the fall of the Berlin Wall or the dissolution of the Soviet Union as significant historical milestones, yet any topics that go further back in history will be taken into
consideration too. If relevant, we would appreciate a note of self-positionality indicating the relationship with the topic of the proposed essay. </span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>Proposal submissions:</b></span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<ul style="margin-top: 0cm; margin-bottom: 0cm;">
<li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Proposals should be written in UK English, in MS Word format, and be between 500 and 700 words. Please include a brief
bio (max. 100 words) in your proposal submission and send it by email to the guest editors (see contacts below) by
</span><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>1 September 2024</b></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">. Proposals must be based on original, unpublished work not under consideration
for publication elsewhere. </span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Proposals should specify in which language the article will be submitted. EJTP is open to articles written in the
language of the author’s preference, but please note that for all articles written in languages other than English contributors will be asked to secure professional proof-reading.</span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">If your proposal is accepted, you will be invited to submit a first draft of your article by
</span><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>1 November 2024</b></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">. The maximum length of the final article should not exceed 9.000 words (including
abstract in English and in at least one additional language, references, author bio, etc.). Submitted articles will undergo a double-blind peer-review process by two anonymous experts.</span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Prospective authors should make sure their submitted articles are in accordance with the EJTP Author Guidelines, which
can be downloaded here:</span><span style="font-family: "Times New Roman", serif; font-size: 9pt; color: blue;"><u><a href="https://journal.eastap.com/submission-guidelines/" id="OWAb804504c-a48d-d482-7a70-962472500f4d" class="OWAAutoLink" shash="dKBuZZ7wWN9XYGEqNtL2Ohp6Pvi7YiWmw3+/HBSOk1d/OoG8xw4NFIPkDEZbrgJf2lofbkbT7ClDTwQSvth0pRm0eqhMIjmneyQ96nA0N2T9OZ8zAhvE+PBnNy/vSdKXK0hpVOh1v6Idk383Xd+cXUD8eGZSq7QJZEw3Rk8ZIj0=" originalsrc="https://journal.eastap.com/submission-guidelines/" data-auth="Verified" style="color: blue;"> https://journal.eastap.com/submission-guidelines/</a></u></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">.</span></li><li style="font-family: Aptos, sans-serif; font-size: 12pt; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">For more information on the
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 9pt;"><i>European Journal of Theatre and Performance,
</i></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">please visit:</span><span style="font-family: "Times New Roman", serif; font-size: 9pt; color: blue;"><u><a href="https://journal.eastap.com/" id="OWAca44d07c-d6a1-5f97-69c4-866e7a7ff661" class="OWAAutoLink" shash="W6vTVyLZc4NMOK36XT4JbOYOR/81HgbN0SPqcEgGBNm5ISF3DFXLJg58W9vZpdoSDuC9OH+cqZvvpxkuQv5JEXWxV+IeaS449GIksTRW20mBUmr/KE1SP5pM40k2Eec4Yq5O0YbgQTxOxhwRGbpS6H6MVSJg97kwKJSNZPzULHM=" originalsrc="https://journal.eastap.com/" data-auth="Verified" style="color: blue;"> https://journal.eastap.com</a></u></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">.</span></li></ul>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>Schedule:</b></span></p>
<p style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Proposals: 1 September 2024 (note of acceptance by 15 September 2024)</span></p>
<p style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">First Drafts: 15 November 2024</span></p>
<p style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Peer Review: 30 December 2024</span></p>
<p style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Second Drafts: 15 February 2025</span></p>
<p style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Final Drafts: 15 March 2025</span></p>
<p style="margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Publication: May 2025</span></p>
<p style="margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>Contacts:</b></span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;">Issue-related inquiries and proposal submissions should be sent to the issue’s guest editors:</span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>Yana Meerzon</b></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">, (University of Ottawa):
</span><span style="font-family: "Times New Roman", serif; font-size: 9pt; color: blue;"><u><a href="mailto:ymeerzon@uottawa.ca" id="OWA8d54bc6b-f96c-f1ea-c5a2-8dc46934881c" class="OWAAutoLink" style="color: blue; margin-top: 0px; margin-bottom: 0px;">ymeerzon@uottawa.ca</a></u></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">;</span></p>
<p class="elementToProof" style="text-align: justify; margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 9pt;"><b>Pieter Verstraete
</b></span><span style="font-family: "Times New Roman", serif; font-size: 9pt;">(University of Groningen): p.m.g.verstraete@rug.nl</span></p>
<p class="elementToProof" style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm; min-height: 13.8px;"><span style="font-family: "Times New Roman", serif; font-size: 9pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: TimesNewRomanPS-BoldMT, serif; font-size: 8.5pt;"><b>Relevant Literature</b></span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Anderson, Benedict. 1983.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Imagined Communities: Reflections on the Origin and Spread of Nationalism</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> (London: Verso)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Aprile, Sylvie. 2010.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Le siècle des exilés. Bannis et proscrits de 1789 à la Commune</i></span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">(Paris, CNRS éditions)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Bauman, Zygmunt. 1998.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Homo Sacer: Sovereign Power and Bare Life</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">, trans. by Daniel Heller-Roazen (Stanfard, CA:
Stanford University Press)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">— 2000.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Liquid Modernity
</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">(Hoboken: Wiley)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">— 2004.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Wasted Lives. Modernity and Its Outcasts</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> (Cambridge: Polity Press)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">— 2011.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Collateral Damage: Social Inequalities in a Global Age</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> (Cambridge: Polity Press)</span></p>
<p style="margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Brecht, Bertolt. 1967. ‘Über die Bezeichnung Emigranten’, in
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Gesammelte Werke in 20 Bänden</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">, by Bertolt Brecht, ed. by Hauptmann Elisabeth (Frankfurt
am Main: Suhrkamp Verlag), p. 718</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Butler, Judith. 2004.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Precarious Life. The Powers of Mourning and Violence</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> (New York: Verso)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Diaz, Delphine, and Sylvie Aprile. 2021.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Les Réprouvés. Sur les routes de l’exil dans l’Europe du XIXe siècle</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> (Paris: Éditions de
la Sorbonne)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Foucault, Michel.
</span><span style="font-family: Symbol; font-size: 8.5pt;">[</span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">1976</span><span style="font-family: Symbol; font-size: 8.5pt;">]</span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> 1978.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>The History of Sexuality</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Volume 1: An Introduction</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">, trans. by Robert Hurley (New York: Pantheon Books)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Gilroy, Paul. 1995. ‘Route Work: The Black Atlantic and the Politics of Exile’, in
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>The Postcolonial Question: Common Skies, Divided Horizons</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">, ed. by Iain Chambers, and Lidia
Curti (London: Routledge), pp. 17-29</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
<p style="text-align: justify; margin: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;">Meerzon, Yana. 2012.
</span><span style="font-family: TimesNewRomanPS-ItalicMT, serif; font-size: 8.5pt;"><i>Performing Exile – Performing Self: Drama, Theatre, Film</i></span><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> (Houndmills, Basingstoke, and
Hampshire: Palgrave Macmillan)</span></p>
<p style="text-align: justify; margin: 0cm; min-height: 12.6px;"><span style="font-family: "Times New Roman", serif; font-size: 8.5pt;"> </span></p>
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