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<b>Performance and Migration Working Group, CATR 2025</b></div>
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<b>Call for Papers</b></div>
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<b>Convenors: Yana Meerzon (yana.meerzon@uottawa.ca), Steve Wilmer (swilmer@tcd.ie), Sheetala Bhat (bsheetal@yorku.ca)</b></div>
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This year’s Performance and Migration Working Group meeting departs from the following question in the CATR’s call for papers: “How do we define ‘inside’ and ‘outside’ in a Canadian geopolitical context, and how do these distinctions resonate across Canada’s
theatre cultures and within specific performance practices?” Distinctions between inside and outside animate discourses on migration, borders, identity, and culture among other things pertaining to global movements across nations. Within Canada, new migrants
are encouraged to choose to go to “interior” places as opposed to the metropolitan centres through various immigration programs such as Atlantic Immigration Program, Rural Renewal Stream, or Rural and Northern Pilot Project. As movements across national borders
define our contemporary world and subjectivities, their impact on “interiority” in terms of emotionality as well as interior and local landscape within national borders need to be further studied.</div>
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How do performance artists navigate and complicate the distinction between the inside and outside of national borders? How is migrant interiority staged? How do acts of border crossing challenge the assumed interiority of nation-states? Whose interiority is
celebrated within the neoliberal and colonial systems of art making? How do diasporas and diasporic artists also draw cultural and linguistic lines of inside and outside? What neocolonial ideas of the frontier does migration challenge or comply with? How do
migrant artists participate in the discourse and practice of decolonization through their varied relationships with interiority? We invite proposals that speak to these and similar questions both in relation to Canada and other geographical areas.</div>
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<b>MEETING FORMAT:</b></div>
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Our meeting will take place <b>online</b> as part of <b>the CATR’s ACT I (May 26-27)</b> portion of the annual conference.</div>
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<b>DEADLINE: April 1, 2025</b></div>
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<span style="color: rgb(0, 0, 0);">Please send a 250-word proposal to </span><span style="color: rgb(200, 38, 19);"><b>Sheetala Bhat (<a href="mailto:bsheetal@yorku.ca" id="OWA5c053e38-17e8-051c-045d-bf51c6e42312" class="OWAAutoLink" style="color: rgb(200, 38, 19);">bsheetal@yorku.ca</a>)
</b></span><span style="color: rgb(0, 0, 0);">by <b>April 1, 2025</b>. Don’t hesitate to reach out to one of the convenors if you have any questions.</span></div>
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<b>STRUCTURE</b> <b>OF THE MEETING:</b></div>
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After the moderators will receive expressions of interest to participate in the CATR 2025 meeting of the group, we will ask participants to submit
<b>short papers (3-5 pages)</b> by <b>May 1, 2025</b>.</div>
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We will break the group into <b>three</b> <b>subgroups</b> based on the participants’ choices and will ask members of each subgroup to exchange their research-papers among each other. We will provide
<b>two research questions</b> to be discussed by each subgroup in relation to the topic of the conference and their own work. We will also ask each subgroup to create an outline of the major themes and issues that are raised in their online discussions.</div>
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At the conference meeting, we will ask each participant to briefly present their position statements for the group (40 min); then we will break the group into three “breakout rooms” based on the previous conversation and invite each subgroup to continue the
conversation they started before the conference (40-45 min). After a short break, the entire group will reconvene in the major room to finish the discussion and to outline next steps for the group’s meetings in 2025-2026 academic year.</div>
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<b>Moderator of the CATR 2025 meeting is Sheetala Bhat</b> (<b>bsheetal@yorku.ca</b>).</div>
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<p><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(0, 0, 0);"><b>Yana Meerzon</b></span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(0, 0, 0);">Professeure titulaire| Full Professor</span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: black;">Directrice des études théâtrales | Director of Theatre Studies</span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: black;">Département de théâtre | Department of Theatre<br>
Université d’Ottawa | University of Ottawa<br>
135 Séraphin-Marion, bureau 304B<br>
Ottawa (ON), Canada, K1N 6N5</span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(36, 36, 36);"><a href="https://uniweb.uottawa.ca/members/270" class="ContentPasted0" style="margin-top: 0px; margin-bottom: 0px;">https://uniweb.uottawa.ca/members/270</a></span></p>
<p style="background-color: white; margin-top: 0cm; margin-bottom: 0cm;"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(32, 31, 30); background-color: white;"><a href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" target="_blank" class="ContentPasted0" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" style="margin-top: 0px; margin-bottom: 0px;">Editor.
Critical Stages/Scènes critiques</a></span><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(32, 31, 30);"><br>
</span><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(12, 100, 192);"><a href="https://www.springer.com/series/17066" target="_blank" class="ContentPasted0" title="https://www.springer.com/series/17066" style="color: rgb(12, 100, 192); margin-top: 0px; margin-bottom: 0px;">Co-Editor.
Palgrave Studies in Performance and Migration (book series)</a></span></p>
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