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<p class="MsoNormal" style="mso-margin-top-alt:auto;margin-bottom:12.0pt;background:white;vertical-align:baseline">
<span lang="EN-GB" style="color:black">Dear Colleagues,<br>
<br>
<b><i>Theatre Research International</i> Vol. 49 Issue 2 (July 2024)</b> is now published after a slight delay for which we do apologise for.
<br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a></span><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Editorial<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;margin-bottom:12.0pt;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-on-disconnect/C8E912E6BCB451B0FCA22CDB94232A16"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Editorial:
On Disconnect</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">SILVIJA
JESTROVIC</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Article<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-as-transitional-infrastructure-flow-freedom-and-the-long-middle-of-change-in-hong-kong/77DEBB17FB9D81614A1B9C1246BDD60C"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Theatre
as Transitional Infrastructure: Flow, Freedom and the ‘Long Middle’ of Change in Hong Kong</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JOANNA%20MANSBRIDGE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">JOANNA
MANSBRIDGE</span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/performing-reparative-solidarity-the-politics-and-poetics-of-pantoh-in-twelve-dishes-ballad/C967DF9C311741C07407035130031D30"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Performing
Reparative Solidarity: The Politics and Poetics of </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Pān-toh</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in"> in </span><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Twelve
Dishes Ballad</span></i></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FAN-TING%20CHENG&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">FAN-TING
CHENG</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/severe-sensory-theatre-building-relational-disability-politics-during-uk-covid-lockdowns/B2E968FABD3A31CFE56DCDE1ED54157B"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">‘Severe’
Sensory Theatre: Building Relational Disability Politics during UK COVID Lockdowns</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ALISON%20MAHONEY&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ALISON
MAHONEY</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/puppetry-networks-of-the-island-of-naoshima/FDF696ECEAA16746E3AE528A83710626"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Puppetry
Networks of the Island of Naoshima</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JYANA%20S.%20BROWNE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">JYANA
S. BROWNE</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/end-of-an-impassioned-feud-the-2022-oberammergau-passion-play-and-the-public-embrace-of-progressive-politics/ACE5BCADC9B5B04F970DE38B033F02AD"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">The
End of an Impassioned Feud: The 2022 Oberammergau Passion Play and the Public Embrace of Progressive Politics</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ELLIOT%20LEFFLER&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">ELLIOT
LEFFLER</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><br>
Obituary<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/remembering-jim-davis/E8429A1A60D52F866F76B0107E79F2DF"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Remembering
Jim Davis</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JANELLE%20REINELT&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">JANELLE
REINELT</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PATRICIA%20SMYTH&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">PATRICIA
SMYTH</span></a></span><span lang="EN-GB" style="font-size:10.0pt;font-family:"inherit",serif;color:#595959;border:none windowtext 1.0pt;padding:0in;mso-ligatures:none">, </span><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TIM%20WHITE&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">TIM
WHITE</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><o:p> </o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none">Book Review<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/aesthetic-exception-essays-on-art-theatre-and-politics-by-tony-fisher-manchester-manchester-university-press-2023-pp-275-85130-hb/280F61A4C67A6D0E7C10BEA26C2AD129"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Aesthetic Exception: Essays on Art, Theatre and Politics</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Tony Fisher. Manchester: Manchester University Press, 2023. Pp. 275. £85/$130 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Bishnnupriya%20Dutt&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Bishnnupriya
Dutt</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/its-not-your-fault-five-new-plays-on-sexual-harassment-in-egypt-by-jillian-campana-dina-amin-and-the-cairo-writers-lab-foreword-by-hoda-elsadda-cairo-the-american-university-in-cairo-press-2023-pp-ix-103-29952495-pb/BE8FD65EC4E4568FF0458608C06CB8D0"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">It's
Not Your Fault: Five New Plays on Sexual Harassment in Egypt</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Jillian Campana, Dina Amin and the Cairo Writers Lab. Foreword by Hoda Elsadda. Cairo:
The American University in Cairo Press, 2023. Pp. ix + 103. $29.95/£24.95 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Areeg%20Ibrahim&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Areeg
Ibrahim</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/palgrave-handbook-of-theatre-and-migration-edited-by-yana-meerzon-and-s-e-wilmer-cham-palgrave-macmillan-2023-pp-xxvii-775-2199927999-hb/AC3CCB9CAD8938AC974BC612DC6D2F57"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Palgrave Handbook of Theatre and Migration</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. Edited by Yana Meerzon and S. E. Wilmer. Cham: Palgrave Macmillan, 2023. Pp. xxvii + 775. £219.99/$279.99
Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Beri%20Jurai%C4%87&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Beri
Juraić</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/brutal-beauty-aesthetics-and-aspiration-in-urban-india-by-jisha-menon-evanston-il-northwestern-university-press-2021-pp-248-9995-hb-3495-pb/FA7CFE6B37C35628619C802B18CD2FDB"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Brutal
Beauty: Aesthetics and Aspiration in Urban India</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Jisha Menon. Evanston, IL: Northwestern University Press, 2021. Pp. 248. $99.95 Hb; $34.95 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Ameet%20Parameswaran&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Ameet
Parameswaran</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/second-wave-reflections-on-the-pandemic-through-photography-performance-and-public-culture-by-rustom-barucha-calcutta-seagull-books-2022-pp-xviii-250-24501899599-pb/B8CBCCB689359F04D06D6227A8277F39"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">The
Second Wave: Reflections on the Pandemic through Photography, Performance and Public Culture</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Rustom Barucha. Calcutta: Seagull Books, 2022. Pp.
xviii + 250. $24.50/£18.99/₹599 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Malavika%20Priyadarshini%20Rao&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Malavika
Priyadarshini Rao</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;vertical-align:baseline">
<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/uday-shankar-and-his-transcultural-experimentations-dancing-modernity-by-urmimala-sarkar-munsi-cham-palgrave-macmillan-2022-pp-xvi-281-999911775-hb/7D990B9962FAC7F7DAE930B144F72344"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Uday
Shankar and His Transcultural Experimentations: Dancing Modernity</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Urmimala Sarkar Munsi. Cham: Palgrave MacMillan, 2022. Pp. xvi + 281. £99.99/$117.75
Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Vibha%20Sharma&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Vibha
Sharma</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/contemporary-chinese-queer-performance-by-hongwei-bao-abingdon-oxon-routledge-2023-pp-vii-157-10416269-hb/DD528FF65072C186A716C5CAB175E4B7"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Contemporary
Chinese Queer Performance</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Hongwei Bao. Abingdon, Oxon: Routledge, 2023. Pp. vii + 157. £104/$162.69 Hb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Qianxiong%20Yang&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Qianxiong
Yang</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/harold-pinter-by-graham-saunders-london-and-new-york-routledge-2023-pp-x-161-130273-hb-35997599-pb/D703254C8499B6C3421DD3D73EAA2933"><i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in;text-decoration:none">Harold
Pinter</span></i><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">. By Graham Saunders. London and New York: Routledge, 2023. Pp. x + 161. £130/$273 Hb; £35.99/$75.99 Pb.</span></a><br>
</span></b><span lang="EN-GB" style="font-size:10.0pt;font-family:"Noto Sans",sans-serif;color:#595959;mso-ligatures:none"><a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Min%20Zhang&eventCode=SE-AU"><span style="font-family:"inherit",serif;color:#006FCA;border:none windowtext 1.0pt;padding:0in">Min
Zhang</span></a></span><b><span lang="EN-GB" style="font-size:10.5pt;font-family:"Noto Sans",sans-serif;color:#333333;mso-ligatures:none"><o:p></o:p></span></b></p>
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<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Associate Professor
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Chair,
<a href="https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme">
<span style="color:#0070C0">NIE Visiting Artist Programme</span></a> </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Online Content Editor,
<a href="https://www.cambridge.org/core/journals/theatre-research-international">
<i><span style="color:#0563C1">Theatre Research International</span></i></a><i> </i>
(Cambridge) </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#2F5597">|
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#0070C0">Secretary-General (Communications)</span></a></span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"><br>
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 <br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
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<b>E</b>: <a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#0563C1">marcus.tan@nie.edu.sg</span></a>
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
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