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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Dear colleagues,</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">We would like to bring to your attention the newly published issue,
<b>Vol. 7 No. 1 of the <i>European Journal of Theatre and Performance</i></b> (<i>EJTP</i>), associated with the European Association for the Study of Theatre and Performance (EASTAP) and now published by the University of Groningen Press (UGP). This issue,
with the themes of <b>Exile and (Neo)Nationalism</b> in the Essays section, was edited by
<b>Pieter Verstraete and Yana Meerzon. </b></span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(200, 38, 19);">The
<b>online launch</b> of this new issue is on</span></p>
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<span style="letter-spacing: 0px;"><b>Tuesday, November 11, 2025</b><br>
12:00 pm (EST, New York) / 18:00 (CEST, Berlin)<br>
In collaboration with the International Research Group Performance and Migration</span></div>
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<span style="letter-spacing: 0px;">As part of this launch, contributors and editors of the volume will briefly introduce their work, which will be followed by an open Q/A session.</span></div>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><b><i>Editorial</i></b></span></p>
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<b><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="6d660c80-8eb3-41cc-8515-2a0ef72c16ae" originalsrc="https://doi.org/10.21827/ejtp.7.1.42827" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42827&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575625131%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=sTMELmudpAljkfhR%2FAzVbxjVcWkpebqg39mbssSJhdI%3D&reserved=0" class="OWAAutoLink" id="OWA5fc0de8e-0f73-eb63-7caf-47019b558818" href="https://doi.org/10.21827/ejtp.7.1.42827">Editorial
Introduction: Exile and (Neo)Nationalism</a></b></p>
</li></ul>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Pieter Verstraete, Yana Meerzon</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><b><i>Essays</i></b></span></p>
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</span></p>
<ul style="text-align: left; margin-top: 0px; margin-bottom: 0px; list-style-type: square;" data-editing-info="{"applyListStyleFromLevel":true,"unorderedStyleType":3}">
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Revolutions, Oppressions, Exiles, and Returns: Rethinking Portuguese Independent Theatre and Its Transnational Networks</a></b></p>
</li></ul>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Laura Rozas, Pedro Cerejo</span></p>
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<p style="line-height: normal; margin-top: 0px; margin-bottom: 0px;" role="presentation">
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Șerban and a Romanian Post-Exilic Experience: Contributions to the Renewal of the National Theatre (1990–1993)</a></b></p>
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<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Isabella Drăghici</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
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<b><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="1746bdbc-f602-4b0d-a7fc-3d98c389fcd7" originalsrc="https://doi.org/10.21827/ejtp.7.1.42830" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42830&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575655851%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=9GzQxMb7ebR0sAtT1keO1hBkXrNbiBC0a%2FWEEzMUWqE%3D&reserved=0" class="OWAAutoLink" id="OWA7ee150de-fb60-b790-2344-0f8c2075cb7d" href="https://doi.org/10.21827/ejtp.7.1.42830">The
Parable of the Hero-Refugee and the Narrative of the Deserving Migrant on the Italian Stage</a></b></p>
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<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Rosaria Ruffini</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
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<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Alba Salluzzo</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
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<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Furkan Ak</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
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<p style="line-height: normal; margin-top: 0px; margin-bottom: 0px;" role="presentation">
<b><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="5f0d3a11-ce4d-4eff-a0cb-5fe12ee71534" originalsrc="https://doi.org/10.21827/ejtp.7.1.42833" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42833&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575684881%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=s5uSM60eHo513sQY86w3oSePvF9Jr8vCIlxx%2BPw35cM%3D&reserved=0" class="OWAAutoLink" id="OWAfcd7c6d4-c625-f5db-f8e2-a774f6d43da1" href="https://doi.org/10.21827/ejtp.7.1.42833">Rehearsing
National Identities through the Framework of Transcultural Theatre</a></b></p>
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<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Maria Shevtsova</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Maria Shevtsova</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Maria Shevtsova, Rui Pina Coelho, Joana d’Eça Leal</span></p>
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<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Joana d’Eça Leal, Rui Pina Coelho</span></p>
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Censorship in Contemporary Europe: Silence and Protest</a></i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="0f8304f8-02e3-4d28-8245-eb4c05028707" originalsrc="https://doi.org/10.21827/ejtp.7.1.42841" title="Original URL:
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(Exeter: University of Exeter Press)</a></b></p>
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Click to follow link." class="OWAAutoLink" id="OWA58d28b22-b8fc-cecc-08db-d93740484781" href="https://doi.org/10.21827/ejtp.7.1.42842">Éliane
Beaufils et Climène Perrin (dir.). 2024. </a><i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="b871f70f-1b6b-4094-8101-15b504da13e7" originalsrc="https://doi.org/10.21827/ejtp.7.1.42842" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42842&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575806906%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=cs%2BD5L7QCbKw5hPnw59M8LiXePU5GWcEzTGgYp9SYeE%3D&reserved=0" class="OWAAutoLink" id="OWAcef93031-8197-79cf-82c0-a1bccba226dc" href="https://doi.org/10.21827/ejtp.7.1.42842">L’écologie
en scène: Théâtres politiques et politiques théâtrales</a></i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="cc925d27-29ef-4fa6-9d0a-925053a6096b" originalsrc="https://doi.org/10.21827/ejtp.7.1.42842" title="Original URL:
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Presses Universitaires de Vincennes)</a></b></p>
</li></ul>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Emma Mebaret</span></p>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px; min-height: 15px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
<ul style="text-align: left; margin-top: 0px; margin-bottom: 0px; list-style-type: square;" data-editing-info="{"applyListStyleFromLevel":true,"unorderedStyleType":3}">
<li style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(200, 38, 19); margin-right: 0px; margin-left: 0px;">
<p style="line-height: normal; margin-top: 0px; margin-bottom: 0px;" role="presentation">
<b><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="4c88193c-a8f6-45f7-b0df-c7fc2b241dd4" originalsrc="https://doi.org/10.21827/ejtp.7.1.42843" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42843&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575825768%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=PJi0EhCADEOx0P26Kxdb4Uw3daV%2FLJSLWSLCtaLgZfc%3D&reserved=0" class="OWAAutoLink" id="OWAcf59dd8e-0b8a-f2a6-6b38-a8ebf8b5c8c9" href="https://doi.org/10.21827/ejtp.7.1.42843">Milo
Rau. 2023. </a><i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="b694e01c-3643-4681-b473-509afd2df358" originalsrc="https://doi.org/10.21827/ejtp.7.1.42843" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42843&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575835542%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=cEnrhD0zECO%2Fxvz8mG9FoydrfJO2zhbjEvjaQqKXUlk%3D&reserved=0" class="OWAAutoLink" id="OWA51317a56-7355-368c-bfef-7c785316bfb9" href="https://doi.org/10.21827/ejtp.7.1.42843">Die
Rückeroberung der Zukunft: Ein Essay</a></i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="dde809c3-969a-4322-ab11-9f37590c6854" originalsrc="https://doi.org/10.21827/ejtp.7.1.42843" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42843&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575845072%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=H%2FpAXc1iSYsyppmxeQ6EtEffVlPXT1lRLYjzkPCRE6M%3D&reserved=0" class="OWAAutoLink" id="OWA474f891d-166e-5fe6-c900-40f05a532428" href="https://doi.org/10.21827/ejtp.7.1.42843"> (Hamburg:
Rowohlt)</a></b></p>
</li></ul>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Lindsay Parkhowell</span></p>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px; min-height: 15px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
<ul style="text-align: left; margin-top: 0px; margin-bottom: 0px; list-style-type: square;" data-editing-info="{"applyListStyleFromLevel":true,"unorderedStyleType":3}">
<li style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(200, 38, 19); margin-right: 0px; margin-left: 0px;">
<p style="line-height: normal; margin-top: 0px; margin-bottom: 0px;" role="presentation">
<b><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="985e47b4-c93a-4d90-99b8-05988977fcaa" originalsrc="https://doi.org/10.21827/ejtp.7.1.42844" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42844&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575854538%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=UUX2VXb0N%2BwfE2dr%2BJD4%2B7EOKEHnN9sKPvMEt3kLhOI%3D&reserved=0" class="OWAAutoLink" id="OWA78f5c3a6-a616-5686-f2f5-02a0e91ba6b7" href="https://doi.org/10.21827/ejtp.7.1.42844">Julia
Hoczyk and Wojciech Klimczyk (eds.). 2022. </a><i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="e4384c55-a1f8-42d1-8345-954158abc47b" originalsrc="https://doi.org/10.21827/ejtp.7.1.42844" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42844&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575864026%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=Z4EJ7kABCqxEWXsaRJLvEuQKMd7iti5jvv5ywSpCBhI%3D&reserved=0" class="OWAAutoLink" id="OWAac610ca4-668b-6cca-fcfc-bdcc51dee1c4" href="https://doi.org/10.21827/ejtp.7.1.42844">Prze-pisać
taneczny modernizm: sieci </a></i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="e9c23f08-f639-4735-962f-8d75ff10c352" originalsrc="https://doi.org/10.21827/ejtp.7.1.42844" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42844&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575873498%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=u0r1PY6sfr1eJ5L6fxf0BJVSPmOa8vyP387qm5rIfrk%3D&reserved=0" class="OWAAutoLink" id="OWA7bfe601c-ca57-16c0-46d6-c8433d7f1da8" href="https://doi.org/10.21827/ejtp.7.1.42844">(Krakow:
Wydawnictwo Uniwersytetu Jagiellońskiego)</a></b></p>
</li></ul>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Sara Živkovič Kranjc</span></p>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px; min-height: 15px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span></p>
<ul style="text-align: left; margin-top: 0px; margin-bottom: 0px; list-style-type: square;" data-editing-info="{"applyListStyleFromLevel":true,"unorderedStyleType":3}">
<li style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(200, 38, 19); margin-right: 0px; margin-left: 0px;">
<p style="line-height: normal; margin-top: 0px; margin-bottom: 0px;" role="presentation">
<b><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="a52ae3fe-f586-435e-81ba-e609f2992a97" originalsrc="https://doi.org/10.21827/ejtp.7.1.42845" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42845&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575882926%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=hptONCrdYgxvAFO8HKnSgyimCqn4pYFTnI97dS8NLTs%3D&reserved=0" class="OWAAutoLink" id="OWA54158485-d73d-64b3-00d6-cdd89a2eba3c" href="https://doi.org/10.21827/ejtp.7.1.42845">Mario
Telò. 2024. </a><i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="b5e6007f-398a-4956-b5d6-5bf17f885b1b" originalsrc="https://doi.org/10.21827/ejtp.7.1.42845" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42845&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575891884%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=C5rprahfwBEzZGV7ZuZy%2Fbg1UhikhcOccQQm9ujD2f8%3D&reserved=0" class="OWAAutoLink" id="OWA1e7a56cc-5aef-e7b1-d4d6-3def84614413" href="https://doi.org/10.21827/ejtp.7.1.42845">Reading
Greek Tragedy with Judith Butler</a></i><a style="color: rgb(200, 38, 19); margin-top: 0px; margin-bottom: 0px;" data-auth="NotApplicable" data-outlook-id="7a2b7cd5-bcaa-45d2-bec8-b72a1b967427" originalsrc="https://doi.org/10.21827/ejtp.7.1.42845" title="https://emea01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.21827%2Fejtp.7.1.42845&data=05%7C02%7C%7C8cd359738385489becc308de0ff33ec8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638965734575900974%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=509on18tS02kVeNIGu3mxxkod4tLeloQlQXS4DlhAAE%3D&reserved=0" class="OWAAutoLink" id="OWAa4d0417e-458d-cc58-b185-e579651a2418" href="https://doi.org/10.21827/ejtp.7.1.42845"> (London:
Bloomsbury Academic)</a></b></p>
</li></ul>
<p style="text-align: left; text-indent: 0px; line-height: normal; margin: 0px 0px 0px 40px;">
<span style="font-family: "Helvetica Neue Thin", "Helvetica Neue", Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">Sofia Frade</span></p>
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