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<span style="font-weight: 700;">Call for Papers Extended to
24 March!</span></div>
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<span style="font-weight: 700;"><u><br>
</u></span></div>
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<span style="font-weight: 700;"><u>STANISLAVSKY and
SHAKESPEARE:</u></span><u> </u></div>
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<span style="font-weight: 700;">Speaking to the "Two
Traditions" in the Twenty-first Century</span></div>
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An international symposium presented by The S Word in
partnership with Shakespeare at Notre Dame, The Theatre
School at DePaul University, the Institute for Scholarship
in the Liberal Arts (College of Arts and Letters, University
of Notre Dame) and Professor Peter Holland, McMeel Family
Professor in Shakespeare Studies at the University of Notre
Dame.</div>
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<b>CO-CONVENERS:</b></div>
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Siiri Scott, Head of Acting and Directing, Affiliate Faculty
of the Initiative on Race and Resilience, University of
Notre Dame (US), Co-editor of "Stanislavsky and Race"</div>
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Dr Gerald 'Jay' Paul Skelton, Lecturer, The Royal Central
School of Speech and Drama (UK), Co-Editor of "Stanislavsky
and Race"</div>
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<b>WHEN:</b></div>
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Friday and Saturday </div>
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25 and 26 April 2025</div>
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<b>WHERE:</b></div>
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The Dr. John R. and Joyce L. Watts Theatre, The Theatre
School at DePaul University, 2350 N Racine Ave, Chicago,
Illinois, 60614, United States</div>
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<b>WHAT:</b></div>
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The work of William Shakespeare created between 1589 and
1613 has for many represented the apex of text-based
performance and stagecraft in the Western world for hundreds
of years. The "system", an approach to acting developed by
Russian actor, director and teacher Constantin Stanislavsky
during the late nineteenth and early twentieth centuries,
can be seen as the oxygen that contemporary theatre artists
breathe in training, rehearsal and performance. Is it
possible for us to find ways for our modern, naturalistic
tradition of acting influenced by Stanislavsky's "system" to
address the particular demands of Shakespeare? How might we
as scholars, practitioners, teachers, and
performers-in-training develop accessible and inclusive
approaches to these "two traditions" of Western
performance for the twenty-first century? </div>
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<b>HOW:</b></div>
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We invite proposals for in-person participation in the form
of individual papers (15 minutes), but particularly
encourage practical/workshop sessions (30 minutes)</div>
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We also welcome in-person participation in new and/or
non-traditional formats that reflect your specific content
or needs.</div>
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Please send a short written proposal of no more than 200
words to Siiri Scott (<a href="mailto:sscott2@nd.edu"
id="OWA701262f3-a257-e947-493e-7b6d098ab9a1"
class="x_x_x_x_x_x_OWAAutoLink x_x_x_moz-txt-link-freetext moz-txt-link-freetext"
title="mailto:sscott2@nd.edu" data-loopstyle="linkonly"
data-linkindex="1" style="margin: 0px;"
moz-do-not-send="true">sscott2@nd.edu</a>) and Dr Gerald
"Jay" Paul Skelton (<a href="mailto:jay.skelton@cssd.ac.uk"
id="OWAd07b7f02-7c44-9bdd-b157-c4dec7f84ede"
class="x_x_x_x_x_x_OWAAutoLink x_x_x_moz-txt-link-freetext moz-txt-link-freetext"
title="mailto:jay.skelton@cssd.ac.uk"
data-loopstyle="linkonly" data-linkindex="2"
style="margin: 0px;" moz-do-not-send="true">jay.skelton@cssd.ac.uk</a>)
to arrive no later than Monday 24 March 2025. Please also
include a short biography. </div>
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<b>ADDITIONAL INFORMATION:</b></div>
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This event is the second of two symposia (with the first
held in the UK in summer 2025) to serve as the key sources
for "Stanislavsky & Shakespeare", one of the series of
books to be published by Routledge under the banner
"Stanislavsky & …" that focuses on the
legacy and teaching of Konstantin Stanislavsky in the
context of major contemporary themes and creative
/performance genres. </div>
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The S Word is a collaborative international research project
with partners in the UK, Europe, USA and Australia. Founded
by Bella Merlin and Paul Fryer, the project explores the
legacy of Stanislavsky's work within a contemporary context.
The S Word is supported by The Stanislavsky Research Centre,
co-hosted by the University of Leeds and the University of
Malta.</div>
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==========</div>
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UPDATED BOOKING ANNOUNCEMENT</div>
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==========</div>
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<span style="font-weight: 700;">Book Now! Second Keynote
Event Announced!<u><br>
<br>
</u></span></div>
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<span style="font-weight: 700;"><u>STANISLAVSKY and SHAKESPEARE:</u></span><u> </u></div>
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<span style="font-weight: 700;">Speaking to the "Two
Traditions" in the Twenty-first Century</span></div>
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<br>
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An international symposium presented by The S Word in
partnership with Shakespeare at Notre Dame, The Theatre
School at DePaul University, the Institute for Scholarship
in the Liberal Arts (College of Arts and Letters, University
of Notre Dame) and Peter Holland, the McMeel Family
Professor in Shakespeare Studies at the University of Notre
Dame.</div>
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<b><br>
</b></div>
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<b>WHEN:</b></div>
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Friday and Saturday </div>
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25 and 26 April 2025</div>
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<b>WHERE:</b></div>
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The Dr. John R. and Joyce L. Watts Theatre, The Theatre
School at DePaul University, <a
href="https://www.google.com/maps/search/2350+N+Racine+Ave,+Chicago,+Illinois,+60614,+United+States?entry=gmail&source=g"
target="_blank"
id="OWA3ff32749-1982-629d-c396-570abaa5407d"
class="x_OWAAutoLink"
title="https://www.google.com/maps/search/2350+N+Racine+Ave,+Chicago,+Illinois,+60614,+United+States?entry=gmail&source=g"
rel="noopener noreferrer" data-auth="NotApplicable"
data-linkindex="0" style="margin: 0px;"
moz-do-not-send="true"> 2350 N Racine Ave, Chicago,
Illinois, 60614, United States</a></div>
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<br>
</div>
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<b>WHAT:</b></div>
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The work of William Shakespeare has for many represented the
apex of text-based performance in the Western world. The
"system", an approach to acting developed by Constantin
Stanislavsky during the late nineteenth and early twentieth
centuries, can be seen as the oxygen that contemporary
theatre artists breathe. Is it possible for us to find ways
for our modern, naturalistic tradition of acting influenced
by Stanislavsky's "system" to address the particular demands
of Shakespeare? How might we as scholars, practitioners,
teachers, and performers-in-training develop accessible and
inclusive approaches to these "two traditions" of Western
performance for the twenty-first century?</div>
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<br>
</div>
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<b>KEYNOTE EVENTS:</b></div>
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<b><br>
</b></div>
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<b>Mikael Burke, </b>Princess Grace Award-winning
director, deviser and educator, in conversation with
Siiri Scott </div>
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<b>Bella Merlin</b>, PhD, actor, writer, Distinguished
Professor of Acting and Directing (University of
California, Riverside) with "'My Tender Feet': Where the
Iamb Meets the 'I Am'', a practice-based research
presentation </div>
</li>
</ul>
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<br>
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<i>Additional papers, panels and workshops to be announced!</i></div>
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<b>CO-CONVENERS:</b></div>
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Siiri Scott, Head of Acting and Directing, Affiliate Faculty
of the Initiative on Race and Resilience, University of
Notre Dame (US), Co-editor of "Stanislavsky and Race"</div>
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Dr Gerald 'Jay' Paul Skelton, Lecturer, The Royal Central
School of Speech and Drama (UK), Co-Editor of
"Stanislavsky and Race"</div>
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<b>BOOKING:</b></div>
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Please book online at <b>Ticket Source: <a
href="https://www.ticketsource.co.uk/booking/select/vrbxjlzbdmdr"
target="_blank"
id="OWA4add2c4d-d98e-876d-b293-701bff2434d2"
class="OWAAutoLink moz-txt-link-freetext"
title="https://www.ticketsource.co.uk/booking/select/vrbxjlzbdmdr"
rel="noopener noreferrer" data-linkindex="1"
data-auth="NotApplicable" style="margin: 0px;"
moz-do-not-send="true">
https://www.ticketsource.co.uk/booking/select/vrbxjlzbdmdr</a></b></div>
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Full price $31.50 (or £27.10)</div>
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Students: $12.50 (or £11.00)</div>
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<b>The S Word</b> is a collaborative international research
project with partners in the UK, Europe, USA and Australia.
Founded by Bella Merlin and Paul Fryer, the project explores
the legacy of Stanislavsky's work within a contemporary
context. The S Word is supported by <b>The Stanislavsky
Research Centre</b>, co-hosted by the University of Leeds
and the University of Malta.</div>
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