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<span style="font-weight: 700;"><u>STANISLAVSKY and
SHAKESPEARE:</u></span><u> </u></div>
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<span style="font-weight: 700;">Speaking to the "Two
Traditions" in the Twenty-first Century</span></div>
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An international symposium presented by The S Word in
partnership with Shakespeare at Notre Dame, The Theatre School
at DePaul University, the Institute for Scholarship in the
Liberal Arts (College of Arts and Letters, University of Notre
Dame) and Professor Peter Holland, McMeel Family Professor in
Shakespeare Studies at the University of Notre Dame.</div>
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<b>CO-CONVENERS:</b></div>
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Siiri Scott, Head of Acting and Directing, Affiliate Faculty
of the Initiative on Race and Resilience, University of Notre
Dame (US), Co-editor of "Stanislavsky and Race"</div>
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Dr Gerald 'Jay' Paul Skelton, Lecturer, The Royal Central
School of Speech and Drama (UK), Co-Editor of
"Stanislavsky and Race"</div>
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<b>WHEN:</b></div>
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Friday and Saturday </div>
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25 and 26 April 2025</div>
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<b>WHERE:</b></div>
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The Dr. John R. and Joyce L. Watts Theatre, The Theatre School
at DePaul University, 2350 N Racine Ave, Chicago, Illinois,
60614, United States</div>
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<b>WHAT:</b></div>
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The work of William Shakespeare created between 1589 and 1613
has for many represented the apex of text-based performance
and stagecraft in the Western world for hundreds of years. The
"system", an approach to acting developed by Russian actor,
director and teacher Constantin Stanislavsky during the late
nineteenth and early twentieth centuries, can be seen as the
oxygen that contemporary theatre artists breathe in training,
rehearsal and performance. Is it possible for us to find
ways for our modern, naturalistic tradition of acting
influenced by Stanislavsky's "system" to address the
particular demands of Shakespeare? How might we as scholars,
practitioners, teachers, and performers-in-training develop
accessible and inclusive approaches to these "two traditions"
of Western performance for the twenty-first century? </div>
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<b>HOW:</b></div>
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We invite proposals for in-person participation in the
following formats:</div>
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* an individual conventional paper (15 minutes);</div>
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* practical/workshop session (30 minutes);</div>
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* panel presentations - a minimum of 3 speakers (45 minutes)</div>
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We also welcome in-person participation in new and/or
non-traditional formats that reflect your specific content or
needs.</div>
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Please send a short written proposal of no more than 200 words
to Siiri Scott (<a href="mailto:sscott2@nd.edu"
id="OWAfa4a51dc-3c93-35df-940e-ca1283e217ce"
class="x_x_x_x_x_x_OWAAutoLink x_x_x_moz-txt-link-freetext moz-txt-link-freetext"
title="mailto:sscott2@nd.edu" data-loopstyle="linkonly"
data-linkindex="1" style="margin: 0px;"
moz-do-not-send="true">sscott2@nd.edu</a>) and Dr Gerald
"Jay" Paul Skelton (<a href="mailto:jay.skelton@cssd.ac.uk"
id="OWAc7c18fa1-b891-3c44-1687-dbc6ab4fa03a"
class="x_x_x_x_x_x_OWAAutoLink x_x_x_moz-txt-link-freetext moz-txt-link-freetext"
title="mailto:jay.skelton@cssd.ac.uk"
data-loopstyle="linkonly" data-linkindex="2"
style="margin: 0px;" moz-do-not-send="true">jay.skelton@cssd.ac.uk</a>)
to arrive no later than <b>Monday 10 March 2025</b>. Please
also include a short biography. </div>
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<b>ADDITIONAL INFORMATION:</b></div>
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This event is the second of two symposia (with the first held
in the UK in summer 2025) to serve as the key sources
for "Stanislavsky & Shakespeare", one of the series of
books to be published by Routledge under the banner
"Stanislavsky & …" that focuses on the legacy and teaching
of Konstantin Stanislavsky in the context of major
contemporary themes and creative /performance genres. </div>
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The S Word is a collaborative international research project
with partners in the UK, Europe, USA and Australia. Founded by
Bella Merlin and Paul Fryer, the project explores the legacy
of Stanislavsky's work within a contemporary context. The S
Word is supported by The Stanislavsky Research Centre,
co-hosted by the University of Leeds and the University of
Malta.</div>
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Paul Fryer PhD, FRSA, FHEA.</i></div>
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Professor, School of Performance and Cultural Industries,
University of Leeds.</i></div>
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The Stanislavsky Research Centre (University of
Leeds/University of Malta)</i></div>
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Editor, Stanislavski Studies</i>
<div><i>Series Editor, Stanislavsky And...(Routledge/Taylor
& Francis).</i></div>
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