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<p class="MsoNormal">Dear Colleagues,<br>
<br>
<b><i>Theatre Research International</i></b> Vol. 50 Issue 2 is now available on Cambridge Core.
<br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/latest-issue">https://www.cambridge.org/core/journals/theatre-research-international/latest-issue</a><br>
<br>
IFTR members may access the journal via Cambridge Core with their existing login and password.<br>
<br>
<br>
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<p class="MsoNormal"><i><br>
Editorial</i><br>
<b><br>
<a href="https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-on-learning-and-not-learning-from-history/FDC85278A1F1A7489B22E2B8F3242E9A">Editorial: On Learning (and Not Learning) From History</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=LISA%20FITZPATRICK&eventCode=SE-AU"><span style="font-weight:normal">LISA FITZPATRICK</span></a><br>
<span style="font-weight:normal"> <o:p></o:p></span></b></p>
<p class="MsoNormal"><br>
<i>Article</i><br>
<b><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/towards-a-new-approach-to-palestinian-performance-history-revisiting-mawsim-alnabi-rubin/06794CB49D75131D66E029D9B5E253F7">Towards a New Approach to Palestinian Performance
History: Revisiting Mawsim al-Nabi Rubin</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DIA%20BARGHOUTI&eventCode=SE-AU"><span style="font-weight:normal">DIA BARGHOUTI</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/bodily-encounter-towards-a-utopian-community-through-stage-presence/FA7CA0C63A41B4FB5F4CDF3ACC4E1FD7">The Bodily Encounter: Towards a Utopian Community through Stage
Presence</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=LINAN%20XIAN&eventCode=SE-AU"><span style="font-weight:normal">LINAN XIAN</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/on-the-texturetexxture-of-woven-vaginas-textile-theatrical-objects-and-disembodied-female-labour/FCC34C33E966A566FD5AE2B7B171F345">On the Texture/<i>Texxture</i> of
Woven Vaginas: Textile Theatrical Objects and (Dis)embodied Female Labour</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YINGJUN%20WEI&eventCode=SE-AU"><span style="font-weight:normal">YINGJUN WEI</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-workshop-hatikva-neighborhood-an-independent-communitybased-theatre-in-israel/8AE953909134DD01A5F3975CAE30EEF5">Theatre Workshop HaTikva Neighborhood: An
Independent Community-Based Theatre in Israel</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NAPHTALY%20SHEM-TOV&eventCode=SE-AU"><span style="font-weight:normal">NAPHTALY SHEM-TOV</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/early-cinema-attraction-and-estrangement-revisiting-bertolt-brechts-interpretation-of-mei-lanfang/49B23C8E79E575FBEA8713255145B1AD">Early Cinema, Attraction and Estrangement:
Revisiting Bertolt Brecht’s Interpretation of Mei Lanfang</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=WEI%20FENG&eventCode=SE-AU"><span style="font-weight:normal">WEI FENG</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/denunciatory-press-and-neoavantgarde-theatre-in-cold-war-hungary-if-necessary-lets-ban/BB86D0C2EA662D58CA753E59D37A2040">Denunciatory Press and Neo-Avant-Garde Theatre
in Cold War Hungary: ‘If necessary, let's ban!’</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NO%C3%89MI%20HERCZOG&eventCode=SE-AU"><span style="font-weight:normal">NOÉMI HERCZOG</span></a></b><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><i>Book Review</i><br>
<b><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/of-kings-and-clowns-leadership-in-contemporary-egyptian-theatre-since-1967-by-tiran-manucharyan-london-and-new-york-routledge-2024-pp-288-4-bw-illus-135180-hb/36C6C93DA00BA6D799BED6CC389405DA"><i>Of
Kings and Clowns: Leadership in Contemporary Egyptian Theatre since 1967</i>. By Tiran Manucharyan. London and New York: Routledge, 2024. Pp. 288 + 4 b/w illus. £135/$180 Hb.</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Asmaa%20Yehia%20El-Taher&eventCode=SE-AU"><span style="font-weight:normal">Asmaa Yehia El-Taher</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/muscle-works-physical-culture-and-the-performance-of-masculinity-by-broderick-d-v-chow-evanston-il-northwestern-university-press-2024-pp-xvii-254-8995-hb-3295-pb/41D3504AAB65207CC06A3170E5C74A5E"><i>Muscle
Works: Physical Culture and the Performance of Masculinity</i>. By Broderick D. V. Chow. Evanston, IL: Northwestern University Press, 2024. Pp. xvii + 254. $89.95 Hb; $32.95 Pb.</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Conor%20Heffernan&eventCode=SE-AU"><span style="font-weight:normal">Conor Heffernan</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/utpal-dutts-theatre-continuities-and-disjunctions-in-his-politics-and-aesthetics-by-uddalak-dutta-singapore-springer-nature-2023-pp-xxv-185-11999-hb/9D5FE942A5E94CC00E722E6609069836"><i>Utpal
Dutt’s Theatre: Continuities and Disjunctions in His Politics and Aesthetics</i>. By Uddalak Dutta. Singapore: Springer Nature, 2023. Pp. xxv + 185. $119.99 Hb.</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Sohail%20Hoda&eventCode=SE-AU"><span style="font-weight:normal">Sohail Hoda</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/utopian-drama-in-search-of-a-genre-by-sian-adiseshiah-london-methuen-drama-2023-pp-xi-223-90-hb-2899-pb/55670C5D1BA5AF801F6112023D59B8EC"><i>Utopian Drama: In Search
of a Genre</i>. By Siân Adiseshiah. London: Methuen Drama, 2023. Pp. xi + 223. £90 Hb; £28.99 Pb.</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Trish%20Reid&eventCode=SE-AU"><span style="font-weight:normal">Trish Reid</span></a><br>
<span style="font-weight:normal"> <br>
</span><a href="https://www.cambridge.org/core/journals/theatre-research-international/article/bodies-on-the-front-lines-performance-gender-and-sexuality-in-latin-america-and-the-caribbean-edited-by-brenda-werth-and-katherine-zien-ann-arbor-university-of-michigan-press-2024-pp-x-460-43-illus-95-hb-3995-pb/E45F1AADAFAE99E3FDA002AFAB025E8D"><i>Bodies
on the Front Lines: Performance, Gender, and Sexuality in Latin America and the Caribbean</i>. Edited by Brenda Werth and Katherine Zien. Ann Arbor: University of Michigan Press, 2024. Pp. x + 460 + 43 illus. $95 Hb; $39.95 Pb.</a><br>
<a href="https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Osvaldo%20Sandoval-Leon&eventCode=SE-AU"><span style="font-weight:normal">Osvaldo Sandoval-Leon</span></a></b><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal" style="margin-bottom:3.75pt;background:white"><b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Marcus TAN (Dr)
</span></b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Associate Professor
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">Visual and Performing Arts
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> National Institute of Education
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Chair,
<a href="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme">
<span style="color:#0070C0">NIE Visiting Artist Programme</span></a> </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Programme Leader, Practicum
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">| </span>
<span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"> Assistant Editor,
<a href="https://www.cambridge.org/core/journals/theatre-research-international">
<i><span style="color:#0563C1">Theatre Research International</span></i></a><i> </i>
(Cambridge) </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#2F5597">|
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"><a href="https://www.iftr.org/organisation/executive-committee"><span style="color:#0070C0">Secretary-General (Communications)</span></a></span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#0070C0">,
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">International Federation for Theatre Research
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black"><br>
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 <br>
<b>T</b>: (65) 6790-3552 </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:gray">GMT+8h</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
<b>F</b>: (65) 6896-9143 </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
<b>E</b>: <a href="mailto:marcus.tan@nie.edu.sg"><span style="color:#0563C1">marcus.tan@nie.edu.sg</span></a>
</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:red">|</span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:black">
<a href="https://dr.ntu.edu.sg/cris/rp/rp01583"><span style="color:blue">Profile</span></a>
</span><b><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#494A4C"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="color:black"><a href="#_https://orcid.org/0000-0003-4481-1772"><span style="font-size:10.5pt;font-family:"initial",serif;color:blue;text-decoration:none"><img border="0" width="16" height="16" style="width:.1666in;height:.1666in" id="Picture_x0020_11" src="cid:image001.png@01DC20C0.E50C4AF0"></span><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:blue"> </span><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:blue">https://orcid.org/0000-0003-4481-1772</span></a></span><span style="font-size:10.5pt;font-family:"Helvetica",sans-serif;color:#494A4C"><o:p></o:p></span></p>
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