<div dir="ltr"><div><p class="MsoNormal" style="margin:0in;font-size:12pt"><i><font face="arial, sans-serif">Now Available Online (Free & Open Access):</font></i></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><i><font face="arial, sans-serif"> </font></i></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><i><a href="https://www.thesegalcenter.org/jadt" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">Journal of American Drama and Theatre (JADT)</font></a></i></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">Volume 37 Issue 1 (Fall 2024)</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><a href="https://www.thesegalcenter.org/jadt/editorial-introduction" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">EDITORIAL INTRODUCTION</font></a></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Bess Rowen and Benjamin Gillespie</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><font face="arial, sans-serif">ARTICLES</font></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/a-comedy-of-sorts%3A-race%2C-gender%2C-and-satire-in-slave-play" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">A Comedy of Sorts: Race, Gender, and Satire in Slave Play</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Catherine Heiner</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/performing-girlhood%2C-riffing-on-lolita%3A-forn%C3%A9s-and-vogel-respond-to-nabokov" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">Performing Girlhood, Riffing on Lolita: Fornés and Vogel Respond to Nabokov</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Alisa Zhulina</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/%E2%80%9Cit%E2%80%99s-cumming-yet-for-a%E2%80%99-that%E2%80%9D%3A-bringing-the-scottish-bard-to-life-in-the-21st-century" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">“It’s Cumming yet for a’ that”: Bringing the Scottish Bard to Life in the 21st Century</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Thomas Keith</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/historiographic-metatheatre-and-narrative-closure-in-pippin%E2%80%99s-alternate-%E2%80%9Ctheo-ending%E2%80%9D" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">Historiographic Metatheatre and Narrative Closure in Pippin’s Alternate “Theo Ending”</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Allan Johnson</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><font face="arial, sans-serif">SPECIAL SECTION: QUEER VOICES</font></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/%E2%80%9Ceach-one%2C-teach-one%E2%80%9D%3A-interview-with-harvey-fierstein-" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">“Each One, Teach One”: Interview with Harvey Fierstein</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">James F. Wilson</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/artists-as-theorists-in-their-craft%3A-interview-with-james-ijames" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">Artists as Theorists in Their Craft: Interview with James Ijames</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Bess Rowen</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><font face="arial, sans-serif">BOOK REVIEWS</font></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/the-spectacular-theatre-of-frank-joseph-galati%3A-reshaping-american-theatre-in-chicago%2C-illinois.-julie-jackson.-london%3A-methuen-drama%2C-bloomsbury-publishing.-2022.-215pp.--" target="_blank" style="color:rgb(5,99,193)">The Spectacular Theatre of Frank Joseph Galati: Reshaping American Theatre in Chicago, Illinois</a>. Julie Jackson. London: Methuen Drama, Bloomsbury Publishing. 2022. 215pp.</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Reviewed by Jane Barnette</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/playing-real%3A-mimesis%2C-media%2C-and-mischief.-lindsay-brandon-hunter.-evanston%2C-illinois%3A-northwestern-university-press%2C-2021%3B-pp.-192.-" target="_blank" style="color:rgb(5,99,193)">Playing Real: Mimesis, Media, and Mischief</a>. Lindsay Brandon Hunter. Evanston, Illinois: Northwestern University Press, 2021; Pp. 192.</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Reviewed by Nicholas Orvis</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/broadway-bodies%3A-a-critical-history-of-conformity.-broadway-bodies%3A-a-critical-history-of-conformity.-ryan-donovan.-new-york%3A-oxford-university-press%2C-2023%3B-pp.-316.-" target="_blank" style="color:rgb(5,99,193)">Broadway Bodies: A Critical History of Conformity</a>. Ryan Donovan. New York: Oxford University Press, 2023; Pp. 316.</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Reviewed by Zach Dailey</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/amich%2C-candice.-precarious-forms.-performing-utopia-in-the-neoliberal-americas.-evanston%3A-northwestern-university-press%2C-2020." target="_blank" style="color:rgb(5,99,193)">Precarious Forms. Performing Utopia in the Neoliberal Americas</a>. Evanston. Candice Amich. Northwestern University Press: 2020; Pp. 232.</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Reviewed by Sebastián Eddowes-Vargas</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/queering-drag%3A-redefining-the-discourse-of-gender-bending.-meredith-heller.-bloomington%3A-indiana-university-press%2C-2020%3B-pp.-236" target="_blank" style="color:rgb(5,99,193)">Queering Drag: Redefining the Discourse of Gender Bending</a>. Meredith Heller. Bloomington: Indiana University Press, 2020; Pp. 236.</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Reviewed by Kelly I. Aliano</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><font face="arial, sans-serif">NEW ENGLAND THEATRE JOURNAL</font></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/new-england-theatre-journal%3A--a-fond-farewell--1989-2023-" target="_blank" style="color:rgb(5,99,193)">New England Theatre Journal: <i>A fond farewell</i> <i>1989-2023</i></a><i></i></font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Stuart J. Hecht, (former) Editor in Chief, <i>New England Theatre Journal</i></font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><font face="arial, sans-serif">NEW ENGLAND THEATRE IN REVIEW</font></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><a href="https://www.thesegalcenter.org/jadt/new-england-theatre-in-review-" target="_blank" style="color:rgb(5,99,193)"><font face="arial, sans-serif">New England Theatre in Review</font></a></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Martha Schmoyer LoMonaco, (former) Editor, <i>New England Theatre in Review</i></font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><b><font face="arial, sans-serif">SPECIAL PERFORMANCE REVIEWS</font></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/american-repertory-theater%E2%80%AF.-cambridge%2C-massachusetts%2C-2023%E2%80%932024-" target="_blank" style="color:rgb(5,99,193)">American Repertory Theater</a>. Cambridge, Massachusetts, 2023–2024</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Stephen Kuehler, Harvard University</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/barrington-stage.-pittsfield%2C-massachusetts%2C-2023-" target="_blank" style="color:rgb(5,99,193)">Barrington Stage</a>. Pittsfield, Massachusetts, 2023</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Steven Otfinoski, Fairfield University</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/the-sandra-feinstein-gamm-theatre-(the-gamm).-warwick%2C-rhode-island%2C-2023-24-" target="_blank" style="color:rgb(5,99,193)">The Sandra Feinstein-Gamm Theatre (The Gamm)</a>. Warwick, Rhode Island, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Tom Grady, Bristol Community College</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/greater-boston%E2%80%99s-independent-theatres.-2023-24-season-" target="_blank" style="color:rgb(5,99,193)">Greater Boston’s Independent Theatres</a>. 2023-24 Season</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Paul E. Fallon, Cambridge, Massachusetts</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/hartford-stage.-hartford%2C-connecticut%2C-2023-24-" target="_blank" style="color:rgb(5,99,193)">Hartford Stage</a>. Hartford, Connecticut, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Jan Mason, Western Connecticut State University</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/the-huntington.-boston%2C-massachusetts%2C-2023-24-" target="_blank" style="color:rgb(5,99,193)">The Huntington</a>. Boston, Massachusetts, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Paul E. Fallon, Cambridge, Massachusetts</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/long-wharf-theatre.-new-haven%2C-connecticut%2C-2023-24-" target="_blank" style="color:rgb(5,99,193)">Long Wharf Theatre</a>. New Haven, Connecticut, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Karl G. Ruling, Milford, Connecticut</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/portland-stage-company.-portland%2C-maine%2C-2023-24----" target="_blank" style="color:rgb(5,99,193)">Portland Stage Company</a>. Portland, Maine, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Megan Grumbling, University of New England, Southern Maine Community College</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/shakespeare-%26-company.-lenox%2C-massachusetts%2C-2023-" target="_blank" style="color:rgb(5,99,193)">Shakespeare & Company</a>. Lenox, Massachusetts, 2023</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Steven Ofinoski, Fairfield University</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/trinity-repertory-theatre-company.-providence%2C-rhode-island%2C-2023-24-" target="_blank" style="color:rgb(5,99,193)">Trinity Repertory Theatre Company</a>. Providence, Rhode Island, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Tom Grady, Bristol Community College</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/vermont-stage.-burlington%2C-vermont%2C-2023-24----" target="_blank" style="color:rgb(5,99,193)">Vermont Stage</a>. Burlington, Vermont, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Angela Sweigart-Gallagher, St. Lawrence University</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"> </font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><a href="https://www.thesegalcenter.org/jadt/yale-repertory-theatre.-new-haven%2C-connecticut%2C-2023-24-" target="_blank" style="color:rgb(5,99,193)">Yale Repertory Theatre</a>. New Haven, Connecticut, 2023-24</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif">Martha Schmoyer LoMonaco, emerita, Fairfield University</font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><br></font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><font face="arial, sans-serif"><br></font></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><i><b>*Founded in 1989, the Journal of American Drama and Theatre (JADT) is a widely acclaimed peer-reviewed journal publishing thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas—past and present. JADT is now accepting submissions for essays on any topics relating to theatre, drama, and popular entertainments of the Americas for consideration. Please submit completed manuscripts to <a href="mailto:jadtjournal@gmail.com" target="_blank">jadtjournal@gmail.com</a>. </b></i></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><i><b><br></b></i></p><p class="MsoNormal" style="margin:0in;font-size:12pt"><i><b>*JADT also publishes performance reviews on theatre, drama, and performance in the Americas. Please contact the performance review editor Seth Wilson in advance to propose a review at <a href="mailto:jadtperformancereviews@gmail.com" target="_blank">jadtperformancereviews@gmail.com</a>. JADT also publishes book reviews. If you would like to propose a book review, please email the Book Review Editors Maya Roth and Stephanie Lim at <a href="mailto:jadtbookreviews@gmail.com" target="_blank">jadtbookreviews@gmail.com</a>. </b></i></p></div><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="color:rgb(34,34,34)"></div><div><div><div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>